Tag Archive: poetic



Linear A haiku: a fawn living in the fields

linear a haiku deer in the fields

This haiku is entirely in Mycenaean-derived New Minoan (NM1), except for the word kasaru, which is Old Minoan, and apparently means surviving (drought), at least from context on the tablet on which it appears (Haghia Triada HT 10). I have transcribed it into ancient Greek so that it fits with the rest of the haiku.

 


Minoan Linear A poetic vocabulary (11 pages):

goddesses on signet Minoan prince saffron goddess

Thematic:

Agriculture/crops:

adara/adaro/adaru = having to do with the measurement of grain crops 
ade/adu = large unit of measurement for grains, something like bales?
adureza = dry unit of measurement, usually for grains
akara/akaru a1kra (arch. acc.) - or - = end, border + akaru a0gro/j = field

akiro a1kairoj = not in season, unseasonable -or- a1grioj = living in the fields; uncultivated, unreclaimed

amaja a3maca= wagon
arura a0rou/ra = unit of land -or- plough Cf. Linear B arura 
arudara a1lutra <- a1lutron = threshing instrument (arch. acc.) 
asesina = sowing or harvesting
asadaka a1staxa (arch. acc.) <- a1staxu (Minoan nom. sing.)= ear of corn
Asara2 TOP = Linear B Asaro A0sa/roj -or- may refer to Assur, hence Assyria -or- asara2 (asarai) = without flax
atare a0ta=lei/ <- a0ta=lo/j = tender; delicate (of crops?) -or- a0qa/lei <- a0qa/loj = without a branch, twig; without an olive branch -or- a9dro/j = full-grown – or – a0qa/rh = groats, meal, green fodder, forage, provender Cf. kupari = galingale
atiru a0te/lu <- a0te/loj = without boundaries 
dame/dami/daminu OM dame = a type of grain -or-  da/mei = in the village
data2 (datai) = olive
datu = olive tree 
dideru = einkorn wheat Cf. Linear B didero
durare = a type of grain, durum wheat?
dureza/durezase = unit of dry measurement? (variation of: adureza?)
ero e0llo/j = young deer, fawn 
etori e1tori <- e1toj = for a year 
itaja = unit of liquid volume for olive oil? (exact value unknown)
kami ka/mi (dat./instr. sing.) <- ka/ma = (on a) unit of land Cf. Linear B ka/ma 
kasaru = surviving? (drought)
kasitero kasite/loj = boundary of...?
kikadi = cicada (cricket) 
kireta2 (kiretai) kri/qai = barley
kiretana kriqani/aj = like barley, barley (attributive)
kiro/kirisi/kiru = owed Cf. Linear B oporo = they owed
kunisu = emmer wheat (derivation: Semitic kunnisu) 
madi = a ram? (probably, because it appears to be masculine and is used in conjunction with the ideogram for sheep 
maru/maruku/maruri mallo/j = flock of wool Cf. Linear B mali mali/ = wool 
meza me/za (fem. sing.) = greater, bigger Cf. Linear B mezo me/zwn me/zoj
minute (sing. minuta2 – minutai) = type of grain – or – Mi/nute\ <- Mi/noste\ = and Minos
mireja mhle/a = apple tree -or- mh/leia (gen. sing.) = belonging to a sheep
miru mh=lon = a sheep or goat -or- mh1lon = apple, tree fruit 
mirutarare = sheep pen? -or- apple orchard?  
naka na/ka (arch. acc) <- na/koj = sheep’s fleece    
nea ne/a = new Cf. Linear B ne/#a = new                                                                                                                                                                                                                        
pa3ni/pa3nina/pa3niwi =  millet -or- spelt 
pa3qe -or- qepa3 i.e. paiqe -or- qepai  (+ ideogram for wheat”) = a kind of grain similar to wheat
paja/pajai/pajare = contracted, indentured, hired?
para para\ = beside, from beside, by the side of, beyond etc.
pasarija = pa=sa + rija = all-encompassing, international? 
pura2 = a type of grain 
qanuma = a type of grain
qareto = lease field? Cf. Linear B onato
qaqisenuti xalkei/a=senuti = with bronze craftsmanship 
qera2u/qera2wa = a type of grain, probably millet or spelt
qeria = probably millet or spelt
reza = standard unit of linear measurement
rima lei=mac = garden -or- lei=mma = remnant, remains -or- lh=mma = income, receipts  (dative/instrumental plural) 
ruma/rumu/rumata/rumatase lu=matase <- lu=ma = offscourings from grain, i.e chaff
sara2 (sarai)/sarara/saru = flax
saro/saru/sarutu sa/ron = broom, threshing floor
sato sa/ton = Hebrew unit of measurement.
sedina = celery Cf. Linear B serino se/linon
seikama = seika/ma = a unit of land dedicated to a/the goddess
setamaru  = something to do with wool/spun wool?
sika  shka/ (arch. acc.) <- shko/j = fold, enclosure; (sheep) pen; sacred precinct, shrine = <- zhka/zw = to pen in Cf. Linear B periqoro peri/boloj = sheep pen 
Sikine TOP loc. sing. of Sikinos -or- OM = a type of grain
simita = mouse (arch. acc.) simito/simitu PGS  = zmi/nqoj mouse 
sitetu See situ below
situ si/tu si/tun = wheat Cf. Linear B sito si/ton 
suniku (common) su/noiku <- su/noikoj  living together, joint inhabitant,  dweller
suzu su/zuc = yoked together; paired Cf. Linear B zeukesi zeu/gesi = yoked (instr. pl.)
taikama taika/ma = a unit of land, something like an acre?
ta2re/ta2reki sta=rei<-  stai=j wheaten flour mixed into dough + tasise sta/sisei
tai2si (taisi) stai=sei <- stai=j = with wheaten flour mixed into a dough (instr. pl.)
teke/teki = small unit of measurement for wine @ 27 1/2 units per tereza
tereza = liquid unit of measurement
terikama te/leika/ma = extent of land, i.e. something like acreage, lit. land to its extent or boundary 
tero/teroa te/loj = end, boundary 
Tumitizase TOP -or- = linen Cf. Linear B rino li/non
udiriki u3driki <- u3droj = with water 
ukare = sowing or harvesting
Uminase TOP  Cf. Linear B Aminiso = harbour 
waja #ai/a = earth, land

Flowers/fruit/spices etc:

adakisika a0dakissi/ka = adorned with ivory
adoro a1doroj = receiving no gifts; unpaid; giving no gifts
akumina a0ku/mina = without cumin? (arch. acc.)
amawasi a3mai#asi = with violets
asidatoi a0si/datoi = without pomegranate (dat. sing.)
atade a1ttade = from father 
ditamana = dittany
dudama = a kind of fruit = dates? (found in context with figs)
ia i0a/  (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets/ija See i0a/ (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets (variation) 
kanaka kna/ka (arch. acc. of respect) = saffron Cf Linear B kanako kna/koj
kapa/kapaqe/kapate/kapi  karpa/ (arch. acc.) + karpa/te\ = fruit, and fruit, with fruit -or- kara 
kera/kero ke/raj = horn (ivory) -or- khr/oj = bees-wax Cf. Linear B kera
kikina = some kind of fruit, quite likely grapes (from context)
kireza = measurement of figs = 1 basket of figs carried on a shoulder
kitai/kitei = kestai/ kestei/ = embroidered (lit.), but in context = basketry, basket(s)
kupari ku/pairi (instr. sing.) <- ku/pairoj = marsh-plant used to feed horses, galingale or ginger
kuruku kro/koj = crocus, saffron
mera mela/j = black  - or – me/la (arch. accus.) = honey 
merasasaa/merasasaja (very common) = something to do with honey/ honeycomb or honey drink? 
meto mesto/j = full, filled
mireja mhle/a = apple tree -or- mh/leia (gen. sing.) = belonging to a sheep
miru mh=lon = a sheep or goat -or- mh1lon = apple, tree fruit 
mirutarare = sheep pen? -or- apple orchard? 
mita  mi/nqa = mint Cf. Linear B mita 
muru mu/ron = sweet oil extracted from plants; sweet oil; unguent; perfume Cf. Linear B musaja
nira2 (nirai) -or- nita2 (nisai) OM = figs + ideogram = NI (in both Linear A & B)
oteja o1steia <- o1streia = oyster pigment; oyster purple Cf. Linear B otawero o1streioj 
para para\ = beside, from beside, by the side of, beyond etc.
patane OM = lentils? (fem. pl.)
pimata PGS = pimento
pita/pitaja pista/kion = pistachio-nut 
pitakase/pitakesi pista/kesi = with pistachio-nuts (instr. pl.) 
punikaso funi/kasoj = crimson, red (of wine) Cf. Linear B ponikiya ponikiyo foini/kioj = crimson 
ra2ri (rairi) = lily 
rima = lei=mac = garden -or- lei=mma = remnant, remains -or- lh=mma = income, receipts  (dative/instrumental plural)
rimisi See above (instr. pl.) 
rosa = rose 
rosirasiro = rosebush? 
sasame sasa/me = sesame Cf. Linear B sasa/ma
sedina = celery Cf. Linear B serino se/linon
tuma/tumei/tumi qumi/a = incense
turunu qo/rnoj = throne Cf. Linear B tono qo/rnoj 
unana = penny royal?
uro ou0=loj = entire, total. Cf. kuro ku=rwn = reaching, attaining i.e. = total
waja #ai/a = earth, land

Military:
ia i0a/  (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets/ija See i0a/ (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets (variation) 
ima i9ma/c = leather strap, thong; lash of a whip 
ira2 i1la=i = troops, companies, squadrons
kara kara/ = head Cf. Linear B kara(pi) kara/afi
kipisi ci/fisi <- ci/foj = with swords (instr. pl.) 
kito xitw/n = chiton Cf. Linear B kito
koiru koi/ru <- koi/roj = hollow (ships) 
koru ko/ruj = helmet Cf. Linear B koru
kuro/kurotu ku=roj = supreme power, authority & ku=rwn = reaching, attaining i.e. = total Cf. Linear B tosa to/sa
kuto/kutu ku/toj = shield, cuirass
qaro ba=lo/j = threshold 
qero be/loj = arrow, dart
radu r9a/bdu <- r9a/bdoj = rod, switch; spear-staff or shaft
ra2ti (raiti) r9aisth/r = a hammer, crusher
sama/samaro sama/ro = burial ground Cf. Linear B Sama/ra sama/ra = place name -or- monument -or- grave mound OR sa/meron = today
sere -or- rese seirei/ <- seira/ = with a cord or rope (instrumental sing.)
tarasa = sea Cf. Linear B tarasa qa/lassa
toraka qw/rac  = breastplate, cuirass = Linear B toraka
toro tau/roj = bull -or- qolo/j = dome or circular vault; vaulted building
zuma zw=ma girdle, belt; girded tunic

Pottery/vessels:

aresana a1leisana <- a1leison = an embossed cup (arch. acc.) = de/paj (Homeric) Cf. Linear B dipa/arisu  a1leisu <- a1leison = embossed cup 
daqera = a type of vase? 
darida = large vase, slightly smaller than a pithos
daropa = stirrup jar 
depa/depu de/paj de/pu (acc.?)= cup Cf. Linear B dipa di/paj & Homeric de/pa
dipa3a (dipaia) di/paia <- di/paj de/paj = from a cup 
dipaja di/paia <- di/paj de/paj = from a cup (alternate?)
ipinama/ipinamina i0pneume/na (fem. sing.) = baked (bread)

itisapuko i1tija = round + pu/coj = box-wood -or- NMOM i1tija = round + puko = tripod = round tripod Cf. puko below

kadi kadi/ (instr. sing.) <- ka/doj = with a jar or vessel for water or wine
kadusi ka/dusi <= ka/doj = with buckets or pails (instr. pl.) 
kairo kairo/j = due measure 
kaki/kaku xalku/ <- xalko/j = copper, bronze
kakunete = bronze alloy - or – crafted in bronze 
karopa2 (karopai) = kylix with 2 handles-or-   ka/rdoph = wooden vessel/vase
kataro ka/nqa=roj = scarab (Egyptian) + drinking cup
kera/kero ke/raj = horn (ivory) -or- khr/oj = bees-wax Cf. Linear B kera
meto mesto/j = full, filled
meza me/za (fem. sing.) = greater, bigger Cf. Linear B mezo me/zwn me/zoj
nere = larger amphora size (fem. plural) 
posa po/sa= (arch. acc.) <- poi/si=j = drink(ing), beverage -or- po/sa <- po/soj = how great, how much, of what value?  
posi -or- sipo posi/ = on, upon Cf. Linear B posi -or- sipo = si/fwn = reed, straw, siphon
puko= tripod Cf. Linear B pukoso pu/coj = box-wood. Apparently unrelated 
qapa3 (qapai)  = (large) handle-less vase or amphora
qapaja/qapajanai qapaja (genitive sing. of qapa3 (qapai))
qaqisenuti xalkei/a=senuti = with bronze craftsmanship
qedi = a flagon (for wine) 
qeti (instr. sing.)/qetiradu = a very large pot, pithos Cf. Linear B PGS qeto pi/qoj
supa3 (supai)/supa3ra (supaira) =small cup with handles Cf. Linear B dipa mewiyo
supi/supu/supu2 = largest size pithos -or-   supu/h sipu/h sipu/a i0pu/a = meal tub = suropa = some kind of vase?
tisa = pottery worker/working on pottery/pottery wheel (tourney)

Religious:

ara a0ra/ = a prayer 
araju a0ra=u <- a0ra=oj = prayed for 
arati a0ra=ti/ <- a0ra/toj = with something unblessed Cf. makarite  below
atanate a0qa/na=te = with an immortal (instr. sing.) 
damate Da/mate = Damater Cf. Linear B Damate -or- da/matei = in the village 
dare da=lei/ <- da=lo/j = (with) a firebrand or torch/daro LIG  da=lo/j = firebrand
dewa -or- wide de/#a = goddess? 
dija/dije Di/ #a Cf. Linear B Diwija Di#i/a = priestess of Zeus
dumitatira2 (dumitatirai) = left or right side of a spindle? (or verso) 
dura2 dou/lai = slaves (fem.) Cf. Linear B doera doe/la 
esija e3sti/a = hearth of a house 
Idamate/Idamete  0Idama/te = Mother goddess of Mount Ida
Idarea  0Idar9ea = Rhea, goddess of Mount Ida 
ijate i0a/ter = doctor, physician Cf. Linear iyate  i0a/ter
iruja i0e/ruia = priestess Cf. Linear B iyereya i0e/reia
jamauti i1amauti = as a means of healing <- i1ama i1amatoj = healing, remedy
jarisapa  = some kind of dress? Cf. Linear B sapa
jasaja  0Ia=sai/a <-  0Ia=sw/ of/from the goddess of healing and health  
jasidara i0a=sida=la/ = healing torch/firebrand (arch. acc.) 
jate/jateo i0a=th/r = physician 
jatimane i0a=th/j mannei= = with the bread of healing  
mana/manapi (common) Hebrew manna= = (of spiritual food) bread from heaven, the supernatural food eaten by the Israelites in the desert  
maza/mazu  ma=za  = kneaded or unbaked bread, barley bread/cake
miturea mi/toj 9Re/a= thread of a warp for Rhea 
narepirea narepir9e/a = Rhea, goddess of the snake/ snake goddess?   
pimitatira2 (pimitatirai) = right of left side of a spindle? -or- verso  
qajo ba/i"on = a palm branch (Kafkania pebble)
ranatusu (agglutinative?) -or-  r9anatusu < - r9anti/zw = to cleanse, purify 
rani r9a=ni/j = anything sprinkled (as in a libation); rain drop See also ratise
ratise (ritise?) = la/tise <- la/taj = with drops of wine (instr. pl.)
rea r9e/a = goddess, Rhea
sea/sei se/a se/ei (dat. sing.) = snake goddess (from K. Bouzanis)
seikama= seika/ma = a unit of land dedicated to a/the goddess
taro tau=roj = bull
tejai qei/ai = goddesses
tuma/tumei/tumi qumi/a = incense
turunu qo/rnoj = throne Cf. Linear B tono qo/rnoj
wanaka = king 
wireu #i0eru/ <- #i0ero/j = priest Cf. Linear B iyero i0ero/j

Textiles:

arako a0ra/c = weaver Cf. Linear B arakateya a0laka/teiai = weavers

arakokuzu = weavers establishment?

Trees:

datu = olive tree
keda = cedar
kidapa = ash wood? (a type of wood) Appears only on Linear B tablet KN 894 N v 01
kidaro kidaro ke/dron = juniper berry-or- kedri/a = oil of cedar Cf. Linear B kidaro
kitanasija/kitanasijase kitanisija (gen. sing.) ki/rtanasia <- ki/rtanoj = terebinth tree Cf. Linear B kitano ki/rtanoj 
tarawita = terebinth tree Cf. Linear B kitano ki/rtanoj & timito ti/rminqoj 
tarina qalli/na (arch. acc.) <- qallo/j = a young shoot, twig; festive olive-branch 

Wine:

aka -or- kaa a0ska/ (arch. acc.) <- a0sko/j = leather bag, wine skin
apero a1mpeloj = a vine  Cf. Linear B apero 
kupazu kou/fazu <- kou/fazoj = light (of wine) 
kuqani = a type of (fine) wine
kuwa -or- waku ku/#a = girl Cf. Linear B kowa ko/#a – or – #a0sku/ <- #a0sko/j = leather bag or wineskin 
punikaso funi/kasoj = crimson, red (of wine) Cf. Linear B ponikiya ponikiyo foini/kioj = crimson 
qesizue (plural) = wine goblets? 
ratise (ritise?) = la/tise <- la/taj = with drops of wine (instr. pl.)
unaa oi0nai/a = wine vessel, wine jug, wine jar
winadu #i1nadu = vineyard Cf. Linear B winado
winu #i/nu = wine Cf. Linear B wono  #oi/noj
winumatari #i/numa/tari = wine dedicated to Mother Earth


ONOTOP:

Adunitana 
Akanu/Akanuzati  OP A0rxa/nej = Archanes (Crete) 
Arenesidi 
Asasumaino
Asasumaise 
Asuja Cf Linear B Asiwiya A0si/#ia
Demirirema 
Dawa = place name Cf. LB dawo Da/#oj / Da/#on 
Dikate = Mount Dikte Cf. Linear B Dikatade Diktai/oj 
Dupu3re Cf. Linear B Dupu2razo Dupurai/zoj 
Ida/Idaa/Idada/Idapa3  = Mount Ida
Idunesi
Ikurina  
Inajapaqa
Itinisa = female resident of Itanos?
Izurinita
Kana/kanatiti/kanau Kanna
Kanijami Kaniamis (female name)?
Ketesunata
Kina Kinna
Kiso Kissos
Kosaiti Cf. Linear B Kutaito Ku/taistoj (not necessarily the same place) 
Masuja
Mekidi Megi/di <- Me/gaj = the Great
Mesenurutu
Midemidiu
Pamanuita
Raja/Raju  9Rai/a = Raia Cf. Linear B Raja 
rea PGS r9e/a = goddess, Rhea
Rujamime
Rukito
Seimasusaa 
Setoija 
Sewaude  
Sezanitao
Sikira/Sikirita 
Sima
Suria 
Tainaro 
Ta2rimarusi
Tejare TOP Cf. Linear B Tejaro qei/aroj = place of the gods?
Tita = Ti=ta/n
Uminase
Waduna 
Wadunimi 

Wasatomaro

Zadeu


This one is a real hoot... very funny! first UTube video on Mycenaean Linear B, all about Michael Ventris’ remarkable success in deciphering the syllabary in June-July 1952. 

UTube these symbols are not letters

AND very poetic!

Once I have mastered the technique of posting videos on UTube, I shall begin posting my own videos on key aspects of Minoan Linear A, Mycenaean Linear B and Arcado-Cypriot Linear C, including their decipherment.


Sublime Sappho. The moon has set & the Pleiades (in Aeolic Greek, Linear B, Linear C, English & French): Click to ENLARGE

Sappho poetry Elihu Vedder 1836-1923 The Pleiades 1885

This is the first of many exquisite poems by the sublime Sappho (ca. 630-570 BCE), who was considered by the ancient Greeks to be second only to Homer, as well as the greatest lyric poet of their age. Indeed, even today, a great many poets and poetry critics, including myself, consider her to hold this exalted station still. You will all see this for yourselves as I post one after another of her exalted lyrics. I have decided to go all the way, by presenting you each poem in the original Aeolic Greek, as well as in Mycenaean Linear B & Arcado-Cypriot Linear C, and even English and French! Throughout history, to this very day, no one has ever done this. I am the first. I am so in awe Sappho’s consummate skill and artistry that I will do anything to broadcast her name and her sublime poetry to the whole world.

This particular poem is my absolute favourite. It flows so naturally in Aeolic Greek that it washes over me, emotionally and spiritually. Like Italian, Aeolic Greek is superbly suited for lyric poetry, as it has no aspirates. Aspiration can and sometimes does sound harsh in lyric poetry. Aeolic Greek is notable for its sublime melody. If you could only hear this stunning poem, even if you could not even read Aeolic Greek, the Harmony of the Spheres would fairly floor you. Sappho knew this perfectly well. Her lyrics were, of course, sung to the accompaniment of the lyre. I have never read any lyric poet in any language (English, French, Spanish, Italian, German or Russian) who has ever been able to rival her consummate artistry. I adore her. Click to ENLARGE her portrait.

Simeon Solomon 1840-1905 A Study of Sappho 1862

A few linguistic notes:

Being an East Greek dialect, Aeolic Greek is related to both the Mycenaean & Arcado-Cypriot dialects. There are many striking similarities and some notable differences in these three dialects.

Mycenaean Greek in Linear B:

Mycenaean Greek has no L series of syllabograms. The R series must be substituted, hence “serana” for Aeolic “selanna”. Since Linear B is an open syllabary, in which all syllabograms must end with a vowel, it is impossible to spell any word with two consecutive consonants, hence the last syllable of “serana” has only 1 N. For the same reason, final consonants, which are normative in almost all ancient Greek dialects, must be omitted in Mycenaean Greek. Hence, we have “me” for “men”. It is difficult to express the plural in Mycenaean Greek. However, there are precedents. The plural of “apore” (amphora) is “aporewe”. This allows us to write the Pleiades as “Periadewe”.

Arcado-Cypriot Linear C:

Similar bizarre (parallel) spelling conventions plague Arcado-Cypriot Linear C . Unlike Linear B, which has a dental D series of syllabograms, Linear C lacks it, and must substitute the dental T series. On the other hand, Linear C has both an L and an R series, and so both liquids can be accounted for. Since documents in alphabetic Arcado-Cypriot must express the final consonant, in line with almost all other ancient Greek dialects, Linear C has no choice but to resort to the opposite strategy from Mycenaean Linear B for the orthography of the ultimate, when it is meant to express the dative singular, the nominative plural and for all other Greek words ending with a consonant. The consonant must be expressed in Linear C, since it is always written in the alphabet. This is absolutely de rigueur, since many documents are simultaneously composed in Linear C and in the alphabet. In order to achieve this, Linear C has no choice but to use syllabograms, which still end in a vowel. It neatly skirts this annoying problem by expressing the ultimate consonant, following it with a filler vowel. A weird solution, but it works. If it works, it works. No hay problema nada.
 
Hence, we have “mene” for “men”, which is the opposite of “me” for “men” in Linear C. Likewise, the plural is always clearly expressed, as in “peleitese”, where Linear C must also insert a final filler vowel, in most cases SE (to express the consonantal plural in sigma), as well as NE for all nouns ending in the consonant N. Such nouns are extremely common in ancient Greek dialects. Notice also the “te” in “peleitese”, since Linear C has no D series of syllabograms. On the other hand, both Mycenaean Linear B & Arcado-Cypriot have no G series of syllabograms.

Mycenaean Linear B must substitute either the K or the Q series. Arcado-Cypriot has no guttural Q series either, so all words with G + vowel must be expressed by K + vowel, hence “eko” for “ego” in both Linear B & C. I can hear you who read ancient Greek well or who are ancient Greek linguistics loudly protest that there were no personal pronouns in either Linear B or Linear C. And you are right. However, I had to take liberties with the Aeolic Greek, because it does use personal pronouns, and frequently. As for the likelihood that Mycenaean Greek would have used the Q series of syllabograms to express words with guttural G + vowel, I would readily grant that this may have been true, except for one critical consideration. Mycenaean & Arcado-Cypriot were the closest ancient Greek dialects by far, being kissing cousins. So if Arcado-Cypriot expresses G + vowel with the guttural K series of syllabograms, it stands to reason that it is more likely than not that Mycenaean Greek must have done the same thing. But there is no guarantee of this. Still, the Q series of syllabograms would have fit the bill just as well.

And there you have it.

Richard
jackdempseywriter

Just another WordPress.com site

Learning to write

Just your average PhD student using the internet to enhance their CV

Minoan Linear A, Linear B, Knossos & Mycenae

Minoan Linear A, Linear B, Knossos & Mycenae

Reowr

Poetry that purrs. It's reowr because the cat said so.

Egyptian Moon ~My love of Ancient Egypt~

Hieroglyphic,Ancientegypt,archaeology

Eris' Smile

I'm a reconstructionist-ish Hellenic Polytheist/Pagan. My pronouns are they/them, and I am gay as hell. I mostly intend to write about paganism, politics and maybe Shinto sometimes.

CrapPile

A blog about writing, society, and life itself

Super Sleep Heavy

For times when sleep don't come easy

bal837

A topnotch WordPress.com site

Santorini Tours

Private Tours in Santorini

Duplicate My Success

How to be successful in internet marketing.

A Geordie Lost in London

How to live the London life, on a Northern budget

Penelope Burns

Write | Blog | Create | Earn

Gleaning The Scriptures

The Savior Lives To Teach.

Macedonian Ancestry

"I thank the gods for being Greek" - Alexander the Great

THE GEOPOLITICAL CHESS GAME

Geopolitics - The Road To Global Ruin * Γεωπολιτική - Ο Δρόμος Προς Παγκόσμια Καταστροφή

Care, Bliss and the Universe

Life, the Universe and Yourself

alexankarrbooks

licensed to cunt

William Rubel

The Magic of Fire : Traditional Foodways

Albania -ilire- Pellazgët

GJUHA SHQIPE_ETIMOLOGJI

anne frandi-coory

A Life in Two Halves

Traditional Polytheist

A site devoted to the study and discussion of ethnic and traditional polytheism throughout the world, in regard to its nature, history, and present standing in general.

Rilkes Panther

fictional stories and social commentary

LAZYBUTHEALTHY

Easy healthy recipes for lazy busy people

The Whirling Bee

Reality has no walls, no edges - a journey in altered states of consciousness

SV3DPRINTER

The future of humanity with science and technology research based on 3D, 4D, and 5D Printing. With sv3dprinter.com, small businesses can thrive:)

Diary of a Pagan Art Student

History, folklore, art, paganism

CreyenteAarav

Celebrating Poetry.

O LADO ESCURO DA LUA

Minha maneira de ver, falar, ouvir e pensar o mundo... se quiser, venha comigo...

blog bangla mail

Welcome My Site

GIRLS16@LUND

4th Lund Conference on Games, Interaction, Reasoning, Learning and Semantics

Site Title

“Love recognizes no barriers. It jumps hurdles, leaps fences, penetrates walls to arrive at its destination full of hope.” — Maya Angelou

When Women Inspire

Female empowerment | Inspiring women to success

Dirty Sci-Fi Buddha

Musings and books from a grunty overthinker

Yahuah Is Everything

My blogs on The Bible and the true name of God Yahuah and His Son,Yahusha,

Musings on History

Teacher looking at Ancient History and Gothic Literature in an historical context mainly.

The Deadliest Blogger: Military History Page

The historical writing of Barry C. Jacobsen

THE SHIELD OF ACHILLES

Artistic Reconstruction and Original Translation From Homer's "Iliad" by Kathleen Vail

Akhelas Writing

The Myriad Musings of Austin Conrad

%d bloggers like this: