Tag Archive: religious symbolism

Translation of a very tricky Linear B tablet, Knossos KN 913 D k 01 by Rita Roberts:

Knossos tablet KN 913 D k 01 translation by Rita Roberts

The decipherment of this tablet is far from clear-cut, and all because of 1 word, paro, the first on both lines 1 and 2. This word very likely corresponds to the ancient Greek pa/loj (palos) = a lot (cast), meaning a lot cast by one or more people to decide who is obliged to do something, and in this case, which is apparently a religious context, that something is the sacrifice of a billy goat and a she goat. Etowono got the lot for the ram, probably the long stick, if that is what it was, given that we are dealing with a ram here. Komawete got the short one for the she goat. It kind of makes sense, and in fact there would seem to be no other rational interpretation of this tablet. It is one of the trickiest I have ever assigned to Rita, and this aroused her suspicions in the first place. Because she could not possibly have recognized the (archaic or ancient) Greek for paro, I had to delve into that word. Otherwise, her translation is highly commendable, and deserves a full 100 %.


New interpretation of Linear A tablet HT 7 (Haghia Triada):

Linear A tablet HT 7 Haghia Triada


A few months ago, I tentatively deciphered Linear A tablet New interpretation of Linear A tablet HT 7 (Haghia Triada), but when I look back on that decipherment now, I find it implausible. So I have re-interpreted here in light of new data I have acquired since then. As the tablet is inscribed mostly in Old Minoan, it is rather difficult to make complete sense of it. However, the two Mycenaean-derived New Minoan (NM1) terms offer us a clue. These are iruja = a priestess and tanati, which appears to be dative singular for “death”. However, although iruja is nominative singular, it is followed by the number 3, which would seem to indicate that there are 3 priestesses. And the Minoan plural of a is e, hence iruje. The only explanation I can find for this discrepancy is that the 3 priestesses are operating independently, one by one, each one making at least 1 offering, while 1 priestess makes 2, for a total of 4. But this translation, which is rather convoluted, remains in doubt because I cannot verify with any real certainty the meanings of the Old Minoan words. However, it does manage to hold together. Perhaps someday in the future, we shall unearth more Linear A tablets, which will provide us with insight into the significance of the Old Minoan vocabulary.

Silver pin from Mavro Spelio: A.Y. Nikolaos Museum PL Zf 1:

Minoan Linear APL Zf1 silver pin Nikolaus Museum


This silver pin, PL Zf 1, from Mavro Spelio, now housed in the A.Y. Nikolaos Museum, Crete, bears an inscription which may read dextrograde (left-to-right) or sinistrograde (right-to-left), but either way the text reads the same way. The inscription is a mixture of Mycenaean-derived New Minoan (NM1) and Old Minoan. The words Tanunikina (nom. fem. sing.) and Ninuni (dat. sing.) are almost certainly eponyms, with the former acting in some way as an agent of healing to the latter. Apart from the eponyms, the Old Minoan text is indecipherable. But that does not mean we cannot catch the drift of the inscription, because we can. It certainly makes sense that Tanunikina, despite her best efforts to spin or weave a magic spell, cannot heal Ninuna. We can infer that Tanunikina is a healer priestess. Such personages were extremely common in the ancient world, and certainly in Minoan Crete and on the Mycenaean mainland, with this practice surviving into archaic and classical Greece. She may even be an oracle, such as we find at Delphi much later on in ancient Greek history. If she is an oracle, she probably worked from a Minoan peak sanctuary.   

Linear A haiku: the saffron goddess, her crimson dress adorned with ivy:

Minoan Linear A haiku sea sarai the saffron goddess

In this haiku, all of the words except sarai = “flax or saffron” (the latter in this context) are Mycenaean-derived New Minoan (NM1). The onomatopoeia of the 3 phrases rolls off the tongue. Not only is her dress adorned with ivy, apparently she is as well.


Linear A haiku: a prayer for the hearth shared with an immortal ... wine vowed to Mother Earth:

Minoan Linear A haiku hearth of a house

Linear A tablet ZA 15 VERSO (Zakros), so little text, so information rich, all about wine, with yet another Old Minoan word conclusively deciphered!

Linear A tablet ZA 15 b VERSO Zakros

If there is any Linear A tablet which conveys so much information in so few words, this has to be it. No one could be blamed for thinking that a tablet, whether or not it is inscribed in Linear A or Linear B, which contains only 2 words (qedi & kuro), 3 ideograms (wine) and one supersyllabogram would have little to say. But this is far from the case here. This tablet offers us the best of 3 worlds. First of all, the word kuro is Mycenaean-derived New Minoan; secondly, we are finally able to establish once and for all and beyond doubt that the Old Minoan word qedi actually means a flagon for wine. Since it appears on other Linear A tablets in conjunction with the same ideogram, wine, the meaning is indisputable; and thirdly, the supersyllabogram RA, as all supersyllabograms are, is information-rich. It can stand for only 1 of two possible Linear A words, rani or ratise, which are, believe it or not, practically synonymous. First we have rani, which means anything sprinkled (as in a libation); rain drop, and then ratise, which appears to be instrumental plural for with drops of wine. So the inscription reads the same way either way. I would like to point out as well that no linguist specializing in Linear A, not even Prof. John G. Younger, has drawn explicit attention to the supersyllabogram RA, which is critical to a proper reading of this tablet, since no Linear A, let alone Linear B, researchers have recognized supersyllabograms for what they are, until I myself deciphered all 36 of them in Linear B between 2014 and 2016, the results of my research consequently published in Archaeology and Science, Vol. 11 (2015) ISSN 1452-7448, pp. 73-108:

decipherment of supersyllabograms in Linear B

And not to be outdone, I have also already isolated the 27 supersyllabograms found in Linear A. It actually came as no surprise to me that Linear A has supersyllabograms.

Table 5 Table of 27 supersyllabograms in Minoan Linear A revised 2017

As it so turns out, it was the Minoan Linear A scribes who invented supersyllabograms, not the Minoan-Mycenaean Linear B scribes. You will note that I have already been able to decipher 10 of the 27 SSYLS in Linear A, including that for RA, which in the pottery and vessels sector signifies with drops of wine for a libation”. The enormous and far-reaching implications of supersyllabograms in both Linear A and Linear B cannot be stressed enough.


Linear A fragment from Phaistos with a fish remarkably resembling the ancient Christian-like iconography of the fish:

Phaistos Linear A tablet with fish Christian-like iconography

This Linear A fragment from Phaistos, which was found in the same cache as PH 7, is remarkable insofar as we find on it the sole occurrence of the ideogram for fishon any Linear A tablet anywhere, regardless of provenance.

This symbol is remarkable for two reasons. First, it is clearly a reflection of the inscription on Phaistos fragment PH 7, which reads as follows, “(illumined by) the firebrand of the goddess of healing, the bread of healing with water from a cup”. If this is not reminiscent of the Christian communion, I do not know what is. But we can go even further. The resemblance between the fish ideogram on this Linear A fragment from Phaistos to the fragment bearing an anchor, fish and Greek chi ro symbols from the Catacombs of Saint Sebastian

chi-rho fish anchor fragment from catacombs of saint sebastian

is so striking that one is left wondering how this can possibly be. However, there may be less of a mystery here than we might otherwise imagine. It is a well known historical phenomenon in ancient religions that a later religion frequently borrows its iconography from a former.

Additional critical  highly relevant commentary by Daniel Rocha:

It is true that later religions borrow from older religions, but it seems that these symbols kind of run in parallel to Judaism, as far as I know. In any case, the symbols you are mentioning are linked to the worship of Atargatis. This deity used to be the wife of God in the very primitive versions of Judaism. If what you are pointing is true, it seems that the worship of Mary is justified, since she would be the wife of God. But, as far as I know, this cult among Jews did not exist in the 1st century CE.

But look here: “It has also been proposed that the element -gatis may relate to the Greek gados “fish”.[14] (For example, the Greek name for “sea monster” or “whale” is the cognate term ketos. So Atar-Gatis may simply mean “the fish-goddess Atar”.”




But it could be like gados mana, fish food or something along these lines: https://en.wikipedia.org/wiki/Manna#Origin

Plus an additional comment by Richard Vallance Janke:

The Linear A word keta/kete, which very much appears to be the same word, first in the accusative of aspect (keta) and secondly in the instrumental sing. (kete, meaning “with fish”), of which the masculilne singular in Linear A would have been keto, and which is the equivalent of ancient Greek gados. If this is the case, then the fish ideogram on this fragment from Phaistos echoes even more closely the text of Phaistos PH 7, which as we have already seen is a religious ceremony involving a libation of water along with the bread of healing. If all of this rings true, then the relationship between these two fragments is so striking it simply cannot be ignored. Moreover, the Hebrew, manna (grains, bread), interpreted in Christianity as the bread of Heaven, also appears in Linear A as mana, another astonishing co-incidence.


