Tag Archive: thematic



Minoan Linear A poetic vocabulary (11 pages):

goddesses on signet Minoan prince saffron goddess

Thematic:

Agriculture/crops:

adara/adaro/adaru = having to do with the measurement of grain crops 
ade/adu = large unit of measurement for grains, something like bales?
adureza = dry unit of measurement, usually for grains
akara/akaru a1kra (arch. acc.) - or - = end, border + akaru a0gro/j = field

akiro a1kairoj = not in season, unseasonable -or- a1grioj = living in the fields; uncultivated, unreclaimed

amaja a3maca= wagon
arura a0rou/ra = unit of land -or- plough Cf. Linear B arura 
arudara a1lutra <- a1lutron = threshing instrument (arch. acc.) 
asesina = sowing or harvesting
asadaka a1staxa (arch. acc.) <- a1staxu (Minoan nom. sing.)= ear of corn
Asara2 TOP = Linear B Asaro A0sa/roj -or- may refer to Assur, hence Assyria -or- asara2 (asarai) = without flax
atare a0ta=lei/ <- a0ta=lo/j = tender; delicate (of crops?) -or- a0qa/lei <- a0qa/loj = without a branch, twig; without an olive branch -or- a9dro/j = full-grown – or – a0qa/rh = groats, meal, green fodder, forage, provender Cf. kupari = galingale
atiru a0te/lu <- a0te/loj = without boundaries 
dame/dami/daminu OM dame = a type of grain -or-  da/mei = in the village
data2 (datai) = olive
datu = olive tree 
dideru = einkorn wheat Cf. Linear B didero
durare = a type of grain, durum wheat?
dureza/durezase = unit of dry measurement? (variation of: adureza?)
ero e0llo/j = young deer, fawn 
etori e1tori <- e1toj = for a year 
itaja = unit of liquid volume for olive oil? (exact value unknown)
kami ka/mi (dat./instr. sing.) <- ka/ma = (on a) unit of land Cf. Linear B ka/ma 
kasaru = surviving? (drought)
kasitero kasite/loj = boundary of...?
kikadi = cicada (cricket) 
kireta2 (kiretai) kri/qai = barley
kiretana kriqani/aj = like barley, barley (attributive)
kiro/kirisi/kiru = owed Cf. Linear B oporo = they owed
kunisu = emmer wheat (derivation: Semitic kunnisu) 
madi = a ram? (probably, because it appears to be masculine and is used in conjunction with the ideogram for sheep 
maru/maruku/maruri mallo/j = flock of wool Cf. Linear B mali mali/ = wool 
meza me/za (fem. sing.) = greater, bigger Cf. Linear B mezo me/zwn me/zoj
minute (sing. minuta2 – minutai) = type of grain – or – Mi/nute\ <- Mi/noste\ = and Minos
mireja mhle/a = apple tree -or- mh/leia (gen. sing.) = belonging to a sheep
miru mh=lon = a sheep or goat -or- mh1lon = apple, tree fruit 
mirutarare = sheep pen? -or- apple orchard?  
naka na/ka (arch. acc) <- na/koj = sheep’s fleece    
nea ne/a = new Cf. Linear B ne/#a = new                                                                                                                                                                                                                        
pa3ni/pa3nina/pa3niwi =  millet -or- spelt 
pa3qe -or- qepa3 i.e. paiqe -or- qepai  (+ ideogram for wheat”) = a kind of grain similar to wheat
paja/pajai/pajare = contracted, indentured, hired?
para para\ = beside, from beside, by the side of, beyond etc.
pasarija = pa=sa + rija = all-encompassing, international? 
pura2 = a type of grain 
qanuma = a type of grain
qareto = lease field? Cf. Linear B onato
qaqisenuti xalkei/a=senuti = with bronze craftsmanship 
qera2u/qera2wa = a type of grain, probably millet or spelt
qeria = probably millet or spelt
reza = standard unit of linear measurement
rima lei=mac = garden -or- lei=mma = remnant, remains -or- lh=mma = income, receipts  (dative/instrumental plural) 
ruma/rumu/rumata/rumatase lu=matase <- lu=ma = offscourings from grain, i.e chaff
sara2 (sarai)/sarara/saru = flax
saro/saru/sarutu sa/ron = broom, threshing floor
sato sa/ton = Hebrew unit of measurement.
sedina = celery Cf. Linear B serino se/linon
seikama = seika/ma = a unit of land dedicated to a/the goddess
setamaru  = something to do with wool/spun wool?
sika  shka/ (arch. acc.) <- shko/j = fold, enclosure; (sheep) pen; sacred precinct, shrine = <- zhka/zw = to pen in Cf. Linear B periqoro peri/boloj = sheep pen 
Sikine TOP loc. sing. of Sikinos -or- OM = a type of grain
simita = mouse (arch. acc.) simito/simitu PGS  = zmi/nqoj mouse 
sitetu See situ below
situ si/tu si/tun = wheat Cf. Linear B sito si/ton 
suniku (common) su/noiku <- su/noikoj  living together, joint inhabitant,  dweller
suzu su/zuc = yoked together; paired Cf. Linear B zeukesi zeu/gesi = yoked (instr. pl.)
taikama taika/ma = a unit of land, something like an acre?
ta2re/ta2reki sta=rei<-  stai=j wheaten flour mixed into dough + tasise sta/sisei
tai2si (taisi) stai=sei <- stai=j = with wheaten flour mixed into a dough (instr. pl.)
teke/teki = small unit of measurement for wine @ 27 1/2 units per tereza
tereza = liquid unit of measurement
terikama te/leika/ma = extent of land, i.e. something like acreage, lit. land to its extent or boundary 
tero/teroa te/loj = end, boundary 
Tumitizase TOP -or- = linen Cf. Linear B rino li/non
udiriki u3driki <- u3droj = with water 
ukare = sowing or harvesting
Uminase TOP  Cf. Linear B Aminiso = harbour 
waja #ai/a = earth, land

Flowers/fruit/spices etc:

adakisika a0dakissi/ka = adorned with ivory
adoro a1doroj = receiving no gifts; unpaid; giving no gifts
akumina a0ku/mina = without cumin? (arch. acc.)
amawasi a3mai#asi = with violets
asidatoi a0si/datoi = without pomegranate (dat. sing.)
atade a1ttade = from father 
ditamana = dittany
dudama = a kind of fruit = dates? (found in context with figs)
ia i0a/  (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets/ija See i0a/ (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets (variation) 
kanaka kna/ka (arch. acc. of respect) = saffron Cf Linear B kanako kna/koj
kapa/kapaqe/kapate/kapi  karpa/ (arch. acc.) + karpa/te\ = fruit, and fruit, with fruit -or- kara 
kera/kero ke/raj = horn (ivory) -or- khr/oj = bees-wax Cf. Linear B kera
kikina = some kind of fruit, quite likely grapes (from context)
kireza = measurement of figs = 1 basket of figs carried on a shoulder
kitai/kitei = kestai/ kestei/ = embroidered (lit.), but in context = basketry, basket(s)
kupari ku/pairi (instr. sing.) <- ku/pairoj = marsh-plant used to feed horses, galingale or ginger
kuruku kro/koj = crocus, saffron
mera mela/j = black  - or – me/la (arch. accus.) = honey 
merasasaa/merasasaja (very common) = something to do with honey/ honeycomb or honey drink? 
meto mesto/j = full, filled
mireja mhle/a = apple tree -or- mh/leia (gen. sing.) = belonging to a sheep
miru mh=lon = a sheep or goat -or- mh1lon = apple, tree fruit 
mirutarare = sheep pen? -or- apple orchard? 
mita  mi/nqa = mint Cf. Linear B mita 
muru mu/ron = sweet oil extracted from plants; sweet oil; unguent; perfume Cf. Linear B musaja
nira2 (nirai) -or- nita2 (nisai) OM = figs + ideogram = NI (in both Linear A & B)
oteja o1steia <- o1streia = oyster pigment; oyster purple Cf. Linear B otawero o1streioj 
para para\ = beside, from beside, by the side of, beyond etc.
patane OM = lentils? (fem. pl.)
pimata PGS = pimento
pita/pitaja pista/kion = pistachio-nut 
pitakase/pitakesi pista/kesi = with pistachio-nuts (instr. pl.) 
punikaso funi/kasoj = crimson, red (of wine) Cf. Linear B ponikiya ponikiyo foini/kioj = crimson 
ra2ri (rairi) = lily 
rima = lei=mac = garden -or- lei=mma = remnant, remains -or- lh=mma = income, receipts  (dative/instrumental plural)
rimisi See above (instr. pl.) 
rosa = rose 
rosirasiro = rosebush? 
sasame sasa/me = sesame Cf. Linear B sasa/ma
sedina = celery Cf. Linear B serino se/linon
tuma/tumei/tumi qumi/a = incense
turunu qo/rnoj = throne Cf. Linear B tono qo/rnoj 
unana = penny royal?
uro ou0=loj = entire, total. Cf. kuro ku=rwn = reaching, attaining i.e. = total
waja #ai/a = earth, land

Military:
ia i0a/  (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets/ija See i0a/ (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets (variation) 
ima i9ma/c = leather strap, thong; lash of a whip 
ira2 i1la=i = troops, companies, squadrons
kara kara/ = head Cf. Linear B kara(pi) kara/afi
kipisi ci/fisi <- ci/foj = with swords (instr. pl.) 
kito xitw/n = chiton Cf. Linear B kito
koiru koi/ru <- koi/roj = hollow (ships) 
koru ko/ruj = helmet Cf. Linear B koru
kuro/kurotu ku=roj = supreme power, authority & ku=rwn = reaching, attaining i.e. = total Cf. Linear B tosa to/sa
kuto/kutu ku/toj = shield, cuirass
qaro ba=lo/j = threshold 
qero be/loj = arrow, dart
radu r9a/bdu <- r9a/bdoj = rod, switch; spear-staff or shaft
ra2ti (raiti) r9aisth/r = a hammer, crusher
sama/samaro sama/ro = burial ground Cf. Linear B Sama/ra sama/ra = place name -or- monument -or- grave mound OR sa/meron = today
sere -or- rese seirei/ <- seira/ = with a cord or rope (instrumental sing.)
tarasa = sea Cf. Linear B tarasa qa/lassa
toraka qw/rac  = breastplate, cuirass = Linear B toraka
toro tau/roj = bull -or- qolo/j = dome or circular vault; vaulted building
zuma zw=ma girdle, belt; girded tunic

Pottery/vessels:

aresana a1leisana <- a1leison = an embossed cup (arch. acc.) = de/paj (Homeric) Cf. Linear B dipa/arisu  a1leisu <- a1leison = embossed cup 
daqera = a type of vase? 
darida = large vase, slightly smaller than a pithos
daropa = stirrup jar 
depa/depu de/paj de/pu (acc.?)= cup Cf. Linear B dipa di/paj & Homeric de/pa
dipa3a (dipaia) di/paia <- di/paj de/paj = from a cup 
dipaja di/paia <- di/paj de/paj = from a cup (alternate?)
ipinama/ipinamina i0pneume/na (fem. sing.) = baked (bread)

itisapuko i1tija = round + pu/coj = box-wood -or- NMOM i1tija = round + puko = tripod = round tripod Cf. puko below

kadi kadi/ (instr. sing.) <- ka/doj = with a jar or vessel for water or wine
kadusi ka/dusi <= ka/doj = with buckets or pails (instr. pl.) 
kairo kairo/j = due measure 
kaki/kaku xalku/ <- xalko/j = copper, bronze
kakunete = bronze alloy - or – crafted in bronze 
karopa2 (karopai) = kylix with 2 handles-or-   ka/rdoph = wooden vessel/vase
kataro ka/nqa=roj = scarab (Egyptian) + drinking cup
kera/kero ke/raj = horn (ivory) -or- khr/oj = bees-wax Cf. Linear B kera
meto mesto/j = full, filled
meza me/za (fem. sing.) = greater, bigger Cf. Linear B mezo me/zwn me/zoj
nere = larger amphora size (fem. plural) 
posa po/sa= (arch. acc.) <- poi/si=j = drink(ing), beverage -or- po/sa <- po/soj = how great, how much, of what value?  
posi -or- sipo posi/ = on, upon Cf. Linear B posi -or- sipo = si/fwn = reed, straw, siphon
puko= tripod Cf. Linear B pukoso pu/coj = box-wood. Apparently unrelated 
qapa3 (qapai)  = (large) handle-less vase or amphora
qapaja/qapajanai qapaja (genitive sing. of qapa3 (qapai))
qaqisenuti xalkei/a=senuti = with bronze craftsmanship
qedi = a flagon (for wine) 
qeti (instr. sing.)/qetiradu = a very large pot, pithos Cf. Linear B PGS qeto pi/qoj
supa3 (supai)/supa3ra (supaira) =small cup with handles Cf. Linear B dipa mewiyo
supi/supu/supu2 = largest size pithos -or-   supu/h sipu/h sipu/a i0pu/a = meal tub = suropa = some kind of vase?
tisa = pottery worker/working on pottery/pottery wheel (tourney)

Religious:

ara a0ra/ = a prayer 
araju a0ra=u <- a0ra=oj = prayed for 
arati a0ra=ti/ <- a0ra/toj = with something unblessed Cf. makarite  below
atanate a0qa/na=te = with an immortal (instr. sing.) 
damate Da/mate = Damater Cf. Linear B Damate -or- da/matei = in the village 
dare da=lei/ <- da=lo/j = (with) a firebrand or torch/daro LIG  da=lo/j = firebrand
dewa -or- wide de/#a = goddess? 
dija/dije Di/ #a Cf. Linear B Diwija Di#i/a = priestess of Zeus
dumitatira2 (dumitatirai) = left or right side of a spindle? (or verso) 
dura2 dou/lai = slaves (fem.) Cf. Linear B doera doe/la 
esija e3sti/a = hearth of a house 
Idamate/Idamete  0Idama/te = Mother goddess of Mount Ida
Idarea  0Idar9ea = Rhea, goddess of Mount Ida 
ijate i0a/ter = doctor, physician Cf. Linear iyate  i0a/ter
iruja i0e/ruia = priestess Cf. Linear B iyereya i0e/reia
jamauti i1amauti = as a means of healing <- i1ama i1amatoj = healing, remedy
jarisapa  = some kind of dress? Cf. Linear B sapa
jasaja  0Ia=sai/a <-  0Ia=sw/ of/from the goddess of healing and health  
jasidara i0a=sida=la/ = healing torch/firebrand (arch. acc.) 
jate/jateo i0a=th/r = physician 
jatimane i0a=th/j mannei= = with the bread of healing  
mana/manapi (common) Hebrew manna= = (of spiritual food) bread from heaven, the supernatural food eaten by the Israelites in the desert  
maza/mazu  ma=za  = kneaded or unbaked bread, barley bread/cake
miturea mi/toj 9Re/a= thread of a warp for Rhea 
narepirea narepir9e/a = Rhea, goddess of the snake/ snake goddess?   
pimitatira2 (pimitatirai) = right of left side of a spindle? -or- verso  
qajo ba/i"on = a palm branch (Kafkania pebble)
ranatusu (agglutinative?) -or-  r9anatusu < - r9anti/zw = to cleanse, purify 
rani r9a=ni/j = anything sprinkled (as in a libation); rain drop See also ratise
ratise (ritise?) = la/tise <- la/taj = with drops of wine (instr. pl.)
rea r9e/a = goddess, Rhea
sea/sei se/a se/ei (dat. sing.) = snake goddess (from K. Bouzanis)
seikama= seika/ma = a unit of land dedicated to a/the goddess
taro tau=roj = bull
tejai qei/ai = goddesses
tuma/tumei/tumi qumi/a = incense
turunu qo/rnoj = throne Cf. Linear B tono qo/rnoj
wanaka = king 
wireu #i0eru/ <- #i0ero/j = priest Cf. Linear B iyero i0ero/j

Textiles:

arako a0ra/c = weaver Cf. Linear B arakateya a0laka/teiai = weavers

arakokuzu = weavers establishment?

Trees:

datu = olive tree
keda = cedar
kidapa = ash wood? (a type of wood) Appears only on Linear B tablet KN 894 N v 01
kidaro kidaro ke/dron = juniper berry-or- kedri/a = oil of cedar Cf. Linear B kidaro
kitanasija/kitanasijase kitanisija (gen. sing.) ki/rtanasia <- ki/rtanoj = terebinth tree Cf. Linear B kitano ki/rtanoj 
tarawita = terebinth tree Cf. Linear B kitano ki/rtanoj & timito ti/rminqoj 
tarina qalli/na (arch. acc.) <- qallo/j = a young shoot, twig; festive olive-branch 

Wine:

aka -or- kaa a0ska/ (arch. acc.) <- a0sko/j = leather bag, wine skin
apero a1mpeloj = a vine  Cf. Linear B apero 
kupazu kou/fazu <- kou/fazoj = light (of wine) 
kuqani = a type of (fine) wine
kuwa -or- waku ku/#a = girl Cf. Linear B kowa ko/#a – or – #a0sku/ <- #a0sko/j = leather bag or wineskin 
punikaso funi/kasoj = crimson, red (of wine) Cf. Linear B ponikiya ponikiyo foini/kioj = crimson 
qesizue (plural) = wine goblets? 
ratise (ritise?) = la/tise <- la/taj = with drops of wine (instr. pl.)
unaa oi0nai/a = wine vessel, wine jug, wine jar
winadu #i1nadu = vineyard Cf. Linear B winado
winu #i/nu = wine Cf. Linear B wono  #oi/noj
winumatari #i/numa/tari = wine dedicated to Mother Earth


ONOTOP:

Adunitana 
Akanu/Akanuzati  OP A0rxa/nej = Archanes (Crete) 
Arenesidi 
Asasumaino
Asasumaise 
Asuja Cf Linear B Asiwiya A0si/#ia
Demirirema 
Dawa = place name Cf. LB dawo Da/#oj / Da/#on 
Dikate = Mount Dikte Cf. Linear B Dikatade Diktai/oj 
Dupu3re Cf. Linear B Dupu2razo Dupurai/zoj 
Ida/Idaa/Idada/Idapa3  = Mount Ida
Idunesi
Ikurina  
Inajapaqa
Itinisa = female resident of Itanos?
Izurinita
Kana/kanatiti/kanau Kanna
Kanijami Kaniamis (female name)?
Ketesunata
Kina Kinna
Kiso Kissos
Kosaiti Cf. Linear B Kutaito Ku/taistoj (not necessarily the same place) 
Masuja
Mekidi Megi/di <- Me/gaj = the Great
Mesenurutu
Midemidiu
Pamanuita
Raja/Raju  9Rai/a = Raia Cf. Linear B Raja 
rea PGS r9e/a = goddess, Rhea
Rujamime
Rukito
Seimasusaa 
Setoija 
Sewaude  
Sezanitao
Sikira/Sikirita 
Sima
Suria 
Tainaro 
Ta2rimarusi
Tejare TOP Cf. Linear B Tejaro qei/aroj = place of the gods?
Tita = Ti=ta/n
Uminase
Waduna 
Wadunimi 

Wasatomaro

Zadeu


KEY! The all-pervasive present participle active in Mycenaean Linear B & in all subsequent ancient Greek dialects:

Table of attributed (A) and derived (D) present participles actives in Mycenaean Linear B & in Attic Greek:


the-present-participle-active-in-mycenaean-linear-b

NOTE: It is crucial that you read all of the notes in this table in their entirety; otherwise, a sound grasp of the conjugation of the present participle, especially of the feminine singular, in Mycenaean Linear B will not make any sense whatsoever.

The present participle active was all-pervasive and extremely common in both Mycenaean Linear B & in all subsequent ancient Greek dialects. It was heavily used to express continuous action in the present tense as well as accompaniment, i.e. to indicate that someone or something was with someone or something else. Thus, in Mycenaean Linear B, the phrase eo qasireu could mean either “being an overlord” or “with an overlord”, just as in Attic Greek eon basileus could mean either “being king” or “with the king”. As I have pointed out in the table above, the word qasireu never meant “king” in Mycenaean Linear B, since king was always wanaka. The qasireu was a lower ranking supernumerary, something equivalent to an overlord or baron.

Another point which we simply must keep uppermost in mind is the fact that digamma (pronounced something like “wau” or “vau”, was extremely common in both Mycenaean Linear B and its kissing cousin dialect, Arcado-Cypriot Linear C, only falling permanently out of use in ancient Greek after the decline of these two dialects (Linear B, ca. 1600-1200 BCE & Linear C, ca. 1100-400 BCE). As is clearly attested by the table above, the feminine singular form of the present participle active, which was characterized by the all-pervasive presence of digamma in Mycenaean Linear B & in Arcado-Cypriot Linear C, had completely shed digamma even as early as the artificial amalgam, Homeric Epic Greek, even though digamma was still pronounced in the Iliad. 


Reduplication in the perfect active of the verb pine = to drink, derived (D) from the attested (A) perfect active of kaue = to burn in Mycenaean Linear B:

The attested perfect active of the Mycenaean Linear B verb, kaue = to burn, serves as the template upon which any number of derived (D) verbs in the active perfect may be extrapolated. This table illustrates this process:

mycenaean-linear-b-kekausa-pepoka-perfect

In order to form the active perfect tense, the ancient Greeks usually (but not always) resorted to the technique of reduplication, whereby the first syllable of the verb is prepended to the initial syllable of the conjugation of the same verb in the aorist (simple past), with this proviso, that the orthography of first syllable, or in Mycenaean Linear B, the vowel of the first syllabogram, is morphed into e from the initial vowel of the first syllable of the aorist, which is usually a or o in the aorist, prior to reduplication. Thus, in Mycenaean Linear B, the first syllabogram must reflect the same change. Hence, ekausa (aorist) = I burned (once only) becomes kekausa (perfect) = I have burned, while epoka (aorist) = I drank (once only) becomes pepoka= I have drunk. This transformation is critical, since both the aorist and the perfect active tense are very common in ancient Greek.

Mycenaean Linear B Progressive Grammar: Derived (D) Verbs/Infinitives in S = 487

In this post we find derived (D) infinitives in S. Here is the table of derived (D) thematic and athematic infinitives starting with the Greek letter S:

mycenaean-linear-b-nfinitives-in-s-620

It is absolutely de rigueur to read the NOTES on Mycenaean versus ancient archaic Greek orthography in the chart above. Otherwise, the Linear B sentences will not make any sense.

It was highly likely that official documents, poetry (if any) and religious texts were written in natural Mycenaean Greek on papyrus. However, the moist climate of Crete and the Greek mainland meant that papyrus, unlike in the arid climate of Egypt, was doomed to rot away. So we shall never really know whether or not there were documents in natural Mycenaean Greek. But my educated hunch is that there were.

The total number of natural Mycenaean Greek derived (D) infinitives we have posted so far = 487.


Mycenaean Linear B Progressive Grammar: Derived (D) Verbs/Infinitives in O = 254 + 36/Total = 290

In this post we find derived (D) infinitives in O. Here is the table of derived (D) thematic and athematic infinitives starting with the Greek letter O in Mycenaean Greek:

mycenaean-derived-infinitives-in-o-620

Be absolutely sure to read the extensive NOTES I have composed for the vowel O, as  there a a number of issues surrounding this vowel (O).

We are also introducing the middle voice, which never appears on any extant Linear B tablet. This voice exists only in Greek (ancient and modern), a centum (Occidental) and Sanskrit, a satim (Oriental) language. Greek and Sanskrit are essentially the Western and Eastern versions of the same proto-Indo-European language from which they both derive. Hence, the middle voice exists in both these languages, but in scarcely any other language in the world, ancient or modern.

But what is the middle voice? The middle voice is essentially self-referential, meaning that the person(s) any middle voice verb represents is or are acting of his or their own accord or in her or their own interest or that they are actively involved in the action the verb signifies. The middle voice is also used in reflexive verbs, such as dunamai, oduromai, onomai etc. etc., whereas the present indicative is found in Greek verbs such as oarizein, odaien, hodeuein = Mycenaean oarize, odaie, odeue. It is not the same thing as the present indicative, which is much simpler. Ancient and modern Greek both contain thousands of middle voice verbs, probably as many as thematic verbs, of which the infinitive always ends in ein in Greek and e in Mycenaean. READ ALL of the NOTES in the chart of Mycenaean verbs in O. Otherwise, what I am explaining here will not make much sense.  The complete conjugation of middle voice verbs in Mycenaean Linear B appears in the chart above.     

The 4 sentences following Greek verbs in O make it perfectly clear that we are dealing with natural Mycenaean Greek as it was actually spoken. Note that the natural plural in OI is to found in spoken Mycenaean, rather than the singular in O we find almost (but not always) exclusively on the extant Linear B tablets.

It was highly likely anyway that official documents, poetry (if any) and religious texts were written in natural Mycenaean Greek on papyrus. However, the moist climate of Crete and the Greek mainland meant that papyrus, unlike in the arid climate of Egypt, was doomed to rot away. So we shall never really know whether or not there were documents in natural Mycenaean Greek. But my educated hunch is that there were.

The total number of natural Mycenaean Greek derived (D) infinitives we have posted so far = 290.


Mycenaean Linear B Progressive Grammar: Derived (D) Verbs/Infinitives in N = 235 + 19/Total = 254 + Dative Singular

In this post we find derived (D) infinitives in N and the combinatory Greek consonant ks in natural Mycenaean Greek.

Here is the table of attested thematic and athematic infinitives starting with the Greek letters n & ks in Mycenaean Greek:

mycenaean-derived-infinitives-in-n-620

Be absolutely sure to read the extensive NOTE I have composed for the combinatory Greek vowel ks, as it embodies an entirely new principle in the Mycenaean orthographic convention for combinatory vowels. This convention must be firmly kept in mind at all times.

Dative Singular Masculine introduced for the first time ever: 

Note also that we introduce here for the first time the masculine dative singular in Mycenaean Greek. The sentence Latinized with Knossos in the dative reads:

Aikupitiai naumakee kusu Konosoi etoimi eesi.

In this sentence, the word Konosoi must be dative, because it follows the Mycenaean  Linear B preposition kusu. This is the first time ever that the masculine dative singular has ever appeared in Mycenaean Greek. Note that the ultimate i for the masc. dative sing is never subscripted in Mycenaean Greek, just as it was not in most other early ancient Greek alphabetic dialects.

The 4 sentences following Greek verbs in M make it perfectly clear that we are dealing with natural Mycenaean Greek as it was actually spoken. Note that the natural plural in OI is to found in spoken Mycenaean, rather than the singular in O we find almost (but not always) exclusively on the extant Linear B tablets.

We have managed to come up with some really intriguing sentences for the letters N and KS. One of them could have been lifted from the Mycenaean epic (if ever there was one) corresponding to the Iliad. It was highly likely anyway that official documents, poetry (if any) and religious texts were written in natural Mycenaean Greek on papyrus. However, the moist climate of Crete and the Greek mainland meant that papyrus, unlike in the arid climate of Egypt, was doomed to rot away. So we shall never really know whether or not there were documents in natural Mycenaean Greek. But my educated hunch is that there were.

The total number of natural Mycenaean Greek derived (D) infinitives we have posted so far = 254. I shall indicate the running total as we proceed through the alphabet.


							

Mycenaean Linear B Progressive Grammar: Derived (D) Verbs/Infinitives in K = 85!/Total = 199

In this post we find 85 derived (D) infinitives in K in natural Mycenaean Greek, of which there are far more than with any other letter in the Mycenaean dialect and all other later ancient Greek dialects alike, with the possible exception of verbs beginning with P (or PI in ancient Greek). This is because many more words in both ancient and modern Greek, for that matter, begin with the letter K. Why so? The prepositional prefix KATA is prepended to more verbs in Greek, ancient and modern alike, than any other prepositional prefixes, with the possible exception of PERI and PRO, which we will encounter soon.

Here is the table of attested thematic and athematic infinitives starting with the Greek letter K in Mycenaean Greek. As you can see, the number of verbs I have selected from a far larger vocabulary of verbs beginning with KATA stands at 85:

mycenaean-linear-b-thematic-present-infinitives-k-620i

It is absolutely essential that you read the notes on the Mycenaean Linear B orthography of ancient Greek verbs; otherwise, you are bound to misinterpret the spelling of Mycenaean verbs in Linear B. The two most important characteristics of verbs in Mycenaean Linear B, regardless of the letter with which the first syllable or syllabogram starts (let alone K), are as follows:

1. It is impossible for two consonants to follow one another in any Mycenaean verb in Linear B, because Linear B is a syllabary, and all syllabograms must end in a vowel. See the table for K above for concrete examples.
2. It is impossible for Mycenaean present infinitives in Linear B to end in ein, because once again, this is a syllabary, and no syllable can ever end in a consonant. For this reason, ancient Greek thematic present infinitives which always end in EIN must end in E in Mycenaean Greek. See the table for K above for concrete examples.
3. For the other two so-called rules for Mycenaean Greek spelling of thematic present infinitives, see the table for K above for concrete examples. 
 
The 4 sentences following Greek verbs in K make it perfectly clear that we are dealing with natural Mycenaean Greek as it was actually spoken. Note that the natural plural in OI is to found in spoken Mycenaean, rather than the singular in O we find almost (but not always) exclusively on the extant Linear B tablets. See infinitives in D for a further explanation for this phenomenon.

It is also highly likely that official documents, poetry (if any) and religious texts were written in natural Mycenaean Greek on papyrus. However, the moist climate of Crete and the Greek mainland meant that papyrus, unlike in the arid climate of Egypt, was doomed to rot away. So we shall never really know whether or not there were documents in natural Mycenaean Greek. But my educated hunch is that there were.

The total number of natural Mycenaean Greek derived (D) infinitives we have posted so far = 199, of which 85 or 42.7% fall under the Greek letter K alone! I shall indicate the running total as we proceed through the alphabet.


Mycenaean Linear B Progressive Grammar: Derived (D) Verbs/Infinitives in I = 18/Total = 114

In this post we find 18 derived (D) infinitives in I in natural Mycenaean Greek.

Here is the table of attested thematic and athematic infinitives starting with the Greek letter I in Mycenaean Greek:

i-derived-infinitives620

It is absolutely essential to read the 2 Notes [1] and [2] in the table above, since they explain critical differences between ancient archaic Greek and Mycenaean Linear B orthography of the same verbs (or any words, for that matter).

The 4 sentences make it perfectly clear that we are dealing with natural Mycenaean Greek as it was actually spoken. Note that the natural plural in OI is to found in spoken Mycenaean, rather than the singular in O we find almost (but not always) exclusively on the extant Linear B tablets. 

It is also highly likely that official documents, poetry (if any) and religious texts were written in natural Mycenaean Greek on papyrus. However, the moist climate of Crete and the Greek mainland meant that papyrus, unlike in the arid climate of Egypt, was doomed to rot away. So we shall never really know whether or not there were documents in natural Mycenaean Greek. But my educated hunch is that there were.

The total number of natural Mycenaean Greek derived (D) infinitives we have posted so far = 24 A + 12 D + 35 E + 25 Z, EI, TH + 18 I for a TOTAL of 114. I shall indicate the running total as we proceed through the alphabet.


Mycenaean Linear B Progressive Grammar: Derived (D) Verbs/Infinitives in Z, EI, TH = 25/Total = 96

In this post we find 25 derived (D) infinitives in Z, EI & TH in natural Mycenaean Greek.

Here is the table of attested thematic and athematic infinitives starting with the Greek letters Z, EI & TH in Mycenaean Greek:

z-ei-th-derived-infinitives620

It is vital to note that Mycenaean Greek had no long E (EI Latinized in Greek) or theta (TH Latinized in Greek). Thus, Mycenaean Linear B had to substitute E for EI and T for TH. In addition, there is no syllabary series for the Greek letter lambda  = L, and so Mycenaean Greek had to use the R series of syllabograms for L, i.e. RA, RE, RI, RO, RU. Read the complete notes in the table above.

The 4 sentences make it perfectly clear that we are dealing with natural Mycenaean Greek as it was actually spoken. Note that the natural plural in OI is to found in spoken Mycenaean, rather than the singular in O we find almost (but not always) exclusively on the extant Linear B tablets. See infinitives in D for a further explanation for this phenomenon.

It is also highly likely that official documents, poetry (if any) and religious texts were written in natural Mycenaean Greek on papyrus. However, the moist climate of Crete and the Greek mainland meant that papyrus, unlike in the arid climate of Egypt, was doomed to rot away. So we shall never really know whether or not there were documents in natural Mycenaean Greek. But my educated hunch is that there were.

The total number of natural Mycenaean Greek derived (D) infinitives we have posted so far = 24 A + 12 D + 35 E + 25 Z, EI, TH for a TOTAL of 96. I shall indicate the running total as we proceed through the alphabet.


CRITICAL POST: The Present and Imperfect Tenses of Reduplicating – MI – Verbs in Linear B [Click to ENLARGE):

linear b mi verbs present and imperfect tense
NOTE: If you are a researcher in Linear B, it is highly advisable that you read and thoroughly digest this post in its entirety, as it constitutes a major milestone in the exegesis of my Theory of Regressive Linear B Grammar & Vocabulary.  Failure to read this post may result in an inability to further confirm or reject, either in whole or in part, the premises upon which my entire theory rests.
 
Athematic – MI –verbs are shared in large part by Greek and and Sanskrit, respectively the Occidental & Oriental agnates or close/near descendents of the same extremely ancient (proto-) Indo-European class.  All verbs of this athematic class invariably share the standard ending –  mi –  in the 1st. person sing. of the present tense.

Ancient Greek and Indic (Sanskrit) are similar in many respects, which may strike some as surprising since they cross the hypothetical “satem/centum” line, which the Occidental sub-class (all ancient Greek dialects & Latin & its dialects) treats the Proto IE gutturals as hard (Gr.e9kato/n Lat. centum = 100,) as against Sanscrit, chatam, and Old Persian, satem. But there are so many structural affinities, from parallel verb forms down to musical pitches, that some special connections must have existed between and prior to these two groups, which appear to have almost certainly sprung from the same Proto IE ancestral language. On the other hand, while Sanskrit is normally considered solidly IE, less than 40% of Greek vocabulary and grammar appears to derive directly from Proto IE roots, giving rise to the hypothesis that other extra-structural factors are surely involved in the evolution of ancient Greek. This phenomenon, peculiar to Greek alone, may also have significant implications for the eventual decipherment of Linear A. But this is mere speculation on my part.  Still... you never know. At any rate, I intend eventually to follow this avenue of approach, my small contribution to the eventual decipherment of at least a tiny substrate (superstrate?) of Linear A sometime in 2016.

Seminal Characteristics of Athematic MI Verbs:

Athematic MI verbs are characterized, for the most part, by their own unique set of endings, although the 2nd. and 3rd. plurals are virtually the same as those of the Thematic so-called “regular” verbs in ancient Greek. It would appear, then, that “regular” verbs retained the athematic 2nd. and 3rd. plurals of their ancestors, the athematic Mi verbs, while casting all other athematic endings aside.

Reduplication in the Present Tense:

The most striking phenomenon of MI verbs is reduplication in the present tense, which is restricted to perfect formations of “regular” thematic verbs in ancient Greek. This state of affairs raises two critical questions in my mind: [1] are so-called “regular” verbs in ancient Greek derived from the more ancient athematic  MI verbs, or did they simply borrow the athematic endings of the athematic 2nd. and 3rd. plurals the ancestral MI verbs? Later this year, I shall demonstrate the apparent yet quite possibly significant link between the SI endings of the present indicative and san endings of the perfect indicative in both classes of verbs, thematic and athematic. Another truly striking similarity between the more archaic and early “regular” forms in Homeric Greek is the sharing of the SI ending in the dative plural. I am highly inclined to stress the statistically probable significance of these endings, in both their verbal and nominal forms, shared by their more ancestral and and early “regular” forms in both Mycenaean and Homeric Greek.

This phenomenon will re-appear frequently in both the attested [A] and derivative [D] forms of the 3rd. person plural of all verbs, thematic or athematic regardless and in the SI ending of the dative plural, not only in Homeric, but also in Mycenaean Linear B, which attests to their extreme antiquity in ancient Greek. The fact that these forms were already fully developed in Mycenaean Greek strongly points to the likelihood that they arose from the earliest ancestral (proto-) Greek of Mycenaean and Homeric Greek alike (above all in the Catalogue of Ships in Book II of the Iliad). All of these grammatical constructs are already firmly rooted in Mycenaean and Homeric Greek, giving rise to my hypothesis that it is not only possible, but highly feasible to regressively reconstruct huge chunks of Mycenaean Greek grammar and vocabulary from their (quasi-direct) descendent, the Homeric Greek of (the Catalogue of Ships) of the second Book of the Iliad.

All of this raises another hypothetical question in my mind: did there exist ancestral forms of thematic verbs in ancient Greek which shared all or most of their endings, in all tenses, with their (apparently) more ancient MI counterparts, giving rise to the hypothesis that both athematic and thematic verbs were derived from even more ancient verbal constructs, in which all remotely ancient (proto-) Greek verbs were in fact athematic? That this is possible, and even probable, is reinforced by the uncontested fact that in Sanskrit both MI and O verbs alike share reduplication, meaning there is no marked distinction between “thematic” and “athematic” verbs in Sanskrit, in other words, they are of one and the same class. This phenomenon then reappears in a restricted number of Latin perfects, like tutudi from tundo "beat", old tetuli from thw stem tul- which supplements the forms of Latin. fero (Gr.fe/rw ). Since Latin developed in parallel with ancient Greek, but independently from the latter, this then raises the question yet again, how on earth can it be that such reduplication occurs in Latin but not in Greek, unless there is a possibility (however remote) that reduplication occurred in both thematic and athematic verbs of their proto-Greek and proto-Latin ancestors?

If indeed that is the case, then it would appear that proto-Greek and proto-Latin shared this seminal characteristic with not only Sanskrit, but proto-Sanskrit, and hence, by inference, with the proto IE ancestor of all three of these languages. If this is that case, it necessarily follows that both the thematic O endings and athematic MI endings share one and the same singular ancestor, which must have been neither thematic nor athematic, but one and the very same root of both classes. So I have to wonder out loud whether thematic O and athematic MI verbs in Sanskrit, Mycenaean Greek and Homeric Greek alike all derive from a single class of verbs, embodying the characteristics of both of these classes of verbs. If that is even remotely a possibility, then we cannot afford to ignore it, since it allows us to regressivly reconstruct, to some degree at least, even some of the tenses of the Proto-IE ancestor of all of these languages. Wouldn't that be a revelation? Of course, all this is speculation on my part, but I love to indulge in speculative hypotheses, if there is even a remote chance that someday some of them may prove to be sound.

Only time and future refinements in the science of linguistics may lend some credence to the hypotheses I am making here. If anything, computational linguistics and the great leaps in the application of artificial intelligence to linguistic theory (-ies) are likely to give rise to even more speculative hypotheses, hypotheses which may yet prove to rest on a much more solid foundation in applied linguistics than we can hope to approach at present. We shall see.

In other words, the foundation of my theory of the Regressive Reconstruction of Mycenaean Linear B grammar and vocabulary rests firmly on the regressive extrapolation of all such forms from he Homeric Greek of (the Catalogue of Ships) of the second Book of the Iliad or from any of the following dialects, Cypriot Linear C (above all others), Aeolic, Arcadian and early Ionic Greek, all of which appear to have been (quasi-) direct descendents of Mycenaean Greek. Doric Greek does not properly enter into the equation.

Conclusions:

On thing, however, is certain: the athematic – mi – verbs, in all tenses & moods, and in the all-pervasive participial constructions in ancient Homeric Greek must have been already firmly entrenched in Mycenaean Greek, from the simple observation of the facts, namely, that at least some these forms of all tenses, moods and participles are already almost all attested [A] on Mycenaean Linear B tablets. And even where some forms of all tenses, moods and participles in verbs are not to be found on any Linear B tablets, enough of them are attested for us to be able to reasonably reconstruct them in their entirety or at least in part from the attested forms.

And what applies to verbs, applies also to all other parts of speech in Mycenaean Linear B (nouns, adjectives, adverbs, prepositions and even formulaic phrases shared with Homeric Greek). These happily fortuitous antecedents in Linear B to their later counterparts in Homeric Greek recur quite frequently enough for me to be able to regressively reconstitute the Linear B forms from their subsequent Homeric forms. This, in a nutshell, is the entire premise of the Theory of Regressive Linear B as I intend to clearly demonstrate in the reconstruction of large chunks of ancestral Mycenaean Greek grammar and vocabulary, both attributed [A] and derivative [D] from its direct descent, Homeric Greek, and in particular the frequent occurrences of archaic Greek in Book II of the Iliad, in which in turn even more archaic forms frequently recur in the Catalogue of Ships (lines 484-789), the most reliable source for ancestral Mycenaean Greek grammar and vocabulary in the entire Iliad. Concomitantly, and once again happily, any of the following dialects, Cypriot Linear C (above all others), Aeolic, Arcadian and early Ionic Greek also well serve the purpose as direct and indirect descendents of Mycenaean Greek, from which it is feasible to regressively extrapolate grammatical and terminological constructs in Linear B.  Doric Greek, however, does not enter into the equation, since the Dorian invasion transpired after the fall of Mycenaean civilization.

Richard 

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