WIKIMEDIA COMMONS: 5 major articles by Richard Vallance Janke, Spyros Bakas and Rita Roberts In a major new development in the international dissemination of 5 papers by Spyros Bakas, Rita Roberts and Richard Vallance Janke, the following 5 articles are now universally available on WIKIMEDIA COMMONS, with 47,480,622 files:These articles are: CLICK on each logo to download each article: 1. Vallance Janke, Richard. “An Archaeologist’s Translation of Pylos Tablet TA 641-1952 (Ventris) with an Introduction to Supersyllabograms in the Vessels & Pottery Sector in Mycenaean Linear B”, Archaeology and Science (Belgrade). Vol. 11 (2015) ISSN 1452-7448. pp. 73-108
2. Vallance Janke, Richard. “The Decipherment of Supersyllabograms in Linear B”, Archaeology and Science (Belgrade). Vol. 11 (2015) ISSN 1452-7448. pp. 73-108
3. Vallance Janke, Richard. “The Mycenaean Linear B “Rosetta Stone” for Linear A Tablet HT 31 (Haghia Triada) Vessels and Pottery”, Archaeology and Science (Belgrade). Vol. 12 (2016) ISSN 1452-7448. pp. 75-98
4. Vallance Janke, Richard and Bakas, Spyros. “Linear B Lexicon for the Construction of Mycenaean Chariots”, Epohi/Epochs. Vol. XXIV (2017), Issue 2. pp. 299-315
5. Roberts, Rita & Janke, Richard Vallance, consulting editor. The Minoan and Mycenaean Agricultural Trade and Trade Routes in the Mycenaean Empire
The appearance of these articles on WIKIMEDIA COMMONS greatly enhances their international profile. Richard Vallance Janke June 19 2018
Tag Archive: pottery
Academia.edu THESIS The Minoan and Mycenaean Agricultural Trade and Trade Routes in the Mycenaean Empire by Rita Roberts: Click on this logo to download her thesis:We are proud to announce that Rita Roberts has fulfilled the requirements of her second year of university, and has passed with a mark of 85 %. We have awarded her 90 % for thesis, The Minoan and Mycenaean Agricultural Trade and Trade Routes in the Mycenaean Empire, which is a finely researched document I highly recommend to any and all. It deals in great detail with every conceivable aspect of Minoan and Mycenaean agricultural trade via their trade routes in the Mycenaean Empire, ca. 1600-1450 BCE. We congratulate Rita on her splendid achievement, and we look forward to her fuflling the exacting requirements of her third and final year of university which commences on July 1 2018, Canada Day. Once she has completed her third year, she will have earned her Bachelor of Arts degree in Minoan and Mycenaean studies.
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Rita Roberts’ translation of Knossos tablet KN 160a J j 11, dealing with wine, corrected:
Rita Roberts’ translation of Knossos tablet KN 160a J j 11, dealing with wine, corrected, is trickier than the previous one she has translated to fulfill the requirements for her second year of university, KN 906 Da 02, dealing with livestock. Because this tablet is damaged, truncated left and right, it can be more difficult to establish meaning for certain terms. But not necessarily so. Rita struggled gainfully with this tablet. And this is understandable. What determines everything in the decipherment of any tablet, Linear A or B, is CONTEXT. If we cannot determine what any given word(s) mean in the actual context of the tablet, we sometimes fail to grasp the meanings of these words. But in the end, everything falls into place, and a relatively convincing translation can be gleaned from it, as we see in the illustration above.
The only character which occasions real difficulty is the supersyllabogram PE, which usually stands for “seed(s)”. But if this the meaning to be extracted, it does not really make all that much sense, since grape seeds do not contribute much to wine, only the grapes do. The only explanation I can muster here is this: the grape seeds had to be extracted, i.e. removed, from the grapes to produce the wine. That makes sense. Finally, we find the ideogram for “olive oil” on this tablet, but how olive oil mixes with wine is a mystery to me, unless the olive oil is being served with bread along with the wine. But there is no mention of bread on this tablet. So some issues remain unresolved.
Richard
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Linear A tablet ZA 8, another Linear A largely inscribed in proto-Greek and/or Mycenaean Greek, groats, figs and wheat dough:
The context of this tablet makes it quite clear that we are dealing with an inscription largely inscribed in proto-Greek and/or Mycenaean Greek. The free translation reads as follows:
the brim (of a vessel or pot), with groats inside it + 1 1/2 units of figs * (not in the pot!) in a slanting) urn OR 2/3rds of a unit of liquid measurement (of the figs) + 2/5 salty units (something like milligrams) of wheat dough + 1/2 mapa (unknown) ** + 2 1/4 maikase (unknown) ** + 2 1/2 daipita ** + 4 2/5 due measures.
* The supersyllabogram NI, which means figs, is almost certainly nira or nita in Linear A. The word nita occurs in the Linear A lexicon.
** mapa, maikasa and daipita are almost certainly Old Minoan (OM) words in the Minoan substrate. So far, these words appear to be indecipherable. So far … This tablet dates from the Late Minoan Ib period (ca. 1500-1450 BCE), hence it overlaps with Linear B tablets, such as those from Knossos, which date from the same period, making it all the more likely that it is largely inscribed in proto-Greek, possibly with some Mycenaen Greek words on it.
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THE MYCENAEAN LINEAR B “ROSETTA STONE” TO MINOAN LINEAR Tablet HT 31 (Haghia Triada) Vessels and Potteryhas just been uploaded to my academia.edu account, here:
To DOWNLOAD it, click on the DOWNLOAD button on the top right hand side of the page. ABSTRACT In partnership with The Association of Historical Studies, Koryvantes (Athens), we address past and current prospects for the decipherment of the Minoan language, which has never met with any credible success in the 117 years since the ?rst discovery of Minoan Linear A tablets by Sir Arthur Evans at Knossos in 1900. A considerable number of philologists and historical linguists, some of them amateurs, claim to have deciphered the Minoan language, yet no one has ever formulated a convincing decipherment. We advance a unique and entirely untested approach to unravelling the text of Minoan Linear A tablet HT 31 (Haghia Triada), based on the principle of cross-correlative retrogressive extrapolation (CCRE) from Mycenaean Linear B to Linear A. HT 31 so closely parallels Mycenaean Linear B tablet, Pylos Py TA 641-1952 (Ventris) that the latter effectively serves as a kind of “Rosetta Stone” for the former. There is also credible evidence that a Mycenaean derived superstratum imposed itself on Linear A as the result of the Mycenaean conquest of Knossos and Crete ca. 1500 – 1450 BCE or, failing that, their all but absolute suzerainty over Knossos and its dependencies. Approximately 300 or 26 % of 1166 intact words in Linear A are very likely of Mycenaean origin.
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All-new decipherment of Linear A tablet HT 8 (Haghia Triada) dealing with multiple crops:
This is the first time I have attempted to decipher Linear A tablet HT 8 (Haghia Triada), and I have met with considerable success in deciphering it for the most part. It quite clearly deals with multiple crops. Some explanation is in order. On the RECTO, we find the supersyllabogram KI, which means KIRETAI, in Greek kri/qai, meaning barley of which there are 10 units, something like bushels (a mere approximation as we cannot know that the standard units of measurement for crops were either in Linear A or in Linear B). Next comes the supersyllabogram PA3 (PAI), which probably refers to pa3ni/pa3nina/pa3niwi Old Minoan (OM) = millet -or- spelt. KARATI on line 2 is also OM and appears to correspond to Anatolian, karasa = a large jar, which makes sense in context. PA3 (PAI), which probably refers to pa3ni/pa3nina/pa3niwi Old Minoan (OM) = millet -or- spelt is then repeated. Line 3 begins with the supersyllabogram (SSYL) TE, which means tereza, OM for the standard unit of liquid measurement, while qanuma is OM for some kind of pulse crop, any one of broad beans (faba/fava), chick peas, lentils or vetch. On line 4 we find the word SIKIRA si/kera, a sweet-fermented liquor, Cf. Linear B sikero. When we combine this word with KIRETANA kri/qania on line 5 we get SIKIRA KIRETANA, which means of course a barley-like sweet-fermented liquor, in other words, beer, probably sweetened with honey.
VERSO: SUPU2 is a pithos or alternatively sappu, which is Semitic for bowl (practically the same thing). Hence, this decipherment is sound. The SSYL KA probably refers to karasa (Anatolian), meaning a large jar, which reinforces the decipherment of SUPU2. PA3 (PAI) on line 2 again refers to millet or spelt. ZARI- continued on line 3 with – RE is unknown, but has something to do with crops, followed as it is with the symbols for harvesting shares. KAPA karpa/ is ripe crops. PAJARA on line 4 appears to mean indentured land.
All in all, this decipherment is coherent, and holds together well.
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The supersyllabogram NE in Linear A = nere larger amphora size (fem. pl.)
NE nere OM = larger amphora size (fem. plural)
HT 23 oo HT 32 oo (x2) HT 100 oo
This supersyllabogram is found on 3 tablets from Haghia Triada, all of which deal with olive oil. This would seem to confirm our interpretation.
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the supersyllabogram SU in Linear A, a small cup with handles & the largest pithos size:
The supersyllabogram SU in Linear A has two meanings, context dependent. The first is:
1. SU = supa3 (supai)/supa3ra (supaira) OM = a small cup with handles Cf. Linear B dipa mewiyo. The word depa/depu PGS de/paj de/pu (acc.?) = cup occurs in Linear A. Cf. Linear B dipa di/paj & Homeric de/pa
and the second is:
2. SU = supi/supu/supu2 OM = largest size pithos;
but not MOSE * NM1 supu/h sipu/h sipu/a i0pu/a = meal tub. MOSE * = decryption by Prof. Yuriy Mosenkis. This interpretation flies in the face of context on any Linear A tablet or fragment. It is all fine and well to conjecture a proto-Greek or Mycenaean-derived Greek word, but if you check your decipherment against extant tablets, then you may find it invalidated. This must always be done. Otherwise, you will end up with a meaning which is simply out of the question.
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the supersyllabogram KA = with with a jar or vessel for water or wine:
kadi MOSE NM1 kadi/ (instr. sing.) <- ka/doj = with a jar or vessel for water or wine
This supersyllabogram appears on Haghia Triada tablets HT HT 28 wi HT 88 ma & HT 100 ma, in conjunction with the ideogram for wine on the first one and for man on the second and third. It would appear that the second and third tablets refer to a man or person using a jar or vessel for water or wine.
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The supersyllabogram AKA in Linear A = either wine skin or an embossed cup:
BOLD: n. e.g. 1. A = a supersyllabogram for which the definition is either certain or highly probable.
Italics: n. e.g. 7. KI = a supersyllabogram for which the definition is possible.
Standard font: n. e.g. 2 = a supersyllabogram for which the definition is unlikely or questionable.
It is almost certain that the supersyllabogram A in Linear A means either a wine skin or an embossed cup.
1. A aka = aska = a0ska = wine skin -or- apero PGS a1mpeloj = a vine Cf. Linear B apero -or- aresana NM1 a1leisana <- a1leison = an embossed cup (arch. acc.) = de/paj (Homeric) Cf. Linear B dipa/arisu NM1 a1leisu <- a1leison = embossed cup
Note that it appears on HT 2 (Haghia Triada) dealing with olive oil, which is sometimes served from a vessel and on the other 3 tablets, same provenance, all of which deal with vessels, hence the reading, embossed cup:
HT 2 oo HT 39 ve KH 83 ve MA 10 ve
oo = olive oil
ve = vessels
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Wikipedia: History of beer + the Minoan words for beer = zute and kiretaiwinu finally deciphered:From Wikipedia: History of beer
As almost any cereal containing certain sugars can undergo spontaneous fermentation due to wild yeasts in the air, it is possible that beer-like beverages were independently developed throughout the world soon after a tribe or culture had domesticated cereal. Chemical tests of ancient pottery jars reveal that beer was produced as far back as about 7,000 years ago in what is today Iran. This discovery reveals one of the earliest known uses of fermentation and is the earliest evidence of brewing to date. In Mesopotamia, the oldest evidence of beer is believed to be a 6,000-year-old Sumerian tablet depicting people drinking a beverage through reed straws from a communal bowl.
A 3900-year-old Sumerian poem honouring Ninkasi, the patron goddess of brewing, contains the oldest surviving beer recipe, describing the production of beer from barley via bread. In Mesopotamia (ancient Iraq), early evidence of beer is a 3900-year-old Sumerian poem honoring Ninkasi, the patron goddess of brewing, which contains the oldest surviving beer recipe, describing the production of beer from barley via bread. Approximately 5000 years ago, workers in the city of Uruk were paid by their employers in beer. Ninkasi, you are the one who pours out the filtered beer of the collector vat It is [like] the onrush of Tigris and Euphrates. Beer was part of the daily diet of Egyptian pharaohs over 5,000 years ago. Then, it was made from baked barley bread, and was also used in religious practices. During the building of the Great Pyramids in Giza, Egypt, each worker got a daily ration of four to five liters of beer, which served as both nutrition and refreshment that was crucial to the pyramids' construction.
The Greek writer Sophocles (450 BCE) discussed the concept of moderation when it came to consuming beer in Greek culture, and believed that the best diet for Greeks consisted of bread, meats, various types of vegetables, and beer or zythos as they called it. The ancient Greeks also made barley wine (Greek: – krithinos oinos, “barley wine” mentioned by Greek historian Polybius in his work The Histories, where he states that Phaeacians kept barley wine in silver and golden kraters. NOTES: The Old Minoan (OM) equivalent of zythos is zute, while the New Minoan (NM) equivalent of krithinos oinos is kiretaiwinu.
TE = tereza OM = “standard liquid unit of measurement” confirms beyond a shadow of a doubt that tereza, was used to measure fig juice, Old Minoan (OM) supersyllabogram = NI, corresponding to the OM word nira2 (nirai) -or- nita2 (nitai) OM = figs + ideogram = NI (in both Linear A & B), as well as for wine = New Minoan winu NM1 #i/nu = wine Cf. Linear B wono #oi/noj, as well as for beer, for which the Minoan words are deciphered for the first time below. Minoan beer was fermented either from barley (kiretai) or from emmer wheat (kunisu).
TE = tereza on Minoan Linear A tablets
HT 6 fi HT 13 wi HT 17 wi HT 19 wi HT 21 gr HT 40 gr HT 44 gr HT 51 fi HT 62 wi HT 67 fi HT 70 fi HT 96 fi HT 133 gr TH 6 te TH Zb 11 wi
fi 5 (fig juice)
wi 5 (wine)
gr 5 (beer, from barley)
The ancient Greek word for beer was ζῦθος (zythos), which appears as zute in Old Minoan (OM) and also κρίθινος οἶνος – krithinos oinos = barley wine. This means that the Minoan word combination for beer was very likely kireta2 (kiretai) NM1 kri/qai = barley + winu NM1 #i/nu = wine Cf. Linear B wono #oi/noj, hence kiretaiwinu = kri/qai#i/nu
Minoan beer was also produced from emmer wheat, kunisu OM = emmer wheat (derivation: Semitic kunnisu)
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Introduction to supersyllabograms on Linear A tablets: PART A
Supersyllabograms in Mycenaean Linear B:
The phenomenon of the supersyllabogram in Mycenaean Linear B was first introduced to the world at at the Third Interdisciplinary Conference, Thinking Symbols, on July 1, 2015, at the Pultusk Academy of Humanities, here:
Prior to 2015, no researcher had ever identified supersyllabograms in Linear B. But what is a supersyllabogram? A supersyllabogram is the first syllabogram, i.e. the first syllable of a particular major Mycenaean Linear B word paired with a particular ideogram in any of the major sectors of the Mycenaean economy, agricultural, military, textiles, vessels and pottery. Initially, in 2015, 34 supersyllabograms were identified in this talk, which is brief enough for you to glean a clear conception of what supersyllabograms entail.
By 2016, this number had risen to 36, 35 syllabograms and 1 homophone or logogram (AI), published in Archaeology and Science, Vol. 11 (2015), ISSN 1452-7448, pp. 73-108, published in 2016, here:
Here is the abstract of that article:
A supersyllabogram is the first syllabogram, i.e. the first syllable of a major (never minor) economic indicator combined with a closely related ideogram in the four economic sectors of the Mycenaean economy, agricultural, military, textiles and vessels or pottery. With very few exceptions, change the economic sector and you change the meaning of any particular supersyllabogram. Of some 3,500 tablets and fragments from Knossos, about 800 or 23% contain at least one supersyllabogram and sometimes as many as four or five. The whole point of supersyllabograms is that they are meant to eliminate text on tablets to the greatest possible extent. In a syllabary of 61 syllabograms + one homophone (AI), 36 syllabograms or 59% are supersyllabograms. Supersyllabograms serve to greatly economize on the precious space available on the tiny inventory tablets in Linear B. Any complete decipherment of Linear B must fully account for the supersyllabogram as a unique phenomenon without which any approach to the interpretation of the Linear B syllabary is squarely compromised.
Supersyllabograms in Linear A:
As it turns out, supersyllabograms were not invented by the Mycenaeans, but by the Minoans. They first emerged in Linear A, not Linear B. In a syllabary of 54 syllabograms, 27 or 50 % are supersyllabograms. This compares favourably with the incidence of supersyllabograms in Linear B, in which 36 or 59 % of 61 syllabograms are supersyllabograms.
KEY to supersyllabograms in Linear A:
fi = figs
gr = grains (wheat)
ma = man, person
oo = olives, olive oil
pi = pigs
ra = rams
sh = sheep
te = textiles
ve = vessels
wi = wine & vinegar
Locales where Linear A tablets have been found:
HT = Haghia Triada
KH = Khania
MA = Malia
PE = Petras
PH = Phaistos
TH = Thera
TY = Tylissos
ZA = Zakros
The numeric value of each supersyllabograms is rated as follows:
BOLD: n. e.g. 21. TE = a supersyllabogram for which the definition is either certain or highly probable.
Italics: n. e.g. 1. A = a supersyllabogram for which the definition is possible.
Standard font: n. e.g. 2 = a supersyllabogram for which the definition is unlikely or questionable.
1. A aka = aska = a0ska = wine skin -or- apero PGS a1mpeloj = a vine Cf. Linear B apero -or- aresana NM1 a1leisana <- a1leison = an embossed cup (arch. acc.) = de/paj (Homeric) Cf. Linear B dipa/arisu NM1 a1leisu <- a1leison = embossed cup
HT 2 oo HT 39 ve KH 83 ve MA 10 ve
2. DA dadumata OM = harvesting? -or- grain(s) measured? -or- dadumina/dadumine OM= related to harvesting?
HT 133 gr
3. DI dipa3a (dipaia) PGS di/paia <- di/paj de/paj = from a cup -or- dipaja PGS di/paia <- di/paj de/paj = from a cup (alternate?)
HT 12 oo HT 14 oo (x2) HT 28 oo (x5) HT 50 oo HT 90 oo HT 116 oo HT 121 oo HT 129 oo
4. E etori NM1 e1tori <- e1toj = for a year?
HT 2 oo HT 21 oo HT 34 gr HT 50 oo HT 58 oo MA 10 (x3)
5. KA kadi MOSE NM1 kadi/ (instr. sing.) <- ka/doj = with a jar or vessel for water or wine
HT 28 wi HT 88 ma HT 100 ma
6. KE ?
HT 26 ve (x2)
7. KI kitina NM1 ktoi/na/ktoina/siaj = border of a plot of land/territory Cf. Linear B kotona kotoina ktoi/na = plot of land?
HT 8 oo HT 9 wi HT 16 oo HT 28 oo HT 44 gr HT 50 oo (x2) HT 91 oo HT 101 oo (x2) HT 116 (x2) HT 125 oo HT 129 oo HT 140 oo? (x2) TY 3 (x3) ZA 18 oo
8. KU?
HT 38 te (x2) HT 61 gr HT 128 gr (x6) PH 31 sh (x7)
9. ME meza NM1 me/za (fem. sing.) = greater, bigger Cf. Linear B mezo me/zwn me/zoj?
TY 3 oo ZA 15 wi
10. MI ? HT 28 oo HT 50 oo HT 58 oo HT 90 oo HT 91 oo (x2) HT 100 oo HT 101 oo HT 116 oo (x2) HT 125 oo HT 137 oo TY 3 oo (x5)
11. NE nea NM1 ne/a = new Cf. Linear B ne/#a = new -or- nere OM = larger amphora size (fem. plural)
HT 23 oo HT 32 oo (x2) HT 100 oo
12. PA pa3ni/pa3nina/pa3niwi OM = millet -or- spelt -or- pa3qe -or- qepa3 i.e. paiqe -or- qepai (+ ideogram for “wheat”) LIG = a kind of grain similar to wheat
HT 43 gr HT 93 gr (x2) HT 120 gr (x3) HT 125 oo HT 128 gr KH 27 gr PE 1 (x2) TY 3 oo ZA 6 gr (x3) ZA 11 (x5) ZA 18 gr ZA 28 gr
13. QE qera2u/qera2wa OM = a type of grain, probably millet or spelt (inflected) -or-
qeria OM = probably millet or spelt
HT 16 gr HT 28 gr HT 36 gr HT 99 gr HT 101 gr HT 121 oo ZA 11 gr
14. RA ranatusu (agglutinative?) -or- NM1 r9anatusu < – r9anti/zw = to cleanse, purify
rani NM1 r9a=ni/j = anything sprinkled (as in a libation); rain drop See also ratise -or- ratise (ritise?) NM1 = la/tise <- la/taj = with drops of wine (instr. pl.)
HT 44 oo KH 31 ve KH 91 ve ZA 6 wi (x2) ZA 15
15. RI rima NM1 lei=mac = garden -or- lei=mma = remnant, remains -or- lh=mma = income, receipts (dative/instrumental plural)
HT 23 oo HT 35 oo HT 60 oo KH 82 oo
16. RU ruma/rumu/rumata/rumatase lu=matase <- lu=ma = offscourings from grain, i.e chaff?
KH 12 ve (x2) KH 63 ve KH 83 ve KH 84 ve KH 85 ve KH 91 ve
17. SA sato PGS Hebrew sa/ton = Hebrew unit of measurement?
HT 27 gr (x2) wi HT 144 wi HT 131 wi ZA 15 wi
18. SI sika NM1 shka/ (arch. acc.) <- shko/j = fold, enclosure; (sheep) pen; sacred precinct, shrine = <- zhka/zw = to pen in Cf. Linear B periqoro peri/boloj = sheep pen?
HT 27 wi PH 31 pi PH 31 sh ZA 9 sh (x3)
19. SU supa3 (supai)/supa3ra (supaira) OM =small cup with handles Cf. Linear B dipa mewiyo
-or- supi/supu/supu2 OM = largest size pithos -or- MOSE NM1 supu/h sipu/h sipu/a i0pu/a = meal
20. MA? 10 ve ZA 5 wi
TA taikama OM tai + NM1 ka/ma = a unit of land, something like an acre? -or- ta2re/ta2reki NM1 sta=rei<- stai=j wheaten flour mixed into dough + tasise sta/sisei -or- tai2si (taisi) NM1 stai=sei <- stai=j = with wheaten flour mixed into a dough (instr. pl.)
HT 28 oo (x2) HT 35 oo KH 19 oo KH 39 KH 55 oo KH 61 oo KH 85 oo
21. TE = teresa OM = liquid unit of measurement
HT 6 fi HT 13 wi HT 17 wi HT 19 wi HT 21 gr HT 40 gr HT 44 gr HT 51 fi HT 62 wi HT 67 fi HT 70 fi HT 96 fi HT 133 gr TH 6 te TH Zb 11 wi
22. TI tisa OM = pottery worker/working on pottery/pottery wheel (tourney)?
KH 10 ve
23. TU ?
HT 23 oo HT 28 oo HT 50 oo HT 101 oo TY 3 oo
24. U uro NM1 ou0=loj = entire, total. Cf. kuro ku=rwn = reaching, attaining i.e. = total ?
HT 2 oo HT 21 oo HT 28 oo HT 40 00 (x3) HT 43 oo HT 58 oo HT 91 oo HT 96 oo HT 100 oo HT 101 oo (x2) HT 125 oo HT 140 oo (x8) TY 3 oo
25. WA HT 27 wi (x2)
26. WI winadu #i1nadu = vineyard Cf. Linear B winado -or- winu NM1 #i/nu = wine Cf. Linear B wono #oi/noj -or- winumatari NM1 #i/numa/tari = wine dedicated to Mother Earth (agglutinative)
27. KH 5 wi
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Tablet, Malia Palace MA/P Hi 02 in so-called Cretan hieroglyphs, dealing with crops and vessels (pottery):
Tablet, Malia Palace MA/P Hi 02 in so-called Cretan hieroglyphs, which are not hieroglyphs at all, but rather ideograms and logograms, is highly intriguing. Actually, this tablet is partially decipherable. The front side definitely deals with the produce of olive trees, i.e. olive oil and also with wheat crops. If anyone is in any doubt over the meaning of the logogram 5. TE, which looks exactly like the Linear A and Linear B syllabogram TE, this doubt can easily be swept away by mere comparison with the logogram/ideogram for “wheat” in several ancient scripts, some of which are hieroglyphic, such as Egyptian, others which are cuneiform and yet others which bear no relation to either hieroglyphs or cuneiform, or for that matter, with one another, as for instance, the Harrapan and Easter Island exograms.
In fact, the recurrence of an almost identical ideogram/logogram across so many ancient scripts is astonishing. It is for this reason that I am in no doubt over the interpretation of 5. TE as signifying what in the Cretan script.
Next up, we have 3a. & 3b., which I interpret, and probably correctly, as signifying “ewe” and “ram” respectively. In fact, the resemblance of 3b. to a ram’s head is uncanny. What is passingly strange is this: the ram’s head figures so prominently on the second side of the tablet, being much larger than any other ideogram/logogram on the tablet. Why is this so? There simply has to be a reason. But for the time being, I am stumped. Since 3a. & 3b. Relate to sheep, it stands to reason that 6. is another type of livestock. My money is on “pig”. 7. and 9. are both vessels, 7. probably being either a wine or water flask and 9. being a spice container, as it is strikingly similar to the Linear B ideogram for the same. 8. looks like some kind of grain crop, and so I take it to be so.
As for the rest of the ideograms/logograms, they are still indecipherable.
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New interpretation of Linear A tablet HT 7 (Haghia Triada):
A few months ago, I tentatively deciphered Linear A tablet New interpretation of Linear A tablet HT 7 (Haghia Triada), but when I look back on that decipherment now, I find it implausible. So I have re-interpreted here in light of new data I have acquired since then. As the tablet is inscribed mostly in Old Minoan, it is rather difficult to make complete sense of it. However, the two Mycenaean-derived New Minoan (NM1) terms offer us a clue. These are iruja = “a priestess” and tanati, which appears to be dative singular for “death”. However, although iruja is nominative singular, it is followed by the number 3, which would seem to indicate that there are 3 priestesses. And the Minoan plural of a is e, hence iruje. The only explanation I can find for this discrepancy is that the 3 priestesses are operating independently, one by one, each one making at least 1 offering, while 1 priestess makes 2, for a total of 4. But this translation, which is rather convoluted, remains in doubt because I cannot verify with any real certainty the meanings of the Old Minoan words. However, it does manage to hold together. Perhaps someday in the future, we shall unearth more Linear A tablets, which will provide us with insight into the significance of the Old Minoan vocabulary.
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Linear A tablet HT 38 (Haghia Triada) with 2 supersyllabograms, dealing with wine:
This intriguing tablet apparently deals with containers for wine, ranging from a type of vase (daropa) to a wine-skin (aka) to cloth, which appears to have been treated to be water-proof. Since the ideogram for “pig” appears immediately to the left of aka, we can surmise that the wine-skin is made of pig’s hide. The notion that cloth containers could have been water-proofed is somewhat in doubt, but the overall decipherment of HT 38 appears sound enough.
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Minoan Linear A poetic vocabulary (11 pages):Thematic: Agriculture/crops: adara/adaro/adaru = having to do with the measurement of grain crops ade/adu = large unit of measurement for grains, something like bales? adureza = dry unit of measurement, usually for grains akara/akaru a1kra (arch. acc.) - or - = end, border + akaru a0gro/j = field
akiro a1kairoj = not in season, unseasonable -or- a1grioj = living in the fields; uncultivated, unreclaimed
amaja a3maca= wagon arura a0rou/ra = unit of land -or- plough Cf. Linear B arura arudara a1lutra <- a1lutron = threshing instrument (arch. acc.) asesina = sowing or harvesting asadaka a1staxa (arch. acc.) <- a1staxu (Minoan nom. sing.)= ear of corn Asara2 TOP = Linear B Asaro A0sa/roj -or- may refer to Assur, hence Assyria -or- asara2 (asarai) = without flax atare a0ta=lei/ <- a0ta=lo/j = tender; delicate (of crops?) -or- a0qa/lei <- a0qa/loj = without a branch, twig; without an olive branch -or- a9dro/j = full-grown – or – a0qa/rh = groats, meal, green fodder, forage, provender Cf. kupari = galingale atiru a0te/lu <- a0te/loj = without boundaries dame/dami/daminu OM dame = a type of grain -or- da/mei = in the village data2 (datai) = olive datu = olive tree dideru = einkorn wheat Cf. Linear B didero durare = a type of grain, durum wheat? dureza/durezase = unit of dry measurement? (variation of: adureza?) ero e0llo/j = young deer, fawn etori e1tori <- e1toj = for a year itaja = unit of liquid volume for olive oil? (exact value unknown) kami ka/mi (dat./instr. sing.) <- ka/ma = (on a) unit of land Cf. Linear B ka/ma kasaru = surviving? (drought) kasitero kasite/loj = boundary of...? kikadi = cicada (cricket) kireta2 (kiretai) kri/qai = barley kiretana kriqani/aj = like barley, barley (attributive) kiro/kirisi/kiru = owed Cf. Linear B oporo = they owed kunisu = emmer wheat (derivation: Semitic kunnisu) madi = a ram? (probably, because it appears to be masculine and is used in conjunction with the ideogram for “sheep” maru/maruku/maruri mallo/j = flock of wool Cf. Linear B mali mali/ = wool meza me/za (fem. sing.) = greater, bigger Cf. Linear B mezo me/zwn me/zoj minute (sing. minuta2 – minutai) = type of grain – or – Mi/nute\ <- Mi/noste\ = and Minos mireja mhle/a = apple tree -or- mh/leia (gen. sing.) = belonging to a sheep miru mh=lon = a sheep or goat -or- mh1lon = apple, tree fruit mirutarare = sheep pen? -or- apple orchard? naka na/ka (arch. acc) <- na/koj = sheep’s fleece nea ne/a = new Cf. Linear B ne/#a = new pa3ni/pa3nina/pa3niwi = millet -or- spelt pa3qe -or- qepa3 i.e. paiqe -or- qepai (+ ideogram for “wheat”) = a kind of grain similar to wheat paja/pajai/pajare = contracted, indentured, hired? para para\ = beside, from beside, by the side of, beyond etc. pasarija = pa=sa + rija = all-encompassing, international? pura2 = a type of grain qanuma = a type of grain qareto = lease field? Cf. Linear B onato qaqisenuti xalkei/a=senuti = with bronze craftsmanship qera2u/qera2wa = a type of grain, probably millet or spelt qeria = probably millet or spelt reza = standard unit of linear measurement rima lei=mac = garden -or- lei=mma = remnant, remains -or- lh=mma = income, receipts (dative/instrumental plural) ruma/rumu/rumata/rumatase lu=matase <- lu=ma = offscourings from grain, i.e chaff sara2 (sarai)/sarara/saru = flax saro/saru/sarutu sa/ron = broom, threshing floor sato sa/ton = Hebrew unit of measurement. sedina = celery Cf. Linear B serino se/linon seikama = seika/ma = a unit of land dedicated to a/the goddess setamaru = something to do with wool/spun wool? sika shka/ (arch. acc.) <- shko/j = fold, enclosure; (sheep) pen; sacred precinct, shrine = <- zhka/zw = to pen in Cf. Linear B periqoro peri/boloj = sheep pen Sikine TOP loc. sing. of Sikinos -or- OM = a type of grain simita = mouse (arch. acc.) simito/simitu PGS = zmi/nqoj mouse sitetu See situ below situ si/tu si/tun = wheat Cf. Linear B sito si/ton suniku (common) su/noiku <- su/noikoj living together, joint inhabitant, dweller suzu su/zuc = yoked together; paired Cf. Linear B zeukesi zeu/gesi = yoked (instr. pl.) taikama taika/ma = a unit of land, something like an acre? ta2re/ta2reki sta=rei<- stai=j wheaten flour mixed into dough + tasise sta/sisei tai2si (taisi) stai=sei <- stai=j = with wheaten flour mixed into a dough (instr. pl.) teke/teki = small unit of measurement for wine @ 27 1/2 units per tereza tereza = liquid unit of measurement terikama te/leika/ma = extent of land, i.e. something like acreage, lit. land to its extent or boundary tero/teroa te/loj = end, boundary Tumitizase TOP -or- = linen Cf. Linear B rino li/non udiriki u3driki <- u3droj = with water ukare = sowing or harvesting Uminase TOP Cf. Linear B Aminiso = harbour waja #ai/a = earth, land Flowers/fruit/spices etc: adakisika a0dakissi/ka = adorned with ivory adoro a1doroj = receiving no gifts; unpaid; giving no gifts akumina a0ku/mina = without cumin? (arch. acc.) amawasi a3mai#asi = with violets asidatoi a0si/datoi = without pomegranate (dat. sing.) atade a1ttade = from father ditamana = dittany dudama = a kind of fruit = dates? (found in context with figs) ia i0a/ (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets/ija See i0a/ (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets (variation) kanaka kna/ka (arch. acc. of respect) = saffron Cf Linear B kanako kna/koj kapa/kapaqe/kapate/kapi karpa/ (arch. acc.) + karpa/te\ = fruit, and fruit, with fruit -or- kara kera/kero ke/raj = horn (ivory) -or- khr/oj = bees-wax Cf. Linear B kera kikina = some kind of fruit, quite likely grapes (from context) kireza = measurement of figs = 1 basket of figs carried on a shoulder kitai/kitei = kestai/ kestei/ = embroidered (lit.), but in context = basketry, basket(s) kupari ku/pairi (instr. sing.) <- ku/pairoj = marsh-plant used to feed horses, galingale or ginger kuruku kro/koj = crocus, saffron mera mela/j = black - or – me/la (arch. accus.) = honey merasasaa/merasasaja (very common) = something to do with honey/ honeycomb or honey drink? meto mesto/j = full, filled mireja mhle/a = apple tree -or- mh/leia (gen. sing.) = belonging to a sheep miru mh=lon = a sheep or goat -or- mh1lon = apple, tree fruit mirutarare = sheep pen? -or- apple orchard? mita mi/nqa = mint Cf. Linear B mita muru mu/ron = sweet oil extracted from plants; sweet oil; unguent; perfume Cf. Linear B musaja nira2 (nirai) -or- nita2 (nisai) OM = figs + ideogram = NI (in both Linear A & B) oteja o1steia <- o1streia = oyster pigment; oyster purple Cf. Linear B otawero o1streioj para para\ = beside, from beside, by the side of, beyond etc. patane OM = lentils? (fem. pl.) pimata PGS = pimento pita/pitaja pista/kion = pistachio-nut pitakase/pitakesi pista/kesi = with pistachio-nuts (instr. pl.) punikaso funi/kasoj = crimson, red (of wine) Cf. Linear B ponikiya ponikiyo foini/kioj = crimson ra2ri (rairi) = lily rima = lei=mac = garden -or- lei=mma = remnant, remains -or- lh=mma = income, receipts (dative/instrumental plural) rimisi See above (instr. pl.) rosa = rose rosirasiro = rosebush? sasame sasa/me = sesame Cf. Linear B sasa/ma sedina = celery Cf. Linear B serino se/linon tuma/tumei/tumi qumi/a = incense turunu qo/rnoj = throne Cf. Linear B tono qo/rnoj unana = penny royal? uro ou0=loj = entire, total. Cf. kuro ku=rwn = reaching, attaining i.e. = total waja #ai/a = earth, land Military: ia i0a/ (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets/ija See i0a/ (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets (variation) ima i9ma/c = leather strap, thong; lash of a whip ira2 i1la=i = troops, companies, squadrons kara kara/ = head Cf. Linear B kara(pi) kara/afi kipisi ci/fisi <- ci/foj = with swords (instr. pl.) kito xitw/n = chiton Cf. Linear B kito koiru koi/ru <- koi/roj = hollow (ships) koru ko/ruj = helmet Cf. Linear B koru kuro/kurotu ku=roj = supreme power, authority & ku=rwn = reaching, attaining i.e. = total Cf. Linear B tosa to/sa kuto/kutu ku/toj = shield, cuirass qaro ba=lo/j = threshold qero be/loj = arrow, dart radu r9a/bdu <- r9a/bdoj = rod, switch; spear-staff or shaft ra2ti (raiti) r9aisth/r = a hammer, crusher sama/samaro sama/ro = burial ground Cf. Linear B Sama/ra sama/ra = place name -or- monument -or- grave mound OR sa/meron = today sere -or- rese seirei/ <- seira/ = with a cord or rope (instrumental sing.) tarasa = sea Cf. Linear B tarasa qa/lassa toraka qw/rac = breastplate, cuirass = Linear B toraka toro tau/roj = bull -or- qolo/j = dome or circular vault; vaulted building zuma zw=ma girdle, belt; girded tunic Pottery/vessels: aresana a1leisana <- a1leison = an embossed cup (arch. acc.) = de/paj (Homeric) Cf. Linear B dipa/arisu a1leisu <- a1leison = embossed cup daqera = a type of vase? darida = large vase, slightly smaller than a pithos daropa = stirrup jar depa/depu de/paj de/pu (acc.?)= cup Cf. Linear B dipa di/paj & Homeric de/pa dipa3a (dipaia) di/paia <- di/paj de/paj = from a cup dipaja di/paia <- di/paj de/paj = from a cup (alternate?) ipinama/ipinamina i0pneume/na (fem. sing.) = baked (bread)
itisapuko i1tija = round + pu/coj = box-wood -or- NMOM i1tija = round + puko = tripod = round tripod Cf. puko below
kadi kadi/ (instr. sing.) <- ka/doj = with a jar or vessel for water or wine kadusi ka/dusi <= ka/doj = with buckets or pails (instr. pl.) kairo kairo/j = due measure kaki/kaku xalku/ <- xalko/j = copper, bronze kakunete = bronze alloy - or – crafted in bronze karopa2 (karopai) = kylix with 2 handles-or- ka/rdoph = wooden vessel/vase kataro ka/nqa=roj = scarab (Egyptian) + drinking cup kera/kero ke/raj = horn (ivory) -or- khr/oj = bees-wax Cf. Linear B kera meto mesto/j = full, filled meza me/za (fem. sing.) = greater, bigger Cf. Linear B mezo me/zwn me/zoj nere = larger amphora size (fem. plural) posa po/sa= (arch. acc.) <- poi/si=j = drink(ing), beverage -or- po/sa <- po/soj = how great, how much, of what value? posi -or- sipo posi/ = on, upon Cf. Linear B posi -or- sipo = si/fwn = reed, straw, siphon puko= tripod Cf. Linear B pukoso pu/coj = box-wood. Apparently unrelated qapa3 (qapai) = (large) handle-less vase or amphora qapaja/qapajanai qapaja (genitive sing. of qapa3 (qapai)) qaqisenuti xalkei/a=senuti = with bronze craftsmanship qedi = a flagon (for wine) qeti (instr. sing.)/qetiradu = a very large pot, pithos Cf. Linear B PGS qeto pi/qoj supa3 (supai)/supa3ra (supaira) =small cup with handles Cf. Linear B dipa mewiyo supi/supu/supu2 = largest size pithos -or- supu/h sipu/h sipu/a i0pu/a = meal tub = suropa = some kind of vase? tisa = pottery worker/working on pottery/pottery wheel (tourney) Religious: ara a0ra/ = a prayer araju a0ra=u <- a0ra=oj = prayed for arati a0ra=ti/ <- a0ra/toj = with something unblessed Cf. makarite ― below atanate a0qa/na=te = with an immortal (instr. sing.) damate Da/mate = Damater Cf. Linear B Damate -or- da/matei = in the village dare da=lei/ <- da=lo/j = (with) a firebrand or torch/daro LIG da=lo/j = firebrand dewa -or- wide de/#a = goddess? dija/dije Di/ #a Cf. Linear B Diwija Di#i/a = priestess of Zeus dumitatira2 (dumitatirai) = left or right side of a spindle? (or verso) dura2 dou/lai = slaves (fem.) Cf. Linear B doera doe/la esija e3sti/a = hearth of a house Idamate/Idamete 0Idama/te = Mother goddess of Mount Ida Idarea 0Idar9ea = Rhea, goddess of Mount Ida ijate i0a/ter = doctor, physician Cf. Linear iyate i0a/ter iruja i0e/ruia = priestess Cf. Linear B iyereya i0e/reia jamauti i1amauti = as a means of healing <- i1ama i1amatoj = healing, remedy jarisapa = some kind of dress? Cf. Linear B sapa jasaja 0Ia=sai/a <- 0Ia=sw/ of/from the goddess of healing and health jasidara i0a=sida=la/ = healing torch/firebrand (arch. acc.) jate/jateo i0a=th/r = physician jatimane i0a=th/j mannei= = with the bread of healing mana/manapi (common) Hebrew manna= = (of spiritual food) bread from heaven, the supernatural food eaten by the Israelites in the desert maza/mazu ma=za = kneaded or unbaked bread, barley bread/cake miturea mi/toj 9Re/a= thread of a warp for Rhea narepirea narepir9e/a = Rhea, goddess of the snake/ snake goddess? pimitatira2 (pimitatirai) = right of left side of a spindle? -or- verso qajo ba/i"on = a palm branch (Kafkania pebble) ranatusu (agglutinative?) -or- r9anatusu < - r9anti/zw = to cleanse, purify rani r9a=ni/j = anything sprinkled (as in a libation); rain drop See also ratise ratise (ritise?) = la/tise <- la/taj = with drops of wine (instr. pl.) rea r9e/a = goddess, Rhea sea/sei se/a se/ei (dat. sing.) = snake goddess (from K. Bouzanis) seikama= seika/ma = a unit of land dedicated to a/the goddess taro tau=roj = bull tejai qei/ai = goddesses tuma/tumei/tumi qumi/a = incense turunu qo/rnoj = throne Cf. Linear B tono qo/rnoj wanaka = king wireu #i0eru/ <- #i0ero/j = priest Cf. Linear B iyero i0ero/j Textiles: arako a0ra/c = weaver Cf. Linear B arakateya a0laka/teiai = weavers
arakokuzu = weaver’s establishment?
Trees:
datu = olive tree
keda = cedar
kidapa = ash wood? (a type of wood) Appears only on Linear B tablet KN 894 N v 01
kidaro kidaro ke/dron = juniper berry-or- kedri/a = oil of cedar Cf. Linear B kidaro
kitanasija/kitanasijase kitanisija (gen. sing.) ki/rtanasia <- ki/rtanoj = terebinth tree Cf. Linear B kitano ki/rtanoj
tarawita = terebinth tree Cf. Linear B kitano ki/rtanoj & timito ti/rminqoj
tarina qalli/na (arch. acc.) <- qallo/j = a young shoot, twig; festive olive-branch
Wine:
aka -or- kaa a0ska/ (arch. acc.) <- a0sko/j = leather bag, wine skin
apero a1mpeloj = a vine Cf. Linear B apero
kupazu kou/fazu <- kou/fazoj = light (of wine)
kuqani = a type of (fine) wine
kuwa -or- waku ku/#a = girl Cf. Linear B kowa ko/#a – or – #a0sku/ <- #a0sko/j = leather bag or wineskin
punikaso funi/kasoj = crimson, red (of wine) Cf. Linear B ponikiya ponikiyo foini/kioj = crimson
qesizue (plural) = wine goblets?
ratise (ritise?) = la/tise <- la/taj = with drops of wine (instr. pl.)
unaa oi0nai/a = wine vessel, wine jug, wine jar
winadu #i1nadu = vineyard Cf. Linear B winado
winu #i/nu = wine Cf. Linear B wono #oi/noj
winumatari #i/numa/tari = wine dedicated to Mother Earth
ONOTOP:
Adunitana
Akanu/Akanuzati OP A0rxa/nej = Archanes (Crete)
Arenesidi
Asasumaino
Asasumaise
Asuja Cf Linear B Asiwiya A0si/#ia
Demirirema
Dawa = place name Cf. LB dawo Da/#oj / Da/#on
Dikate = Mount Dikte Cf. Linear B Dikatade Diktai/oj
Dupu3re Cf. Linear B Dupu2razo Dupurai/zoj
Ida/Idaa/Idada/Idapa3 = Mount Ida
Idunesi
Ikurina
Inajapaqa
Itinisa = female resident of Itanos?
Izurinita
Kana/kanatiti/kanau Kanna
Kanijami Kaniamis (female name)?
Ketesunata
Kina Kinna
Kiso Kissos
Kosaiti Cf. Linear B Kutaito Ku/taistoj (not necessarily the same place)
Masuja
Mekidi Megi/di <- Me/gaj = the Great
Mesenurutu
Midemidiu
Pamanuita
Raja/Raju 9Rai/a = Raia Cf. Linear B Raja
rea PGS r9e/a = goddess, Rhea
Rujamime
Rukito
Seimasusaa
Setoija
Sewaude
Sezanitao
Sikira/Sikirita
Sima
Suria
Tainaro
Ta2rimarusi
Tejare TOP Cf. Linear B Tejaro qei/aroj = place of the gods?
Tita = Ti=ta/n
Uminase
Waduna
Wadunimi
Wasatomaro
Zadeu
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Linear A vase rim fragment IO Za 9 from Iouktas:
Linear A vase rim fragment IO Za 9 from Iouktas appears to deal with the goddess of healing and health offering her powers and blessings as balms to heal someone who is ill. The significance of the Old Minoan word (OM) unaka can only be divined from context. It appears to mean “illness” or “disease”, as that interpretation does suit the context. But we can never really know.
As for jasasa, this word appears to be an oblique case for jasa (arch. acc) of jaso, the goddess of healing and health. So this vase rim would appear to say something like, “due to the goddess of healing and health offering balms to a person’s disease”.
On his site, Prof. John G. Younger refers to the right-to-left writing of jasasa as retrograde, but there is no such linguistic term. What he ought to have said was sinistrograde.
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the Linear A vessel (vase) AP Za 2 from Apodoulou: mostly topomastics and epomastics?
It appears that Linear A vessel (vase) AP Za 2 from Apodoulou is loaded with epomastics. The words are so long that it appear that it cannot be otherwise. Moreover, some of the terms appear to be agglutinated, e.g. ipinamite, inajareta and ikupa3namate (ikupainamate). The only word which appears not to be an eponym is ipinamite i0pneumi/te (instrumental singular) = with/for baked (bread). Since there are so many names, it is difficult to imagine that they are the owners of the vase. But they may very well be bakers, given the context. This would imply that the vase is full of (einkorn or emmer?) wheat to be used for baking bread.