Linear A fragment PH 7 (Phaistos) which is definitely a religious incantation:

PH 7 linear-a-phaistos-a religious incantation

Linear A fragment PH 7 (Phaistos), entirely inscribed in Mycenaean-derived New Minoan, is definitely a religious incantation. It is fascinating to note that the incantation is highly reminiscent of the Christian mass or communion, call it what you will. The priestess pours water, udiriki (instr. sing.), from a cup, dipaja (gen. sing.) and offers jatimane or the blessed bread of healing to her suppliants, while the whole ceremony, apparently conducted in a small shrine, is illumined by a firebrand. What a lovely, intimate picture of a scared religious ceremony this draws!

Inscription from Malia in New Minoan Linear A, Tainaron, a town with authority:

Mallia text in Linear A dealing with Tainaron with Linear B transcription

Here we have yet another inscription from Malia in New Minoan Linear A, which appears to invoke the supreme authority of Tainaron, a town at the southern tip of Laconia, with the blessings of the gods. If this tablet is indeed inscribed in Mycenaean-derived new Minoan, then it is the fourth of the tablets from Malia I have deciphered, all of them in New Minoan. It would thus appear that the Mycenaeans had assumed suzerainty over Malia before these tablets were inscribed, and that the scribes there were still using the Linear A syllabary to inscribe tablets in Mycenaean Greek, just before the switch-over to the new official syllabary, Linear B. It cannot simply be co-incidental that all of the inscriptions from Malia, including the famous IDAMATE labrys from the Archalochori Cave, appear to be inscribed in Mycenaean-derived New Minoan. In fact, the word Idamate can easily be rendered as the mother (goddess) of Mount Ida”. It is also a matter of great interest to note that Tainaron itself is the toponym of Cape Tainaron,

Tainaron ancient Greece

where there was a sanctuary of Poseidon, who may very well be the god who has brought blessings on the town. It is to be noted that the Archalochori axe inscribed in proto-Greek is also in a sanctuary where a horde of bronze votive weapons, mostly axes, were discovered. Moreover, Malia tablet MA 1 appears to deal with Minos, the legendary king of Knossos offering gold to Rhea, mother of Zeus. In other words, all of the inscriptions from Malia deal with religious rites. This should come as no surprise, as more Linear A than Linear B tablets appear to focus on religious symbolism or rites.

Except for Tainaro, which is equivalent to the nominative neuter in Linear B, all proto-Greek spellings on this inscription have been adjusted to meet the exigencies of Old Minoan syntax. It would thus appear that etanasu is the Minoan orthography for hestanwn (standing, Greek Latinized), while pijani is the dative or instrumental singular in Minoan of the noun derived from the Greek verb, piainw, to enrich. The orthography of Tainaro appears to confirm that the nominative neuter in Linear B underwent no change in Minoan. This conclusion conforms with the table of 45 apparent Minoan masculine and neuter nominatives I recently posted:


Haghia Triada roundels & noduli:

Linear A nodulae with syllabogram SI from Haghia Triada

From: The Haghia Triada administrative documents:


Descriptions from this site (quoted):

Although the writing has not been deciphered neither the language has been interpreted (sic, poor grammar) various data may be obtained from the tablets. First of all, a list of Linear A signs may be hypothesized, which, with its 97 symbols, reveals a syllabic script of a simple typology (consonant + vowel and vowels): the signs are, in fact, too many, to represent a complex syllabic system (as the Near Eastern Cuneiform and the Aegyptian Hieroglyph). To these syllabic signs a long series of "logograms", representing each one a word, are added. 

Types of seals represented:

nodulae and roundels from Haghia Triada


The roundel is a characteristic document of the Neopalatian Minoan [1] administration, beside the tablet. It is a round clay disk (classified as Wc) with seals impressions along the edge - from one to six impressions - and, on most cases, one inscription on one or both sides. Frequently the inscription consists of a logogram, sometimes also of a sign-group. It seems to represent the last act [2] of an administrative transaction and probably functioned as a receipt. 

