Tag Archive: LINEAR B

Rita Roberts translation of Knossos tablet KN 160a J j 11, dealing with wine, corrected:

Linear B tablet KN 160a J j 11 wine

Rita Roberts translation of Knossos tablet KN 160a J j 11, dealing with wine, corrected, is trickier than the previous one she has translated to fulfill the requirements for her second year of university, KN 906 Da 02, dealing with livestock. Because this tablet is damaged, truncated left and right, it can be more difficult to establish meaning for certain terms. But not necessarily so. Rita struggled gainfully with this tablet. And this is understandable. What determines everything in the decipherment of any tablet, Linear A or B, is CONTEXT. If we cannot determine what any given word(s) mean in the actual context of the tablet, we sometimes fail to grasp the meanings of these words. But in the end, everything falls into place, and a relatively convincing translation can be gleaned from it, as we see in the illustration above.

The only character which occasions real difficulty is the supersyllabogram PE, which usually stands for seed(s). But if this the meaning to be extracted, it does not really make all that much sense, since grape seeds do not contribute much to wine, only the grapes do. The only explanation I can muster here is this: the grape seeds had to be extracted, i.e. removed, from the grapes to produce the wine. That makes sense. Finally, we find the ideogram for “olive oil” on this tablet, but how olive oil mixes with wine is a mystery to me, unless the olive oil is being served with bread along with the wine. But there is no mention of bread on this tablet. So some issues remain unresolved.


Rita Roberts translation of Knossos tablet KN 906 Da 02 corrected, livestock from the marketplace:

Linear B KN 906 D a 02

This is one of three tablets which Rita Roberts had to translate to qualify for her second year of university. This tablet is the easiest of the three, on an ascending scale of difficulty. Rita achieved the excellent mark of 91 % = A + for this tablet. Congratulations, Rita!

The other two tablets are extremely challenging, even for experts in Linear B.

Preliminary Roster of Editors, Aux Éditions Konoso Press, Ottawa, Ontario, Canada

Konoso Press on academiaedu

Richard Vallance Janke, University of Western Ontario, Emeritus


Alexandre Solcà

Associate Editor-in-Chief, Université de Genève

Spyros Bakas,

Chief Associate Editor, University of Warsaw

Associate Editors:

Julia Binnberg, University of Oxford, Classical Archaeology

Nic Fields, University of Newcastle, England

Roman Koslenko, National Academy of Sciences, Ukraine

Xaris Koutelakis, Kapodistrian University of Athens

Philipp Schwinghammer, Universität Leipzig, Historisches Seminar

Olivier Simon, Université de Lorraine

Editors Credentials and Degrees, plus their academia.edu pages or home pages will appear in the Forward to each monograph published. Aux Éditions Konoso Press, Ottawa, Ontario, Canada, will publish online monographs only, from 20-100 pages long, each with its own unique ISBN (International Standard Book Number). We shall be accepting our first submissions from the summer of 2018 onward. The first monograph will probably be published in early 2019. If you are interested in becoming an Associate Editor of our already prestigious board of editors, please contact Richard Vallance Janke at: vallance22@zoho.com

supplying your credentials and degrees, and the name of the institution from which you obtained your highest degree.

Thank you

Richard Vallance Janke,

Ottawa, Ontario, Canada

April 2018


Yet another Linear A inscription, Malia MA 1, apparently entirely in proto-Greek and/or in Mycenaean-derived Greek:

Malia MA 1 is yet another Linear A inscription apparently entirely inscribed in proto-Greek and/or in Mycenaean-derived Greek:

Linear A tablet MA 1 Malia

If it is, it clearly describes King Minos, on the grounds of labyrinth, in which is found the Minotaur, with a dedication of gold to the goddess Rhea, at least if the left-truncated word … jei begins with re … , hence: rejei (which is dative singular). Although this last interpretation is entirely conjectural, it does make sense in context.



Richard Vallance Janke added to ORCID, Connecting Research and Researchers:

Richard Vallance Janke added to ORCID, Connecting Research and Researchers. ORCID is a major international clearinghouse for researchers and authors who wish to submit manuscripts, papers and journal articles to hundreds of prestigious international journals, including scores of linguistics and archaeological journals. Click on Richard ORCID record below to visit it on the ORCID site:

ORCID connecting research and researchers Richard Vallance Janke


Mycenaean Linear B units of dry measurement:

Linear B units of dry measurement

This chart speaks for itself. Notice that at least 4 of these dry units of measurement in Linear A have counterparts in Linear A.

Linear B tablet KN 930 Dl 1, dealing with the production of wool:

Linear B tablet KN 930 Dl 1, dealing with the production of wool. Alexandre 

Solcà has asked me to translate this tablet, and here it is:

LB tablet KN D1 1 930


THE MYCENAEAN LINEAR B “ROSETTA STONE” TO MINOAN LINEAR Tablet HT 31 (Haghia Triada) Vessels and Pottery

Richard Vallance

has just been uploaded to my academia.edu account, here:

Mycenaean Rossetta Stone for Linear A tablet HT 31

To DOWNLOAD it, click on the DOWNLOAD button on the top right hand side of the page.


In partnership with The Association of Historical Studies, Koryvantes (Athens), we address past and current prospects for the decipherment of the Minoan language, which has never met with any credible success in the 117 years since the ?rst discovery of Minoan Linear A tablets by Sir Arthur Evans at Knossos in 1900. A considerable number of philologists and historical linguists, some of them amateurs, claim to have deciphered the Minoan language, yet no one has ever formulated a convincing decipherment. We advance a unique and entirely untested approach to unravelling the text of Minoan Linear A tablet HT 31 (Haghia Triada), based on the principle of cross-correlative retrogressive extrapolation (CCRE) from Mycenaean Linear B to Linear A. HT 31 so closely parallels Mycenaean Linear B tablet, Pylos Py TA 641-1952 (Ventris) that the latter effectively serves as a kind of “Rosetta Stone” for the former. There is also credible evidence that a Mycenaean derived superstratum imposed itself on Linear A as the result of the Mycenaean conquest of Knossos and Crete ca. 1500 – 1450 BCE or, failing that, their all but absolute suzerainty over Knossos and its dependencies. Approximately 300 or 26 % of 1166 intact words in Linear A are very likely of Mycenaean origin.

Rita Roberts’ translation of Knossos tablet KN J 1 f 01, her last tablet for her second year of university:

Linear B tablet KN 1 J f 01 priestess of the winds

Line 1: Deukijojo = month name + temeno = shrine. The damaged first syllabogram looks like TO. The actual word temeno =temple” does not appear on the first line of this tablet, since it appears that the the scribe has made a scribal error, which actually happens quite often on Linear B tablets. The writing is messy, and appears to read teno, which would explain the scribal error, i.e. he missed on one syllabogram. Deukijojo could either be a month name, in which case it means “the tenth month” or more properly in this content, “of the tenth month” or it could simply be a persons name. If it refers to the tenth month, then it follows that the entire tablet refers to this month.

Line 2:

Wakatanujo – or- Dukatanayo = name + newejo = “of something new” + 3 units (probably bales) of barley. Hence the line refers to 3 new units (probably bales) of barley from Wakatanujo – or- Dukatanayo

Line 3:

Padarejode = a place hame, which is a sanctuary = hence, olive oil from Dardare and 2 units (probably bales) of barley.

Line 4:

Pade = name plus olive oil and 1 unit (probably a bale) of barley

Line 5:

Pasiteoi = “to all gods” barley and 1 unit of olive oil

Line 6:

olive oil and barley for Qerasiya = goddess Artemis, with numerals absent because of right truncation.

Line 7:

1 unit of barley to all the gods at Aminiso = Amnisos

Line 8:

2 units (probably pithoi) of olive oil for the goddess Erinu. Note that Erinu references one of the Furies (Erynies) in Greek. So it would appear that the scribe tells us that there was a sacrifice to at least one of or probably all of the Furies to appease them so that crops would thrive.

Line 9:

Gold and olive oil and 1 cyperus plant, probably dedicated to the priestess of the winds in Line 10.

Line 10:

4 cyperus plans dedicated to Anemo Ijereja = to the priestess of the winds

Line 11:

Blank and truncated.

Line 12:

3 units (probably pithoi) of olive oil and 2 units of barely plus 2 cyperus trees (also probably dedicated to the priestess of the winds)

Line 13:

Blank and truncated.


This is the very last tablet Rita Roberts is to translate for her second year of university, and it is by far the most challenging she has ever been confronted with to date. Congratulations to Rita! She is now about to take her final examination for her second year, which is to consist of 25 questions in increasing level of difficulty, the last 5 of which are to be translations of tablets, plus her second year thesis paper, What did the Minoan agricultural sector contribute to the Mycenaean Empire? This paper must be at least 25 pages long, inclusive of the bibliography but excluding illustrations, which will add to the page length of her thesis. Since this thesis paper is much more difficult than her first year thesis, I am allotting her three months to complete it, i.e. Feb. 15 – May 15. However, she must complete the rest of the examination in just 2 weeks (Feb. 15 – March 1 2018).

In the next post, I shall re-inscribe the entire tablet in archaic Greek from the Mycenaean.


Linear B tablet from Mycenae translated by Rita Roberts:

Linear B tablet from Mycenae translated by Rita Roberts 2018


1. Wodiyeya Deminiya l [NOTE 1]
2. Mano * [2] + Arekasadaraqe = Mano * and Arekasadara 2
3. Risura + Qotaqe = Risura and Qota 2
4. Eritupina  + Teodoraqe = Eritupina and Theodora 2
5. Otowowije +  tukateqe = Otowowije and her daughter 2
6. Anea + tukateqe = Anea and her daughter 2
7. Pirowona + Kiraqe ** [3] = Pirowona and Kira 2
8. Pukaro * [2] + Ketideqe = Pukaro and Kedite 2
9. ? Scratched ...?moqe = and …?mo 2
10. ... Maraqe = and Mara 2
11. scratched ? 1
12. ? + Kiraqe ** = and Kira 2 [3]
13. blank

[1] Since in Line 1, Wodiyeya Deminiya l is followed by the number 1, this can only be one person. Thus, her name is  Wodiyeya Deminiya.
[2] * Mano * and * Pukaro * are men's names. Line 11 also refers to only 1 person, but the name of the person is truncated, i.e. it no longer appears on the tablet.
[3] ** kira ** - or Kira = Ki/ra or Kei/ra = onomastics. Also appears on a Linear A tablet as Kira (onomastics). Complements of Rita Roberts

Greek transliteration:

1. a / #odie/ia Deminei/a
2. b / Ma/noj A0leca/ndra te/ 
3. b / Risu/ra Bo/ta te/ 
4. b / E0riqoupi/na Qeodo/ra te/  
5. b / O0qo#o#iei/ej quga/ter te/ 
6. b / A0ne/a quga/ter te/  
7. b / Piro#o/na Kei/ra te/ 
8. b / Puka/roj  Keti/dej te/ 
9. b / ... moj te/
10. b / ... M/a/ra te/ 
11. ... a /
12. b / Kei/ra te/ 

Article, Linear B Lexicon for the Construction of Mycenaean Chariots just published on academia.edu:

Click on the TITLE to view and download the article:

aEpochs title

just uploaded to my academia.edu account at the link above. To download it, click the green DOWNLOAD button on the right side of the document.

Illustrations from the article:

bNew Kingdom chariot

c4 spoke chariots

dcomposite parts Mycenaean chariots

eMycenaean Chariots Lexicon

gKnossos tablet KN 894

This Lexicon is the only one of its kind in the entire world. To date, no one has ever published a Linear B Lexicon on a subject as focused as the Construction of Mycenaean Chariots.

This article has just been published in the prestigious European journal, Epohi (Epochs), Vol. 25, Issue 2 (2017), published bi-annually by the Department of History of St. Cyril and St. Methodius, University of Veliko, Tarnovo, Bulgaria. I have been invited by the Editor-in-Chief, Stefan Iordanov, to publish new papers in the near future (sometime in 2018) and again in 2019. Considering that the Editor-in-Chief, Stefan Iordanov, solicited me to submit this article sight unseen, you can be sure I shall submit more papers to the journal.

Linear B syllabary with correspondances to the ancient Greek alphabet including digamma:

Linear B syllabary with Greek alphabet assignments

This table of the Linear B syllabary with correspondances to the ancient Greek alphabet including digamma outlines how each series of syllabograms, e.g. A E I O U, DA DE DI DO DU, KA KE KI KO KU, MA ME MI MO MU, TA TE TI TO TU etc. corresponds with the ancient Greek letter series, including the archaic Greek letter digamma, very common in Mycenaean Greek but absent from Classical Greek which are common to them. In some cases, the first consonant of the syllabogram series exactly matches the consonant + vowels of the Greek letters to which that series corresponds. These are:

DA DE DI DO DU = da de dei dh di dh do dw du

MA ME MI MO MU = ma me mei mh mi mh mo mw mu

NA NE NI NO NU = na ne nei nh ni nh no nw nu

SA SE SI SO SU = sa se sei sh si sh so sw su

But there is one significant problem. The Linear B syllabary cannot distinguish between short and long Greek vowels, or Greek double-vowel combinations. Thus,

DE DI DO = de dei dh di dh do dw

ME MI MO = me mei mh mi mh mo mw

NE NI NO = ne nei nh ni nh no nw

SE SI SO = se sei sh si sh so sw

must account for 2 or 3 vowel variations in the ancient Greek alphabet, as seen above. For example, as seen in the D series of syllabograms above, DE = any of 3 = de dei dh DI for either di dh & DO for either do dw. The list of syllabogram series and their Greek alphabetic equivalents above provides several examples of these vowel variations.

Syllabogram series representing multiple consonants + vowels:

Syllabogram series representing multiple consonants + vowels are more complex. These are:

KA KE KI KO KU corresponding to:

ga ge gei gh gi gh go gw gu

ka ke kei kh ki kh ko kw ku

xa xe xei xh xi xh xo xw xu

PA PE PI PO PU corresponding to:

pa pe pei ph pi ph po pw pu

fa fe fei fh fi fh fo fw fu

ya ye yei yh yi yh yo yw yu

QA QE QI QO corresponding to:

ba be bei bh bi bh bo bw bu

ga ge gei gh gi gh go gw gu

RA RE RI RO RU corresponding to:

la le lei lh li lh lo lw lu

ra re rei rh ri rh ro rw ru

TA TE TI TO TU corresponding to:

ta te tei th ti th to tw tu

qa qe qei qh qi qh qo qw qu

Plenty of examples of all of the consonant + vowel variations explained in all instances above are found in the table, following the table of syllabogram series, at the top of this post.

CONVENTIONS in Linear A and ancient Greek orthography:

Linear B is also unable to account for the presence of consonants in the ancient Greek alphabet, especially in the case of final or ultimate consonants, which are extremely common in ancient Greek, and de rigueur in masculine and neuter nouns and adjectives, and in the conjugations of several persons, singular and plural, in all cases of ancient Greek verbs (present, future, imperfect, aorist, perfect and pluperfect in all moods, indicative, optative and subjunctive). But only the present and aorist (CHECK) in the indicative and the present in the optative occur in Linear B.

I shall be posting the Greek equivalents to Linear B nouns, adjectives and verbs in an upcoming post.

Translation of Linear B tablet KN 903 Da 01 by Rita Roberts:

KN 903 D a 01 livestock

Here we have Rita Roberts translation of Linear B B tablet KN 903 Da 01. In her own decipherment, Rita translated Watoakoraya as a personal name of a shepherd or herdsman, but this is clearly wrong, because akoraya is genitive singular and means “from the market” and Wato is archaic dative singular for Watos, which is a place name. So the proper translation is “from the market at Watos”. Otherwise, her translation is sound.

Translation of Linear B tablet KN 894 Do 04 by Rita Roberts:

KN 898 D o 04 opxen ZE

Here we have Rita Roberts translation of Linear B B tablet KN 894 Do 04, which I find quite fascinating, even though it is so short. This is because of the supersyllabogram ZE, which literally means “yoked with a pair of or as Rita Roberts puts it a team of oxen”. In addition, we have the enclitic QE following the name Tomako, which means “and”, implying that there was another herdsman mentioned before Tomako; hence, the tablet is left-truncated as well as right-truncated.

Linear B tablet KN 702 M b 11, “to all the gods” by Rita Roberts

Knossos tablet KN 702 M b 11

This is one of the most significant of all Linear B tablets, as it refers “to all the gods” . But who are all of these gods in Mycenaean Greek? Beneath the translation all of the Mycenaean gods are listed. We notice that whereas many of them survived into archaic and classical Greek (those tagged with an asterisk * after them), some did not. They simply disappeared after the fall of Mycenae ca. 1200 BCE. However, this does not mean that most of them were not (highly) significant to the Mycenaeans. We cite in particular Potnia or Potnia Theron = Mistress (of the Wild Beasts), Emaha2 (Emahai), Manassa, Presphaion, Qerasiya (Kerasiya) and Tiriseroe.

Brian Wyble’s carved facsimile of Linear B tablet KN 349 J b 12. He made this himself. Amazing!

Brian Wyble's facsimile of Linear B tablet KN 349 J b 12

Linear B text Latinized:

Rukito apudosi + ideogram for “olive oil” 52+ (because it is right



52 + units (probably amphorae) of olive oil, delivery to Lykinthos.

Transliterated into archaic Greek:

n /b / a0mfiforh/#ei e1laia, a0pu/dosij Lu/kinqo.

Brian is our newest student of Linear B. He already has a fundamental understanding of ancient Greek, although I am sure he realizes from the archaic Greek text above that he needs to master archaic Greek. This should come to him in no time flat.

Welcome from all of us to the study of Linear B, Brian!

Rita Roberts’ translation of Knossos Linear B tablet, KN 897 D a 11:

Linear B tablet KN 897 D a 11

Rita Roberts’ translation of Knossos Linear B tablet, KN 897 D a 11 reveals a brilliant insight on her part. She surmises that the single syllabogram PO may actually be the first syllable of Linear B pome poimh/n, which means “shepherd” or “herdsman”, and taht is one brilliant insight! If she is correct — and I believe she is — PO is a brand new supersyllabogram which I have not as yet accounted for.

Translation of Linear B tablet KN 347 D x 01 by Rita Roberts:

Linear A tablet KN 347 D x 01


In this life or the next… a marvelous translation into ancient Greek and Mycenaean Linear B:

I just received an e-mail today from Brian Wyble, who sent me the inscription in English, ancient Greek and Linear B you see here:

in this life or the next Linear B and Greek620

What is so astonishing about his translation into both ancient Greek and Mycenaean Linear B is that he got both bang on, even though this is his first ever attempt at writing in both scripts. Given that he is just now learning ancient Greek and Mycenaean Greek simultaneously, I am frankly astonished by his amazing achievement. I have invited him to follow Linear A, Linear B, Knossos and Mycenae, and to start learning Linear B in earnest, so that he can soon turn to deciphering Linear B tablets. And believe me, as my colleague Rita Roberts can only too well attest to, he has his work cut out for him, in view of the fact that there are at least 1,000 tablets I can send him for decipherment.

All-new decipherment of Linear A tablet HT 8 (Haghia Triada) dealing with multiple crops:

Linear A tablet HT 8

This is the first time I have attempted to decipher Linear A tablet HT 8 (Haghia Triada), and I have met with considerable success in deciphering it for the most part. It quite clearly deals with multiple crops. Some explanation is in order. On the RECTO, we find the supersyllabogram KI, which means KIRETAI, in Greek kri/qai, meaning barley of which there are 10 units, something like bushels (a mere approximation as we cannot know that the standard units of measurement for crops were either in Linear A or in Linear B). Next comes the supersyllabogram PA3 (PAI), which probably refers to pa3ni/pa3nina/pa3niwi Old Minoan (OM) = millet -or- spelt. KARATI on line 2 is also OM and appears to correspond to Anatolian, karasa = a large jar, which makes sense in context. PA3 (PAI), which probably refers to pa3ni/pa3nina/pa3niwi Old Minoan (OM) = millet -or- spelt is then repeated. Line 3 begins with the supersyllabogram (SSYL) TE, which means tereza, OM for the standard unit of liquid measurement, while qanuma is OM for some kind of pulse crop, any one of broad beans (faba/fava), chick peas, lentils or vetch. On line 4 we find the word SIKIRA si/kera, a sweet-fermented liquor, Cf. Linear B sikero. When we combine this word with KIRETANA kri/qania on line 5 we get SIKIRA KIRETANA, which means of course a barley-like sweet-fermented liquor, in other words, beer, probably sweetened with honey.

VERSO: SUPU2 is a pithos or alternatively sappu, which is Semitic for bowl (practically the same thing). Hence, this decipherment is sound. The SSYL KA probably refers to karasa (Anatolian), meaning a large jar, which reinforces the decipherment of SUPU2. PA3 (PAI) on line 2 again refers to millet or spelt. ZARI- continued on line 3 with – RE is unknown, but has something to do with crops, followed as it is with the symbols for harvesting shares. KAPA karpa/ is ripe crops. PAJARA on line 4 appears to mean indentured land.

All in all, this decipherment is coherent, and holds together well.

Gleaning The Scriptures

The Lord lives to teach.

Macedonian Ancestry

"I thank the gods for being Greek" - Alexander the Great


Geopolitics - The Road To Global Ruin

Care, Bliss and the Universe

Life, the Universe and Yourself


lovin' guys lovin' guys

William Rubel

The Magic of Fire : Traditional Foodways

Albania -ilire- Pellazgët


anne frandi-coory

A Life in Two Halves

Traditional Polytheist

A site devoted to the study and discussion of ethnic and traditional polytheism throughout the world, in regard to its nature, history, and present standing in general.

Rilkes Panther

fictional stories and social commentary


Easy healthy recipes for lazy busy people

The Whirling Bee

Reality has no walls, no edges - a journey in altered states of consciousness


Science and technology research based on 3D and 4D Printing

Diary of a Pagan Art Student

Like the title says


Celebrating Poetry.


Minha maneira de ver, falar, ouvir e pensar o mundo... se quiser, venha comigo...

blog bangla mail

Welcome My Site


4th Lund Conference on Games, Interaction, Reasoning, Learning and Semantics

Site Title

“Love recognizes no barriers. It jumps hurdles, leaps fences, penetrates walls to arrive at its destination full of hope.” — Maya Angelou

LinneaTanner.com - Apollo's Raven

LinneaTanner.com - Apollo's Raven

When Women Inspire

You can make a positive impact too!


by Evelina Di Lauro

Yahuah Is Everything

My blogs on The Bible and the true name of God Yahuah and His Son,Yahusha,

The Deadliest Blogger: Military History Page

The historical writing of Barry C. Jacobsen


Artistic Reconstruction and Original Translation From Homer's "Iliad" by Kathleen Vail

Akhelas Writing

The Myriad Musings of Austin Conrad

Little Fears

Tales of whimsy, humor and courgettes

Im ashamed to die until i have won some victory for humanity.(Horace Mann)

Domenic Garisto/havau22.com / IF YOU CAN'T BE THE POET, BE THE POEM (David Carradine) LIFE IS NOT A REHERSAL,SO LIVE IT.

Φιλολογικά φύλλα

... από την περιπέτεια της θεωρίας, της ερμηνείας και της διδασκαλίας

Le Blog BlookUp

Imprimez et transformez vos contenus digitaux, blogs et réseaux sociaux, en magnifiques livres papier sur blookup.com

Diwiyana's Dreamscape

Just another WordPress.com site

The Evolutionary Mind

Motivation and Inspiration for Everyday Life


Just another WordPress.com site

Adham Smart

Often written, sometimes read

%d bloggers like this: