Tag Archive: wind



winter haiku – blood wolf moon = lune du loup saignant

rabid gusts,
trees stripped of their leaves –
blood wolf moon

blood wolf moon

rafales féroces,
arbres dépouillés –
lune du loup saignant

Richard Vallance


winter haiku d’ haiku - silver grass = herbe argentée

silver grass
bowing to the blast -
trees whip-lashed

haiku snowstorm grass

herbe argentée
s’agenouillant à la rafale -
arbres fouettés

Richard Vallance

If we yield to life we survive better than if we put our backs up. Si l’on cède à la vie, on réussit mieux que si l’on reste têtu.


2 more haiku in Mycenaean Linear B, ancient Greek, English & French, this time about silence in the temple…

 eni-temeno

 


Double-Edged Sword - Haiku in Mycenaean Linear B: the sea, the wind & the navy... Who is the victor?

While this haiku is possible in Mycenaean Greek, it is impossible in any later ancient Greek dialect. This happens to be the case because in the Linear B syllabary all syllables must perforce end with a vowel, never a consonant. Hence, it is impossible to distinguish the subject from the object in the second declension in o in Mycenaean Greek composed in Linear B. But that is just what makes this haiku so intriguing. See the notes following the first translation into archaic Greek for my explanations. Click to ENLARGE:

Haiku in Mycenaean Linear B the sea the wind the victor
  

Haiku: “peri rimeni Aminisi anemo paidio pasi” = “all around the port of Amnisos the wind is everyone’s child”

Haiku of Amnisos in Linear B, ancient Greek, English and French =
Haïkou d’Amnisos en linéaire B, en grec antique, en anglais et en français

Click to ENLARGE

peri rimeni Aminiso anemo paidio pasi

This is the one haiku in Linear B which appeals to my sensibilities more than any other I have composed en Mycenaean Greek. The reason is simple: the Linear B of this haiku, which anyone can read in its Latinized version beneath the original in Linear B, has an entrancing rhythm, a melody about it that truly appeals to the ear, evoking a light sea breeze wafting around the sunny harbour of Amnisos. The language of the haiku is simple and direct. The alliteration, assonance and onomatopoeia are almost Italianate and so very appealing. In a word, I love it.

I elected to use the miniature Minoan frieze of the harbour of Thera, rather than a frieze of Amnisos, for its exquisite beauty.

I sincerely hope you love it as much as I do, and that you will tag it with LIKE. I would also appreciate your comments.

Thank you

Grâce à sa musicalité innée qui se déroule si aisément à travers les lignes, ce haïkou est assurément celui qui plaît à mes sensibilités avant tous les autres que j’ai jamais composé en grec mycénien. La version du haïkou en lettrage latin de l’intégral en linéaire B a un charme tout particulier, une mélodie qui nous hante l’oreille, comme si une brise maritime légère s’élèvait sur le havre ensoleillé d’Amnisos. Son langage est simple et direct. Il y en a une allitération, une assonance et une onomatopée quasi italiennes qui s’y harmonisent si parfaitement. En un mot, je m’en raffole.

Au lieu de choisir une fresque d’Amnisos, j’ai pris la frise miniature minoenne du havre de Thère, grâce à sa beauté exquise.

J’espère donc qu’il vous plaise autant qu’à moi, et que vous l’évalueriez selon sa qualité poétique.  Je serais également reconnaissant de vos commentaires, si’il y en a.

Richard

 
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