The seals stamped on roundels fully coincide with seals stamped on the other different documents. At Haghia Triada 22 roundels have been found, one of them being without (an) inscription. 


It is (sic, They are) the most widespread Aegean Bronze Age document, both geographically and chronologically. These clay small object (sic, objects) (defined as noduli by J. Weingarten) were not always inscribed but only sealed. They appear in two shapes: dome (classified as We) (fig. 4) and disk (classified as Wf) (fig. 5).  At Haghia Triada 54 noduli have been found, in dome shape, and only 7 are inscribed. 

1 Flat-based nodule:
This type of document is rarely inscribed but regularly sealed. Its characteristic is the negative impression on its reverse (or base) which shows that it had been placed upon a folded piece of parchment around which a thin thread was wound which was also wound into the clay. It appears in two different shapes: standing (fig. 6) or recumbent (fig. 7) (both classified as Wb). At Haghia Triada 76 flat-based nodules have been found, only 2 having a carved inscription. 

2 Hanging nodule [3]:

This small clay piece is characterized by string holes which show that it was fastened to another object by a string. They may present one or two holes. 
Those with two holes (classified as Wd) have an elongated shape (fig. 8), while those with one hole (classified as WA) present five slightly different shapes: pendant, pyramid, cone, dome, pear (fig. 9) [4]. At Haghia Triada 936 single-holes have been found, 851 being inscribed, and 11 two-hole, only 2 being inscribed. 

Comments by Richard Vallance:

[1] Neo-palatial Minoan administration: This is the Minoan administration at Haghia Triada dating from the Middle Minoan MM ca. 1750-1550 BCE & Late Minoan LM1A, ca. 1550-1500 BCE. Documents in Linear A inscribed during the LM1A period may have been inscribed in Mycenaean-derived New Minoan.  
[2] “the last act”. This is ambiguous English. Does it refer to the “the most recent” of the Haghia Triada administration? And if so, does this mean the act or acts date from the Late Minoan LM1A period?  And if so, are these acts inscribed in Mycenaean-derived New Minoan?
[3] The nodules illustrated in my decipherment of Figure 9 above are hanging nodules.
[4] See my 3 decipherments in Figure 9 at the outset of this post. If the syllabogram SI is the first syllable of a Mycenaean-derived New Minoan word, it could represent any of the 3 decipherments I have proposed. If on the other hand, SI represents any Old Minoan word, it is indecipherable.  

Haghia Triada pianta genrale

Decipherment of the Linear B seal BE Zg2:

Linear B seal BE Zg 2

This decipherment is straightforward. It certainly makes sense that a Linear B seal could deal with 5 torches, more than likely in the context of a religious or royal rite.

More gems of Bahai’ wisdom!

More gems of Bahai wisdom!






Bahai’ = the latest Dispensation from God = Progressive Revelation

Imagine my astonishment when I happened across the teachings of the Bahai’ Faith, which came into being in the latter part of the nineteenth century. Its teachings are revolutionary. It allows one to keep the faith of one’s birth, in my case, Christian, but it opens up so many avenues to a faith greater than all religions, including itself. The Bahais firmly believe that theirs is not the last revelation, that more are to come. This sets them apart from all past religions.  Unlike all previous religions of the past, the Bahai’ faith firmly counsels universal education, the education of women and the equal rights of women and men, the promotion and teaching of technology and science, and the list goes on and on. This sort of religion truly appeals to an intellectual such as myself. I shall be posting the tenets of the Bahai’ faith on a regular basis here on Minoan Linear A, Linear B, Knossos & Mycenae.

Here are the first three observations from the faith:




They are real eye-openers!

UPDATE on the military Minoan Linear A tablet HT 94 (Haghia Triada) = attendants to the king/foot soldiers: 


This tablet, HT 94 (Haghia Triada) contains the key military Minoan Linear A term, kapa, which is almost certainly the approximate equivalent to Mycenaean Linear B eqeta = “follower”.


The term eqeta in Mycenaean Greek has a special connotation. It denotes an attendant to the king, wanaka, who is usually also the rawaketa = “leader of the hosts” i.e.  “Commander-in-Chief”, which in the case of the Mycenaean expedition against Troy (ca. 1300-1250 BCE) would have been Agamemnon.


It is notable that the ideogram, apparently for “man”, on the medallion is so large that it practically fills the entire surface. Note also the supersyllabogram KA which is surcharged top right. This medallion is not the Linear A tablet HT 94 (Haghia Triada), but its resemblance to the text of the latter is so striking it simply cannot be ignored. In addition, this ideogram is more elaborate than the standard one for “man” in Minoan Linear A, and bears an amazing resemblance to the fresco image of the eqeta above. For these two reasons alone, I have come to the firm conclusion that indeed kapa in Minoan Linear A is the close equivalent to eqeta in Mycenaean Linear B, with a scalar precision of 75 % or >.      

According to the renowned twentieth century Linear B expert and researcher, L.R. Palmer, the eqeta also appears to have had a religious function.

It is highly unlikely there was such a person as a “follower” in pre-Mycenaean, Minoan society at Knossos. So we must take a stab at an approximation to the term eqeta in Minoan Linear A, i.e. kapa, which would probably have referred to attendants to the King, much in the same way as the Praetorian Guards who protected the sacrosanct person of the Emperor in post AD ancient Rome. 


Minoan Costume History synopsis: a wonderful site!

Minoan Costume History synopsis: a wonderful site!

Minoan costume history

You simply have to check this site out! I have never seen such an in-depth study on Minoan costume, female and male alike, on the Internet. Here is just a small excerpt:

An era of great development, contemporaneous with the civilization of ancient Egypt and Phoenicia, and which may be dated about 2000-1500 B.C., had preceded the civilization that came from Asia Minor into Crete and Greece. Such fragments of Cretan culture as have come down to us reveal a beauty of technique and a delicate sense of form to which no contemporaneous civilization provides any parallel. (italics mine). It is certainly true that the Minoans were far more style-conscious than people of any other contemporaneous civilization, such as the Egyptians, Babylonians, Assyrians and Hittites. No question about it.

Owing to the lack of written records, the processes and methods of manufacture are still wrapped in obscurity, but although we are thus reduced to surmise regarding the materials used, the dress of that time is of the highest interest in view of its connexion with the costumes of other peoples. Our attention is especially attracted by the dress worn by the women. The slim, wiry figures of the men are clothed almost universally with a loincloth, richly patterned and splendidly decorated. Here and there we see wide cloaks that clothe the whole body, giving it a large appearance. Women also, it would seem, wore the short loincloth, but we find them wearing in addition skirts put together in an almost fantastic manner that betrays a highly developed knowledge of the technique of dressmaking. These skirts are constructed in tiers, separated by strips of rich ornamentation. 

Illustrations from this site (there are many more, just as striking as these!)

Minoan loving cup

male saffron gatherer

Minoan seated ladies in grandstand

Minoan fountain

3 alternatives in Minoan Linear A for pasiteoi = “to all the gods” in Mycenaean Greek:

pasiteoi pasi

I rummaged through every last of the scores of Minoan Linear A tablets I have on file, searching for any rendition possible commensurate with the phrase pasiteoi = “to all the gods” in Mycenaean Greek. I have made the assumption, however misplaced, that since this a 5 syllabogram or syllable phrase in Mycenaean Linear B, the cross-correlated phrase in Minoan Linear A should run to approximately the same number of syllabograms or syllables, give or take. I found 3 alternatives. I had little choice, as there is simply no way or knowing whether or not any one of these 3,  iqa*118, dadumata or *47nuraja  corresponds to the Mycenaean phrase, if indeed any of them do. However, the chances are pretty good that one of them does.

So take your pick. I lean towards dadumata, as it looks like it might be plural, though certainly not necessarily neuter plural, corresponding to the ultimate “a”, which imposes itself on any word in the neuter or feminine plural in Mycenaean Greek. One simply cannot transpose the last vowel “a” for the neuter plural in Linear B to Linear A. The same problem obtains with *47nuraja.  On the other hand, transposition of “a” for Greek “ai” in Mycenaean Greek is a (somewhat remote) possibility in Minoan Linear A. But here again we cannot and must not leap to any premature conclusions. 

Each of these terms qualifies as the sixty-ninth (69) term I have deciphered, more or less accuracy, in Minoan Linear A.

Linear B tablet Pylos TA Ae 08 offerings of gold from her slaves to the priestess at Pylos:

Linear B tablet Pylos Ae 08 offerings by slaves to the priestess at Pylos

The Linear B tablet Pylos TA Ae 08 offerings of gold from her slaves to the priestess at Pylos is one of the most famous of all Linear B tablets. It rounds out our survey of 6 religious tablets in Mycenaean Linear B which may very well serve as templates for the decipherment of Minoan Linear A tablets in the same vein.

Linear B tablets on wheat: KN 36 K c 33:

KN 36 K c 33 wheat

This is a typical Linear B tablet from Knossos dealing with wheat.

Rams for ritual slaughter: KN 386 A 87 & KN 387 X c 57 joins:

KN 386 & KN 387 tablet joins sacrificial rams

Here I am really digging deep into unknown waters in the decipherment of Linear B, deeper than I ever have.

These two fragments were originally one tablet. The central part is missing. This has got to be one of the most fascinating challenges I have ever encountered in the decipherment of Linear B text, since, as with all Linear B joins, it requires the decipherer to attempt to fill in the blanks, so to speak, i.e. the missing part of the original tablet, which as you can see is in an inverted V shape. If at all possible, as much the text that originally was located within that V has to be restored. Since as everyone knows who visits our blog that I am never one to skip a challenge, no matter how tough, I took it upon myself to make a serious attempt at a plausible reconstruction of at least part of the missing text, and to my satisfaction, I believe I succeeded, in the sense that I have recovered what might plausibly have been some of the original text, at least conjecturally. Any other interpretation might suffice, provided that (a) it made sense in the context of the text preserved on the two adjacent sides & (b) that the missing vocabulary was consistent with the ritual of religious sacrifice of sheep, a common practice in many civilizations of the ancient world.

Let us walk through my decipherment of the so-called missing text step by step. First of all, we have the left truncated syllabograms ... NO heading the first line of the right hand side of the original tablet (KN 387 X c 57). It is no easy matter to even make a stab at what the rest of this word could possibly have meant, or for that matter, how many syllabograms, in other words, syllables, it contained. So I had to take the only recourse available to me, and that was to ransack Chris Tselentis’ excellent Linear B Lexicon of at least 2,500 Linear B words for any word ending in NO which might possibly suit the context, keeping firmly in mind that this is the scene of a religious ceremony involving the ritual sacrifice of a ram or rams. I finally found the term which ideally suited the context, and it is temeno, which means a religious shrine or temple. It fits the context like a glove. So the likelihood that this was indeed the missing word ending with left-truncated NO is reasonably assured. On the second line of the same fragment (the right side), we have repa, the last two syllabograms or syllables of another missing word. The term which immediately leaped to mind was arepa = “cream” or “ointment”, and if that is a putative “correct” translation, it can be interpreted as meaning an  “anointing cream”. Fits the bill. The third word on the third line of the right hand side of the fragment, ending in the single syllabogram WE, was much harder to divine. It could be one of a dozen things, but I finally settled on duwowe, meaning  “a two handled vessel or urn”.  This again suits the context, but it is only one of scores of possible interpretations, all of which would have equally suited the context.  I was working on the assumption that the person making the sacrifice, presumably a priest, would have cremated the ashes of the ram(s) after the sacrifice. But this is definitely going out on a limb, since in most ancient societies, sacrificial slaughter of  sheep or rams involved killing them and then roasting them on a spit for subsequent consumption in a religious feast honouring the god” or if Hebrew, God. On the other hand, the Minoans and Mycenaeans may have (also) cremated the ashes of the sacrificed ram. If there is any researcher or archaeologist out there who visits this blog and can refute the notion of post-sacrificial cremation among the Minoans and Mycenaeans, please have at it and I shall revise my decipherment accordingly. 

Moving over to the left hand side of the join (KN 386 A 87), which contains considerably less text, we have on the second line the syllabogram QE, which by itself means “and”, but which in this case might possibly be the last syllabogram, i.e. last syllable of a Linear B word... except that scarcely any Linear B words end in QE,  and any way the syllabogram QE in this context is written huge. So I am left with no other alternative than to interpret it as I have done = “and”.  But “and” what? There you have me. I am stumped. On the next line, the third one down, we have the ideogram for “man” or “person” followed by the number 1, for “one person”, this in turn followed by the supersyllabogram SA, and then by the ideogram for “ram” and the number 1. The SSYL SA I have previously established on another tablet posted on this blog as most likely meaning sapaketeriya = “for ritual slaughter” or “for ritual sacrifice”. This too suits the context very well.  You can see the downwards pointing arrow from the ideogram for “man” to the word Towaune = “Towaunes”, presumably the name of the man, on the fourth line. His name in turn is followed by a Linear B word, which, if complete, is doke, a variation on odoke, the aorist (simple past) of the verb didomi (in Linear B), which means “to give” or “to offer”, and in this context “to offer up” (for ritual sacrifice). So now the sense is complete, except for all those single syllabograms (qe wa & po) on the left side of the join, which I can make no sense of at all. And that is a pitfall. However, within these restraints, I have been able to come up with one possible, even plausible interpretation (among God knows how many others), which you can see in translation at the bottom of the figure above.

Knossos tablet KN 497 O a 06 & the supersyllabogram DA = labrys = double axe:

Knossos tablet KN 497 O a 06 supersyllabogram DA = labrys = double axe

There isn’t much I can say about this tablet, apart from the fact that it inventories 6 double axes. The text on the left side is unintelligible, being left truncated. The importance of the labrys or double axe in the Minoan/Mycenaean religion cannot be over-stressed. This repetitive motif appears the whole length of the Hall of the Double Axes at Knossos – which I personally saw in May 2012 and which is a magnificent work of art. A nearly identical motif re-appears on frescoes at Mycenae. The presence of the labrys is all-pervasive in the Minoan/Mycenaean religious symbolism of the military. It is uncertain whether the religious or the military aspect predominates in such art, but I am inclined to say that it is the religious, since religious symbolism is rampant in the Minoan/Mycenaean pantheon. Moreover, their religion is primarily matriarchal, and not patriarchal. It is to be expected that religious mythology would trump military in matriarchal societies such as this.


Next Big Tech field 3D Printing is, " The Top Brain Game"

Diary of a Pagan Art Student

Like the title says


The Most Provocative Way To Express - Poems ❤


Minha maneira de ver, falar, ouvir e pensar o mundo... se quiser, venha comigo...

blog bangla mail

Welcome My Site


4th Lund Conference on Games, Interaction, Reasoning, Learning and Semantics

Site Title

“Love recognizes no barriers. It jumps hurdles, leaps fences, penetrates walls to arrive at its destination full of hope.” — Maya Angelou

LinneaTanner.com - Apollo's Raven

LinneaTanner.com - Apollo's Raven

When Women Inspire

Spotlighting inspirational women and how you can make a positive impact too


by Evelina Di Lauro

Yahuah Is Everything

My blogs on The Bible and the true name of God Yahuah and His Son,Yahusha,

The Deadliest Blogger: Military History Page

The historical writing of Barry C. Jacobsen


Artistic Reconstruction and Original Translation From Homer's "Iliad" by Kathleen Vail

Akhelas Writing

The Myriad Musings of Austin Conrad

Be Like Water

Music, Film and Life

Little Fears

Tales of whimsy, humour and courgettes

Im ashamed to die until i have won some victory for humanity.(Horace Mann)

Domenic Garisto/havau22.com / IF YOU CAN'T BE THE POET, BE THE POEM (David Carradine) LIFE IS NOT A REHERSAL,SO LIVE IT.

Φιλολογικά φύλλα

... από την περιπέτεια της θεωρίας, της ερμηνείας και της διδασκαλίας

Le Blog BlookUp

Imprimez et transformez vos contenus digitaux, blogs et réseaux sociaux, en magnifiques livres papier sur blookup.com

Diwiyana's Dreamscape

Just another WordPress.com site


Just another WordPress.com site

Adham Smart

Often written, sometimes read


Just another WordPress.com site

Memnison Journal

Jim Rittenhouse's semidaily journal of news, commentary and reports

Under the influence!

Myths, legends, folklore and tales from around the world


...in small doses




A Mental Repository

My Blog

This WordPress.com site is the cat’s pajamas

Hidalgo & Suárez - Estudio de Historia y Genealogía

Genealogista profesional en España - Professional genealogist in Spain - Généalogiste professionnel en Espagne

Rearview Mirror

Music, Film, Art, History and more....

Virginia Views

Country Living for Beginners

%d bloggers like this: