Tag Archive: pottery



Minoan Linear A poetic vocabulary (11 pages):

goddesses on signet Minoan prince saffron goddess

Thematic:

Agriculture/crops:

adara/adaro/adaru = having to do with the measurement of grain crops 
ade/adu = large unit of measurement for grains, something like bales?
adureza = dry unit of measurement, usually for grains
akara/akaru a1kra (arch. acc.) - or - = end, border + akaru a0gro/j = field

akiro a1kairoj = not in season, unseasonable -or- a1grioj = living in the fields; uncultivated, unreclaimed

amaja a3maca= wagon
arura a0rou/ra = unit of land -or- plough Cf. Linear B arura 
arudara a1lutra <- a1lutron = threshing instrument (arch. acc.) 
asesina = sowing or harvesting
asadaka a1staxa (arch. acc.) <- a1staxu (Minoan nom. sing.)= ear of corn
Asara2 TOP = Linear B Asaro A0sa/roj -or- may refer to Assur, hence Assyria -or- asara2 (asarai) = without flax
atare a0ta=lei/ <- a0ta=lo/j = tender; delicate (of crops?) -or- a0qa/lei <- a0qa/loj = without a branch, twig; without an olive branch -or- a9dro/j = full-grown – or – a0qa/rh = groats, meal, green fodder, forage, provender Cf. kupari = galingale
atiru a0te/lu <- a0te/loj = without boundaries 
dame/dami/daminu OM dame = a type of grain -or-  da/mei = in the village
data2 (datai) = olive
datu = olive tree 
dideru = einkorn wheat Cf. Linear B didero
durare = a type of grain, durum wheat?
dureza/durezase = unit of dry measurement? (variation of: adureza?)
ero e0llo/j = young deer, fawn 
etori e1tori <- e1toj = for a year 
itaja = unit of liquid volume for olive oil? (exact value unknown)
kami ka/mi (dat./instr. sing.) <- ka/ma = (on a) unit of land Cf. Linear B ka/ma 
kasaru = surviving? (drought)
kasitero kasite/loj = boundary of...?
kikadi = cicada (cricket) 
kireta2 (kiretai) kri/qai = barley
kiretana kriqani/aj = like barley, barley (attributive)
kiro/kirisi/kiru = owed Cf. Linear B oporo = they owed
kunisu = emmer wheat (derivation: Semitic kunnisu) 
madi = a ram? (probably, because it appears to be masculine and is used in conjunction with the ideogram for sheep 
maru/maruku/maruri mallo/j = flock of wool Cf. Linear B mali mali/ = wool 
meza me/za (fem. sing.) = greater, bigger Cf. Linear B mezo me/zwn me/zoj
minute (sing. minuta2 – minutai) = type of grain – or – Mi/nute\ <- Mi/noste\ = and Minos
mireja mhle/a = apple tree -or- mh/leia (gen. sing.) = belonging to a sheep
miru mh=lon = a sheep or goat -or- mh1lon = apple, tree fruit 
mirutarare = sheep pen? -or- apple orchard?  
naka na/ka (arch. acc) <- na/koj = sheep’s fleece    
nea ne/a = new Cf. Linear B ne/#a = new                                                                                                                                                                                                                        
pa3ni/pa3nina/pa3niwi =  millet -or- spelt 
pa3qe -or- qepa3 i.e. paiqe -or- qepai  (+ ideogram for wheat”) = a kind of grain similar to wheat
paja/pajai/pajare = contracted, indentured, hired?
para para\ = beside, from beside, by the side of, beyond etc.
pasarija = pa=sa + rija = all-encompassing, international? 
pura2 = a type of grain 
qanuma = a type of grain
qareto = lease field? Cf. Linear B onato
qaqisenuti xalkei/a=senuti = with bronze craftsmanship 
qera2u/qera2wa = a type of grain, probably millet or spelt
qeria = probably millet or spelt
reza = standard unit of linear measurement
rima lei=mac = garden -or- lei=mma = remnant, remains -or- lh=mma = income, receipts  (dative/instrumental plural) 
ruma/rumu/rumata/rumatase lu=matase <- lu=ma = offscourings from grain, i.e chaff
sara2 (sarai)/sarara/saru = flax
saro/saru/sarutu sa/ron = broom, threshing floor
sato sa/ton = Hebrew unit of measurement.
sedina = celery Cf. Linear B serino se/linon
seikama = seika/ma = a unit of land dedicated to a/the goddess
setamaru  = something to do with wool/spun wool?
sika  shka/ (arch. acc.) <- shko/j = fold, enclosure; (sheep) pen; sacred precinct, shrine = <- zhka/zw = to pen in Cf. Linear B periqoro peri/boloj = sheep pen 
Sikine TOP loc. sing. of Sikinos -or- OM = a type of grain
simita = mouse (arch. acc.) simito/simitu PGS  = zmi/nqoj mouse 
sitetu See situ below
situ si/tu si/tun = wheat Cf. Linear B sito si/ton 
suniku (common) su/noiku <- su/noikoj  living together, joint inhabitant,  dweller
suzu su/zuc = yoked together; paired Cf. Linear B zeukesi zeu/gesi = yoked (instr. pl.)
taikama taika/ma = a unit of land, something like an acre?
ta2re/ta2reki sta=rei<-  stai=j wheaten flour mixed into dough + tasise sta/sisei
tai2si (taisi) stai=sei <- stai=j = with wheaten flour mixed into a dough (instr. pl.)
teke/teki = small unit of measurement for wine @ 27 1/2 units per tereza
tereza = liquid unit of measurement
terikama te/leika/ma = extent of land, i.e. something like acreage, lit. land to its extent or boundary 
tero/teroa te/loj = end, boundary 
Tumitizase TOP -or- = linen Cf. Linear B rino li/non
udiriki u3driki <- u3droj = with water 
ukare = sowing or harvesting
Uminase TOP  Cf. Linear B Aminiso = harbour 
waja #ai/a = earth, land

Flowers/fruit/spices etc:

adakisika a0dakissi/ka = adorned with ivory
adoro a1doroj = receiving no gifts; unpaid; giving no gifts
akumina a0ku/mina = without cumin? (arch. acc.)
amawasi a3mai#asi = with violets
asidatoi a0si/datoi = without pomegranate (dat. sing.)
atade a1ttade = from father 
ditamana = dittany
dudama = a kind of fruit = dates? (found in context with figs)
ia i0a/  (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets/ija See i0a/ (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets (variation) 
kanaka kna/ka (arch. acc. of respect) = saffron Cf Linear B kanako kna/koj
kapa/kapaqe/kapate/kapi  karpa/ (arch. acc.) + karpa/te\ = fruit, and fruit, with fruit -or- kara 
kera/kero ke/raj = horn (ivory) -or- khr/oj = bees-wax Cf. Linear B kera
kikina = some kind of fruit, quite likely grapes (from context)
kireza = measurement of figs = 1 basket of figs carried on a shoulder
kitai/kitei = kestai/ kestei/ = embroidered (lit.), but in context = basketry, basket(s)
kupari ku/pairi (instr. sing.) <- ku/pairoj = marsh-plant used to feed horses, galingale or ginger
kuruku kro/koj = crocus, saffron
mera mela/j = black  - or – me/la (arch. accus.) = honey 
merasasaa/merasasaja (very common) = something to do with honey/ honeycomb or honey drink? 
meto mesto/j = full, filled
mireja mhle/a = apple tree -or- mh/leia (gen. sing.) = belonging to a sheep
miru mh=lon = a sheep or goat -or- mh1lon = apple, tree fruit 
mirutarare = sheep pen? -or- apple orchard? 
mita  mi/nqa = mint Cf. Linear B mita 
muru mu/ron = sweet oil extracted from plants; sweet oil; unguent; perfume Cf. Linear B musaja
nira2 (nirai) -or- nita2 (nisai) OM = figs + ideogram = NI (in both Linear A & B)
oteja o1steia <- o1streia = oyster pigment; oyster purple Cf. Linear B otawero o1streioj 
para para\ = beside, from beside, by the side of, beyond etc.
patane OM = lentils? (fem. pl.)
pimata PGS = pimento
pita/pitaja pista/kion = pistachio-nut 
pitakase/pitakesi pista/kesi = with pistachio-nuts (instr. pl.) 
punikaso funi/kasoj = crimson, red (of wine) Cf. Linear B ponikiya ponikiyo foini/kioj = crimson 
ra2ri (rairi) = lily 
rima = lei=mac = garden -or- lei=mma = remnant, remains -or- lh=mma = income, receipts  (dative/instrumental plural)
rimisi See above (instr. pl.) 
rosa = rose 
rosirasiro = rosebush? 
sasame sasa/me = sesame Cf. Linear B sasa/ma
sedina = celery Cf. Linear B serino se/linon
tuma/tumei/tumi qumi/a = incense
turunu qo/rnoj = throne Cf. Linear B tono qo/rnoj 
unana = penny royal?
uro ou0=loj = entire, total. Cf. kuro ku=rwn = reaching, attaining i.e. = total
waja #ai/a = earth, land

Military:
ia i0a/  (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets/ija See i0a/ (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets (variation) 
ima i9ma/c = leather strap, thong; lash of a whip 
ira2 i1la=i = troops, companies, squadrons
kara kara/ = head Cf. Linear B kara(pi) kara/afi
kipisi ci/fisi <- ci/foj = with swords (instr. pl.) 
kito xitw/n = chiton Cf. Linear B kito
koiru koi/ru <- koi/roj = hollow (ships) 
koru ko/ruj = helmet Cf. Linear B koru
kuro/kurotu ku=roj = supreme power, authority & ku=rwn = reaching, attaining i.e. = total Cf. Linear B tosa to/sa
kuto/kutu ku/toj = shield, cuirass
qaro ba=lo/j = threshold 
qero be/loj = arrow, dart
radu r9a/bdu <- r9a/bdoj = rod, switch; spear-staff or shaft
ra2ti (raiti) r9aisth/r = a hammer, crusher
sama/samaro sama/ro = burial ground Cf. Linear B Sama/ra sama/ra = place name -or- monument -or- grave mound OR sa/meron = today
sere -or- rese seirei/ <- seira/ = with a cord or rope (instrumental sing.)
tarasa = sea Cf. Linear B tarasa qa/lassa
toraka qw/rac  = breastplate, cuirass = Linear B toraka
toro tau/roj = bull -or- qolo/j = dome or circular vault; vaulted building
zuma zw=ma girdle, belt; girded tunic

Pottery/vessels:

aresana a1leisana <- a1leison = an embossed cup (arch. acc.) = de/paj (Homeric) Cf. Linear B dipa/arisu  a1leisu <- a1leison = embossed cup 
daqera = a type of vase? 
darida = large vase, slightly smaller than a pithos
daropa = stirrup jar 
depa/depu de/paj de/pu (acc.?)= cup Cf. Linear B dipa di/paj & Homeric de/pa
dipa3a (dipaia) di/paia <- di/paj de/paj = from a cup 
dipaja di/paia <- di/paj de/paj = from a cup (alternate?)
ipinama/ipinamina i0pneume/na (fem. sing.) = baked (bread)

itisapuko i1tija = round + pu/coj = box-wood -or- NMOM i1tija = round + puko = tripod = round tripod Cf. puko below

kadi kadi/ (instr. sing.) <- ka/doj = with a jar or vessel for water or wine
kadusi ka/dusi <= ka/doj = with buckets or pails (instr. pl.) 
kairo kairo/j = due measure 
kaki/kaku xalku/ <- xalko/j = copper, bronze
kakunete = bronze alloy - or – crafted in bronze 
karopa2 (karopai) = kylix with 2 handles-or-   ka/rdoph = wooden vessel/vase
kataro ka/nqa=roj = scarab (Egyptian) + drinking cup
kera/kero ke/raj = horn (ivory) -or- khr/oj = bees-wax Cf. Linear B kera
meto mesto/j = full, filled
meza me/za (fem. sing.) = greater, bigger Cf. Linear B mezo me/zwn me/zoj
nere = larger amphora size (fem. plural) 
posa po/sa= (arch. acc.) <- poi/si=j = drink(ing), beverage -or- po/sa <- po/soj = how great, how much, of what value?  
posi -or- sipo posi/ = on, upon Cf. Linear B posi -or- sipo = si/fwn = reed, straw, siphon
puko= tripod Cf. Linear B pukoso pu/coj = box-wood. Apparently unrelated 
qapa3 (qapai)  = (large) handle-less vase or amphora
qapaja/qapajanai qapaja (genitive sing. of qapa3 (qapai))
qaqisenuti xalkei/a=senuti = with bronze craftsmanship
qedi = a flagon (for wine) 
qeti (instr. sing.)/qetiradu = a very large pot, pithos Cf. Linear B PGS qeto pi/qoj
supa3 (supai)/supa3ra (supaira) =small cup with handles Cf. Linear B dipa mewiyo
supi/supu/supu2 = largest size pithos -or-   supu/h sipu/h sipu/a i0pu/a = meal tub = suropa = some kind of vase?
tisa = pottery worker/working on pottery/pottery wheel (tourney)

Religious:

ara a0ra/ = a prayer 
araju a0ra=u <- a0ra=oj = prayed for 
arati a0ra=ti/ <- a0ra/toj = with something unblessed Cf. makarite  below
atanate a0qa/na=te = with an immortal (instr. sing.) 
damate Da/mate = Damater Cf. Linear B Damate -or- da/matei = in the village 
dare da=lei/ <- da=lo/j = (with) a firebrand or torch/daro LIG  da=lo/j = firebrand
dewa -or- wide de/#a = goddess? 
dija/dije Di/ #a Cf. Linear B Diwija Di#i/a = priestess of Zeus
dumitatira2 (dumitatirai) = left or right side of a spindle? (or verso) 
dura2 dou/lai = slaves (fem.) Cf. Linear B doera doe/la 
esija e3sti/a = hearth of a house 
Idamate/Idamete  0Idama/te = Mother goddess of Mount Ida
Idarea  0Idar9ea = Rhea, goddess of Mount Ida 
ijate i0a/ter = doctor, physician Cf. Linear iyate  i0a/ter
iruja i0e/ruia = priestess Cf. Linear B iyereya i0e/reia
jamauti i1amauti = as a means of healing <- i1ama i1amatoj = healing, remedy
jarisapa  = some kind of dress? Cf. Linear B sapa
jasaja  0Ia=sai/a <-  0Ia=sw/ of/from the goddess of healing and health  
jasidara i0a=sida=la/ = healing torch/firebrand (arch. acc.) 
jate/jateo i0a=th/r = physician 
jatimane i0a=th/j mannei= = with the bread of healing  
mana/manapi (common) Hebrew manna= = (of spiritual food) bread from heaven, the supernatural food eaten by the Israelites in the desert  
maza/mazu  ma=za  = kneaded or unbaked bread, barley bread/cake
miturea mi/toj 9Re/a= thread of a warp for Rhea 
narepirea narepir9e/a = Rhea, goddess of the snake/ snake goddess?   
pimitatira2 (pimitatirai) = right of left side of a spindle? -or- verso  
qajo ba/i"on = a palm branch (Kafkania pebble)
ranatusu (agglutinative?) -or-  r9anatusu < - r9anti/zw = to cleanse, purify 
rani r9a=ni/j = anything sprinkled (as in a libation); rain drop See also ratise
ratise (ritise?) = la/tise <- la/taj = with drops of wine (instr. pl.)
rea r9e/a = goddess, Rhea
sea/sei se/a se/ei (dat. sing.) = snake goddess (from K. Bouzanis)
seikama= seika/ma = a unit of land dedicated to a/the goddess
taro tau=roj = bull
tejai qei/ai = goddesses
tuma/tumei/tumi qumi/a = incense
turunu qo/rnoj = throne Cf. Linear B tono qo/rnoj
wanaka = king 
wireu #i0eru/ <- #i0ero/j = priest Cf. Linear B iyero i0ero/j

Textiles:

arako a0ra/c = weaver Cf. Linear B arakateya a0laka/teiai = weavers

arakokuzu = weavers establishment?

Trees:

datu = olive tree
keda = cedar
kidapa = ash wood? (a type of wood) Appears only on Linear B tablet KN 894 N v 01
kidaro kidaro ke/dron = juniper berry-or- kedri/a = oil of cedar Cf. Linear B kidaro
kitanasija/kitanasijase kitanisija (gen. sing.) ki/rtanasia <- ki/rtanoj = terebinth tree Cf. Linear B kitano ki/rtanoj 
tarawita = terebinth tree Cf. Linear B kitano ki/rtanoj & timito ti/rminqoj 
tarina qalli/na (arch. acc.) <- qallo/j = a young shoot, twig; festive olive-branch 

Wine:

aka -or- kaa a0ska/ (arch. acc.) <- a0sko/j = leather bag, wine skin
apero a1mpeloj = a vine  Cf. Linear B apero 
kupazu kou/fazu <- kou/fazoj = light (of wine) 
kuqani = a type of (fine) wine
kuwa -or- waku ku/#a = girl Cf. Linear B kowa ko/#a – or – #a0sku/ <- #a0sko/j = leather bag or wineskin 
punikaso funi/kasoj = crimson, red (of wine) Cf. Linear B ponikiya ponikiyo foini/kioj = crimson 
qesizue (plural) = wine goblets? 
ratise (ritise?) = la/tise <- la/taj = with drops of wine (instr. pl.)
unaa oi0nai/a = wine vessel, wine jug, wine jar
winadu #i1nadu = vineyard Cf. Linear B winado
winu #i/nu = wine Cf. Linear B wono  #oi/noj
winumatari #i/numa/tari = wine dedicated to Mother Earth


ONOTOP:

Adunitana 
Akanu/Akanuzati  OP A0rxa/nej = Archanes (Crete) 
Arenesidi 
Asasumaino
Asasumaise 
Asuja Cf Linear B Asiwiya A0si/#ia
Demirirema 
Dawa = place name Cf. LB dawo Da/#oj / Da/#on 
Dikate = Mount Dikte Cf. Linear B Dikatade Diktai/oj 
Dupu3re Cf. Linear B Dupu2razo Dupurai/zoj 
Ida/Idaa/Idada/Idapa3  = Mount Ida
Idunesi
Ikurina  
Inajapaqa
Itinisa = female resident of Itanos?
Izurinita
Kana/kanatiti/kanau Kanna
Kanijami Kaniamis (female name)?
Ketesunata
Kina Kinna
Kiso Kissos
Kosaiti Cf. Linear B Kutaito Ku/taistoj (not necessarily the same place) 
Masuja
Mekidi Megi/di <- Me/gaj = the Great
Mesenurutu
Midemidiu
Pamanuita
Raja/Raju  9Rai/a = Raia Cf. Linear B Raja 
rea PGS r9e/a = goddess, Rhea
Rujamime
Rukito
Seimasusaa 
Setoija 
Sewaude  
Sezanitao
Sikira/Sikirita 
Sima
Suria 
Tainaro 
Ta2rimarusi
Tejare TOP Cf. Linear B Tejaro qei/aroj = place of the gods?
Tita = Ti=ta/n
Uminase
Waduna 
Wadunimi 

Wasatomaro

Zadeu


Linear A vase rim fragment IO Za 9 from Iouktas:

Linear A IO Za 9 Iouktas

Linear A vase rim fragment IO Za 9 from Iouktas appears to deal with the goddess of healing and health offering her powers and blessings as balms to heal someone who is ill. The significance of the Old Minoan word (OM) unaka can only be divined from context. It appears to mean “illness” or “disease”, as that interpretation does suit the context. But we can never really know.

As for jasasa, this word appears to be an oblique case for jasa (arch. acc) of jaso, the goddess of healing and health. So this vase rim would appear to say something like, “due to the goddess of healing and health offering balms to a persons disease”.

On his site, Prof. John G. Younger refers to the right-to-left writing of jasasa as retrograde, but there is no such linguistic term. What he ought to have said was sinistrograde.

 


the Linear A vessel (vase) AP Za 2 from Apodoulou: mostly topomastics and epomastics?

Apolodou AP Za 2

It appears that Linear A vessel (vase) AP Za 2 from Apodoulou is loaded with epomastics. The words are so long that it appear that it cannot be otherwise. Moreover, some of the terms appear to be agglutinated, e.g. ipinamite, inajareta and ikupa3namate (ikupainamate). The only word which appears not to be an eponym is ipinamite i0pneumi/te (instrumental singular) = with/for baked (bread). Since there are so many names, it is difficult to imagine that they are the owners of the vase. But they may very well be bakers, given the context. This would imply that the vase is full of (einkorn or emmer?) wheat to be used for baking bread.


Are Minoan and Mycenaean fractions fractions? I am not at all convinced

Are Minoan Linear A fractions fractions or something else

Are Mycenaean Linear B fractions fractions or something else

Since Minoan and Mycenaean fractions, as estimated by Andras Zeke of the Minoan Language Blog and Prof. John G. Younger, fall as low as 1/10 and 1/32, I am not at all convinced that these are fractions at all. They are, as far as I can tell, crop shares. This makes a lot more sense, since we are dealing with farming, where crop shares have always been of paramount importance. As for units of measurement, we have no real idea what they were, since Minoan Crete and the Mycenaean Empire are so remote in history. No one can possibly determine fractions that far back in history. In fact, Prof. Younger and Andras Zeke cannot even agree on the values of the fractions... not that that argument invalidates the notion they are not fractions. That is a specious argument. However, it makes more sense to consider these as crop shares, especially in view of the fact that some of the Mycenaean symbols are so remarkably similar to their Minoan counterparts. The appearance of symbols has nothing to do with what we take them to mean. This again is an arbitrary decision, which may be right or wrong.  


Preview of the most Complete Linear A Lexicon of 1029 words ever compiled in history soon to be published on academia.edu just uploaded:

preview of comprehensive Linear A Lexicon

This Preview of the most Complete Linear A Lexicon of 1029 words ever compiled in history soon to be published on academia.edu.pdf is in and of itself a lengthy article (14 pages long), offering full insight into the massive extent and impact of the actual lexicon, Comprehensive Lexicon of 1029 New Minoan, pre-Greek substratum and Old Minoan words, with extensive commentaries, soon to be published on my academia.edu account (sometime in July 2017). The actual Lexicon will be at least 45 pages long, and will include all of the following elements:

1. An in-depth introduction, comparing this Lexicon, with its 1029 Linear A terms with the Linear A Reverse Lexicon of Prof. John G. Younger, containing 774 intact Linear A words. To date, Prof. Younger’ Lexicon has always been considered the de facto standard of Linear A lexicons; but it falls far short of the mark. From scanning through every last Linear A tablet on Prof. Younger’s site, Linear A texts in phonetic transcription, I discovered scores of Linear A words which he missed in his Reverse Lexicon. I have also spent the last two years ransacking the Internet for every last scrap of evidence of extant Linear A tablets, fragments, roundels, pendants and inscriptions on pottery, only to unearth even more Linear words entirely overlooked by Prof. Younger, to the extent that I uncovered a total of 1029 Linear A exograms, 225 more than he did. Thus, our Comprehensive Linear A Lexicon is 27.7 % larger than his.
2. The Lexicon itself, containing 1029 words, of which over 160 are Mycenaean-derived New Minoan, some 85 are either toponyms or eponyms, a few score fall within the pre-Greek substratum and at least 80 are Old Minoan words I have been able to decipher, more or less conclusively. As for the remainder of the Old Minoan substratum, i.e. the original pre-Greek Minoan language, I have been unable to decipher the rest of its vocabulary. But believe it or not, this factor is less of an impediment to the decipherment of Linear A than we might otherwise believe. I have been able to decipher at least 350 words out of a total of 1029, which is to say about 33 % of Linear A.
3. Each section of the final Comprehensive Lexicon, i.e. A: Mycenaean-derived New Minoan NM1 B: the pre-Greek substratum C: eponyms and toponyms D: Old Minoan vocabulary and E: ligatured logograms is accompanied by a detailed analysis and survey of its contents.
4. The final Lexicon contains a comprehensive bibliography of 84 items on every aspect I have detailed of the decipherment of Linear A as outlined in this preview.  

 

 


Linear A tablet ZA 15 VERSO (Zakros), so little text, so information rich, all about wine, with yet another Old Minoan word conclusively deciphered!

Linear A tablet ZA 15 b VERSO Zakros

If there is any Linear A tablet which conveys so much information in so few words, this has to be it. No one could be blamed for thinking that a tablet, whether or not it is inscribed in Linear A or Linear B, which contains only 2 words (qedi & kuro), 3 ideograms (wine) and one supersyllabogram would have little to say. But this is far from the case here. This tablet offers us the best of 3 worlds. First of all, the word kuro is Mycenaean-derived New Minoan; secondly, we are finally able to establish once and for all and beyond doubt that the Old Minoan word qedi actually means a flagon for wine. Since it appears on other Linear A tablets in conjunction with the same ideogram, wine, the meaning is indisputable; and thirdly, the supersyllabogram RA, as all supersyllabograms are, is information-rich. It can stand for only 1 of two possible Linear A words, rani or ratise, which are, believe it or not, practically synonymous. First we have rani, which means anything sprinkled (as in a libation); rain drop, and then ratise, which appears to be instrumental plural for with drops of wine. So the inscription reads the same way either way. I would like to point out as well that no linguist specializing in Linear A, not even Prof. John G. Younger, has drawn explicit attention to the supersyllabogram RA, which is critical to a proper reading of this tablet, since no Linear A, let alone Linear B, researchers have recognized supersyllabograms for what they are, until I myself deciphered all 36 of them in Linear B between 2014 and 2016, the results of my research consequently published in Archaeology and Science, Vol. 11 (2015) ISSN 1452-7448, pp. 73-108:

decipherment of supersyllabograms in Linear B

And not to be outdone, I have also already isolated the 27 supersyllabograms found in Linear A. It actually came as no surprise to me that Linear A has supersyllabograms.

Table 5 Table of 27 supersyllabograms in Minoan Linear A revised 2017

As it so turns out, it was the Minoan Linear A scribes who invented supersyllabograms, not the Minoan-Mycenaean Linear B scribes. You will note that I have already been able to decipher 10 of the 27 SSYLS in Linear A, including that for RA, which in the pottery and vessels sector signifies with drops of wine for a libation”. The enormous and far-reaching implications of supersyllabograms in both Linear A and Linear B cannot be stressed enough.

 


Linear A fragment PH 8 (Phaistos), largely indecipherable for scanty text:

Linear A fragment Phaistos PH 8

My interpretation of Linear A fragment PH 8 (Phaistos), largely indecipherable for scanty text, is very much at odds with that of Prof. John G. Younger. This is not the first time either.


Linear A vase rim inscription PE Zb 3 (Petras), terebinth trees:

Linear A vase rim Petras PE Zb 3 on tereebinth trees

The Linear A vase rim inscription PE Zb 3 (Petras) deals with terebinth trees, kitanasijase (instrumental plural), either surrounded by a (stone) enclosure or growing in a field. The inscription is entirely in Mycenaean-derived New Minoan. Since the Linear A word for terebinth tree, kitano (nominative masc. sing.) is all but identical to the Linear B word kitano, we can be quite certain that this tablet is inscribed in New Minoan.

On a passing note, I would like to point out that I have already deciphered over 60 Linear A tablets more or less accurately. That is far more than anyone has ever even attempted to decipher in the past.


RESEARCH paper: Supersyllabograms in the agricultural sector of the Mycenaean economy, by Rita Roberts academia.edu:

This essay constitutes Rita Robert’s first foray into major research in ancient Mycenaean linguistics on academia.edu. Rita has composed this highly scholarly article as the major component of her mid-term examination in her second year of university, exactly half way to her degree. Keeping up this pace, she is bound to perform outstandingly in her final essay of her second year, and in her third year thesis paper, which will be considerably more demanding than this study, and about twice as long.

I strongly recommend you to download this study here:

supersyllabograms in agriculture in Linear B academia.edu

It makes for engaging reading in ancient linguistics research.

You can reach Rita’s academia.edu account here to view her other papers:

rita roberts academia.edu

 


A major advance in the decipherment of Linear A, the impact of 22 Linear A ligatured logograms, of which 12 are in Mycenaean-derived Greek:

Linear A ligatured logograms

Here we see 22 ligatured logograms in Linear B. By ligatured logograms we mean two or more Linear A syllabograms bound together as one unit. To date, no previous researcher, not even Andreas Zeke of the Minoan Language Blog, has isolated any more than 10 ligatured logograms. This comes as a great surprise to me, if not a real shock. Considering the huge impact these 22 ligatured logograms is bound to have on the decipherment of Linear A, why any ancient language linguist in the past 117 years since the discovery of the first Linear A tablets at Knossos would not account for all 22 of the ligatured logograms I have taken firmly into account is beyond me.

Since there are at least 2 syllabograms bound together, it is impossible to determine which syllabogram comes first. This means that in the case of 2 ligatured syllabograms, the word represented may be reversed. For instance, in the case of the first ligature in the table below, the ligature could be either aka or kae, although the first is more plausible in the second in this case. If the first ligature is indeed aka, then it is highly likely that it is the Linear A equivalent of the Greek word aska, which is the archaic accusative of askos (here Latinized), meaning a leather bag or wine skin, more likely the second than the first. In the case of the third, we have either kuwa, the exact Linear A equivalent of Linear B kowa, which deciphered means girl”or if reversed, waku, which in ancient Greek is agu (Linear A orthography) or agos, meaning “any matter of religious awe/guilt/sacrifice”, of which the last definition is the most convincing.

12 Mycenaean-derived Greek ligatures:

Linear A logograms ligatured Greek


When it comes to ligatures consisting of more than 2 syllabograms, the number of permutations and combinations rises dramatically. Whereas with 2 ligatured logograms there are only 2 possibilities, with 3 there are 9, and with 4 there are 16… at least theoretically. However, in practical terms, just one syllabogram, the first on the left, very likely certainly takes precedence, meaning that the number of permutations and combinations is probably no greater than 2 even in these cases. However, there is no way of knowing for certain. For instance, what are we to make of the eleventh ligature, which can read as either mesiki or sikime or kimesi, or as 6 additional permutations? As it so happens, 2 translations seem most plausible. The first is mesiki, which can be translated as Greek meseigu (Latinized), meaning “in the middle”, whereas the second is kimesi, which can be rendered as keimesi, instrumental plural of keimos, “with muzzles or halters for a horse”. Either translation is perfectly plausible; so we must account for both.

All in all, of the 22 ligatured logograms, 12 or over half are susceptible to translation into Greek. If anything, this illustrates the great impact of the Mycenaean-derived superstratum on Linear A. In this table, only 10 ligatures appear to be in Old Minoan, i.e. the original Minoan language, aka the Minoan substratum. Finally, with the addition of these 22 ligatured logograms and a few more words I have recently unearthed, the number of words in our Comprehensive Linear A Lexicon soars from 988 to an astonishing 1022, which means that the corpus of Linear A vocabulary now amounts to at least 20 % of that for Linear B. No previous Lexicon of Linear A even approaches this upper limit. Prof. John G. Younger’s Linear A Lexicon, the most thorough-going to date, contains only 774 intact Linear A terms, exclusive of broken words with some syllabograms missing, strings of greater than 15 syllabograms, and any words containing numeric syllabograms, which are utterly indecipherable at any rate. This means that our Lexicon is an astonishing 24.3 % larger than that of Prof. Younger. In addition, I have managed to decipher at least 30 % of Linear B, the highest amount ever. I shall be soon publishing our Lexicon on my academia.edu account, by mid-July at the latest, and it is bound to have a considerable impact on the ancient linguistics community.


Linear B seal BE Zg 1 as erroneously interpreted by Gretchen Leonhardt, corrected here:

Linear B seal BE Zg 1

Gretchen Leonhardt, a self-styled Linear B expert, has erroneously deciphered Linear B seal BE Zg 1.  As she so often does, she misinterprets syllabograms, all to often blatantly violating their phonetic values. It is clear from this seal that the last syllabogram must be either ru or ne, and  certainly not me, by any stretch of the imagination. Leonhardt is also in the habit of recasting the orthography of Linear B words she interprets to suit her own purposes. In this instance, she translates what she mistakenly takes to be the word on the VERSO to be dokame as dokema in Latinized Greek, flipping the vowels. But the second syllabogram is clearly ka, and cannot be interpreted as anything else.  The problem with Ms. Leonhardt’s so-called methodology in her decipherment of any and all Linear B tablets is that she runs off on wild tangents whenever she is confronted with any word that does not meet her preconceptions. In this instance, she is desperate to cook up a meaning which appeals to her, no matter how much she has to twist the Linear B orthography. She indulges in this very practice on practically every last Linear B tablet she “deciphers”, interpreting Linear B words to suit her fancy, except in those instances where she is faced with no alternative but to accept what is staring her in the face.

For instance, allow me to cite some of her translations of certain words on Linear B tablet Pylos TA 641-1952.  She has no choice but to accept tiripode as signifying “tripod”, eme as  “together/with” and qetorowe as “four year”, even though it properly means “four”, in line with the Latin orthography, quattuor. Linear B regularly substitutes q for t. As for her so-called decipherment of apu, she should know better than to translate it as  “to become bleached/white”. After all, how could a burnt tripod be bleached white, when scorching turns pottery black? It is astonishing that she would overlook the obvious here. What is even more damning is the indisputable fact that apu is the default aprivative preposition for “from/with” in Mycenaean, Arcadian, Arcado-Cypriot, Lesbian and Thessalian, as attested by George Papanastassiou in The preverb apo in Ancient Greek:

preposition apo in ancient Greek dialects

Then we have mewijo, which she interprets as “a kind of cumin”. Why on earth the Mycenaeans would have bothered with naming a specific kind of cumin when the standard word suffices, is completely beyond me. In fact, the alternative word she has latched onto is extremely uncommon in any ancient Greek dialect. Finally, she bizarrely interprets dipa, which is clearly the Mycenaean equivalent to the Homeric depa, as “to inspect”, another wild stretch of the imagination. Sadly, Ms. Leonhardt is much too prone to these shenanigans, which mar all too many of her decipherments. She ought to know better.

This of course applies to her decipherment of Linear B seal BE Zg 1. Finally, we can also interpret the figure on this seal as representing the Horns of Consecration ubiquitous at Knossos. 


Archaeology and Science annual: the Decipherment of Supersyllabograms in Linear B, the last & most formidable frontier in the decipherment of Mycenaean Linear B:

cover-as-2015

For the past 65 years since Michael Ventris first deciphered Linear B, one phenomenon has eluded historical linguists and philologists. This is the supersyllabogram, which is always a single syllabogram, being the first syllabogram, i.e. the first syllable of a particular Mycenaean word in any one or more of the major economic sectors of the Mycenaean economy: agriculture, military, textiles and the vessels and pottery sector, along with a few religious supersyllabograms. Supersyllabograms are always independent; they always stand alone on extant Linear. My discovery, isolation and classification of supersyllabograms represents the final frontier in the decipherment of Mycenaean Linear B. Some 800 tablets from Knossos alone contain primarily supersyllabograms, with a subset of these incised with supersyllabograms and nothing else. It is difficult to decipher the former, and impossible to decipher the latter without fully accounting for the presence of supersyllabograms. The decipherment of supersyllabograms accounts for the last and most difficult remaining 10 % of Mycenaean Linear B to be deciphered.

inset-as-2015

editors-as-2015

intro-article-as-2015

You may also download The Decipherment of Supersyllabograms in Linear B here:

archaeology-and-science-download

This article is 35 pages long (pp. 73-108) in a 29 cm. x 22 cm. format, which is far oversized compared with the standard north American format for research journals (ca. 20 cm. vertical), meaning that if it had been published in the standard north American format, it would have run to some 50 pp., which is the size of a small book.

The Editorial Board consists of 21 peer reviewers, all of them matriculated professors and researchers at the Ph.D. level or higher, from Ancona, Belgrade, Belgium, Bologna, Madison, Wisconsin, U.S.A., Moscow, Münich, Philadelphia, U.S.A., Rome, Warsaw & Trieste. Every author must pass muster with the majority of these peer reviewers if his or her article is to be published in Archaeology and Science. That is one tall hurdle to overcome.

Note also that I am ranked in the top 0.5 % of all researchers and publishers on academia.edu

richard-vallance-on-academia-edu

 


More illustrations (Figures) for my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of Archaeology and Science: PART B

Here you see more of the Figures, many of them of actual Minoan Linear A tablets as I have deciphered them, which are to appear in my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of the prestigious international annual, Archaeology and Science. 

figure-6-vessel-types-on-linear-a-ht-31

figure-7-translation-linear-a-tablet-ht-31-vessels

figure-8-ay-nicolaus-supersyllabograms

It usually takes me between one and two hours to design each figure.  


More illustrations (Figures) for my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of Archaeology and Science: PART A

Here you see more of the Figures, many of them of actual Minoan Linear A tablets as I have deciphered them, which are to appear in my article, “Pylos tablet Py TA 641-1952 (Ventris), the “Rosetta Stone” to Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in Vol. 12 (2016) of the prestigious international annual, Archaeology and Science. 

figure-3-minoan-linear-a-tablet-ht-31-haghia-triada

figure-4-linear-b-ta-641-1952-ventris

figure-5-linear-a-tablet-19-puko-tripod

It usually takes me between one and two hours to design each figure.  


First  2 haiku in Minoan Linear A, English et français : qareto & datara

cedar-tree
1

qareto
asasumaise
keda

in a lease field
a shepherd
and a cedar tree

dans un champ loué 
un berger
et un cèdre

2

datara
nirai
karopai

a grove of fig trees
figs
in a kylix

figuiers dans un bosquet
figues
dans un kylix

© by/ par Richard Vallance Janke
Sept. 27/ le 27 sept. 2016


Illustrations of 5 Minoan Linear A tablets (Figures) in Archaeology and Science (2016):

a-figure-1-linear-a-ht-31-pavel-serafimov-anton-perdih

b-figure-2-linear-a-ht-13-translation-by-richard-vallance-janke

figure-3-linear-a-tablet-19-puko-tripod

linear-a-ht-12-qatidate-olive-tree

ht-117-lineara-epigraphic-harvest-festival-ideogram-vessel-daro

Above are 5 illustrations of some (not all) of the Minoan Linear A tablets, reduced to 620 pixels, as they will appear as Figures (with the Figure nos. assigned only to Figures 1 & 2, other Figure nos. not yet assigned) in my upcoming article, “Pylos Tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ for Minoan Linear A tablet HT 31 (Haghia Triada) vessels and pottery” in the prestigious international annual Archaeology and Science, Vol. 12 (2016) ISSN 1452-7448. This is to be the third major article in a row which I will see published in Archaeology and Science.

This paper represents the first genuine breakthrough in the decipherment of Minoan Linear A vocabulary (not the language!) in the 116 years since the first Linear A tablets were unearthed by Sir Arthur Evans at Knossos in 1900.


Table of the distribution of 24 Supersyllabograms in Minoan Linear A by economic sector & sub-sector:

Following is the Table of the 24 Supersyllabograms in Minoan Linear A by economic sector & sub-sector. It is clear from this table that the majority of supersyllabograms (12) in Minoan Linear A fall in the olive trees, olives and olive oil sub-sector of the agricultural sector of the Minoan economy, primarily in Haghia Triada, but also in Khania (Chania). The next most common sector is grains (barley & wheat) with 7, the third are vases and pottery and also wine with 5, the fourth is figs with 2 and the fifth are military (men as attendants to the king) and textiles with 1 SSYL each.

table-of-24-supersyllabograms-in-minoan-linear-a-640

The distribution of supersyllabograms in both Minoan Linear A and Mycenaean Linear B by economic sector is of the utmost importance. I shall need to cross-correlate the key economic sector-by-sector distribution of supersyllabograms in both syllabaries to verify whether or not the distribution of SSYLs in the one syllabary (Linear A) and the other (Linear B) is closely aligned or not. The alignment of supersyllabograms in each syllabary relative to the other will determine with greater accuracy which economic sectors are the most and which the least important in each language, Minoan and Mycenaean. This way, we can get a much better idea of how the key economic sectors are distributed, from most to least important, in each of the two societies, Minoan and post-Minoan Mycenaean. It is of the utmost important to understand that all of the supersyllabograms in both of these syllabaries must refer only to major economic terms in each sector and sub-sector. 

I shall explicitly compare the relative economic distribution of each society, the Minoan and Mycenaean in my upcoming article, Linear B tablet Pylos TA 641-1952 (Ventris) is the Mycenaean Linear B “Rosetta Stone” for Minoan Linear A tablet HT 31 (Haghia Triada, in Vol. 16 (2016) of the prestigious international annual, Archaeology and Science (Belgrade) ISSN 1452-7448. The Table of 24 Supersyllabograms in Minoan Linear A by economic sector & sub-sector is to appear in this article.

I have deciphered the following 8 supersyllabograms more or less successfully in Minoan Linear A:

DA = dadumata = grain/wheat measurer? = Linear B sitokowo
KA = kapa = follower or foot soldier, attendant to the king 
KI = kidata = to be accepted for delivery = Linear B dekesato
OR
kireta2 (kiritai) = delivery = Linear B apudosis
kiretana = (having been) delivered (past participle passive) = Linear B amoiyeto
AND
kireza = unit of measurement for figs, probably 1 basket
AND
kiro = owed = Linear B oporo = they owed
NI = nipa3 (nipai) or nira2 (nirai) = figs = Linear B suza. But Mycenaean Linear B shares NI with Minoan Linear A, in spite of the fact that the Mycenaean word for figs is suza.   
PA = pa3ni (amphora for storing grain) + pa3nina = grain or wheat stored in an amphora
RA ra*164ti = approx. 5 litres (of wine) 
SA sara2 (sarai) = small unit of measurement: dry approx. 1 kg., liquid approx. 1 litre
TE = tereza = standard unit of usually liquid measurement, sometimes of dry measurement


Photos of the pithoi storage room at Minoan Thera by Thalassa Farkas (Canada) Part B:


water-supply-thera

thera-pithoi-storeroom-genral-shot

thera-pithoi-storeroom-door


Photos of the pithoi storage room at Minoan Thera by Thalassa Farkas (Canada) Part A:

thera-pithoi-storeroom-plaque

thera-pottery-scattered-a

thera-pottery-scattered-b


3 of my articles in Archaeology and Science ISSN 1452-7448 (2014, 2015, & 2016) + Vol. 12 (2016) Figure 1 & 2 Tables:

Figure 1

table-1-failures-at-decipherment

and

2 Tables (nos. To be assigned)

linear-horizontal-orientation

linearbtabletsorientation

as they will appear in the prestigious international hard-bound annual Archaeology and Science ISSN 1452-7448. Vol. 12 (2016). This annual generally runs to 250-300 pp. 

It is impossible to cross-correlate Minoan Linear A tablets from Mycenaean Linear B tablets by means of retrogressive extrapolation without explicitly taking into account the fact that almost all Minoan Linear A tablets are vertical in their orientation (just as with modern inventories), while the vast majority of Mycenaean Linear B tablets are horizontal in their orientation. For more on this critical factor in the reasonably accurate decipherment of Minoan Linear A tablet, see (Click on the banner):

orientation-of-linear-a-tablets

Articles published and to be published in Archaeology and Science (Belgrade) ISSN 1452-7448:

[1] My article, “An Archaeologist’s Translation of Pylos Tablet 641-1952 (Ventris)” has already been published in  Archaeology and Science (Belgrade) ISSN 1452-7448 Vol. 10 (2014). pp. 133-161 (Click banner to download it):

archaeology-and-science-vol-10-2014

[2] My article, “The Decipherment of Supersyllabograms in Mycenaean Linear B” is already slated for publication in the prestigious international annual Archaeology and Science (Belgrade) ISSN 1452-7448 Vol. 11 (2015), to be released in the spring of 2017. (Click the banner for the announcement):

archaeology-and-science-vol-11-2015

[3] My article,  “Pylos tablet Py TA 641-1952 (Ventris), the ‘Rosetta Stone’ for Minoan Linear B tablet HT 31 (Haghia Triada) vessels and pottery” is to be published in the prestigious international annual Archaeology and Science (Belgrade) ISSN 1452-7448 Vol. 12 (2016) (Click the banner for the announcement):

archaeology-and-science-vol-12-2016

This major announcement is shortly to appear on my academia.edu account.

richard-vallance-academia-edu

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