Tag Archive: yellow



senryu – yellow dragon tie = la cravate aux dragons jaunes

Chinese veil,
yellow dragon tie
all yours, cad roué

yellow dragon

voile chinois,
la cravate aux dragons jaunes
pour toi, mon roué

Richard Vallance

senryu – a glaring of cats = les yeux lumineux


senryu - a glaring of cats = les yeux lumineux

a glaring of cats
whose night reflects their eyes -
curious yellow

glaring of cats by night 620

la nuit illumine
les yeux lumineux des chats -
jaunes curieux

Richard Vallance  

A group of cats is called either a clowder or a glaring in English.


autumn haiku (Tom Thomson, 1877-1917, Autumn’s Garland, 1915) -  aureate leaves = feuilles dorées

aureate leaves
sweeping a rock face,
autumn’s garland

autumn autumns garland tom thomson 620

feuilles dorées
sur une paroi rocheuse,
guirelande d’automne

Richard Vallance 

This is the first of many haiku I shall be composing based on the magnificent paintings of the most famous of the illustrious Canadian Group of Seven painters of the early twentieth century, Tom Thomson (1877-1917). Tom Thomson disappeared on Canoe Lake on July 8, 1917. He was presumed drowned.

Cet haiku est le tout premier de plusieurs que je vais écrire, qui sont tous basés sur les peintures magnifiques du peintre Tom Thomson ( 1877 – 1917 ), le plus renommé de tous le peintres illustres du Groupe des Sept canadien au début du vingtième siècle. Tom Thomson a disparu au Lac Canoe le 8 juillet, 1917. Il est présumé mort. 


spring haiku de printemps – melting snow = la neige fondue

melting snow
into yellow slush
you naughty dog

doing peeing haiku

la neige fondue
en gadoue jaune
toi, chien méchant

Richard Vallance


spring haiku de printemps – picked buttercup = renoncule cueillie

picked buttercup,
our yellow souvenir
under the chin!

buttercup haiku 620

renoncule cueillie,
quelle mémoire jaune
sous le menton !

Richard Vallance


The full range of marvelous, rich colours the Minoans at Knossos used on their stunning frescoes!

knossos-colour-on-the-frescos-a

knossos-colours-on-the-frescoes-b
 
We notice right away that the colours they had at their disposal ran from various shades of yellows (saffron) and oranges to blues and various shades of purple. The Minoans at Knossos, Pylos, Thera (Thira, Santorini) and elsewhere were unable to reproduce green pigment.  This minor drawback had little or no perceptible effect on the splendid results they almost invariably came up with in their breathtaking frescoes, the likes of which were not reproduced anywhere else in the Occidental ancient world, except perhaps by the Romans, especially at Pompeii. The Romans were able to reproduce greens. 

Two lovely frescoes from Pompeii:

garden-fresco-from-pompeii

botticelli-like-fresco-from-pompeii


 

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