Tag Archive: Linear B Tablets

Rita Roberts, translation of Linear B tablet KN 701 Mm 01:  

Linear B fragment KN 709 M m 01 two-handled cup

This is the first ever translation of a Linear B vessels or pottery fragment by Rita Roberts for her third, and final, year of university. In her third year, she is expected to master, first, Linear B tablets and fragments dealing with pottery and vessels, and secondly, tablet and fragments on textiles. The first category is the easier of the two to master, and so Rita will be concentrating on vessels and pottery tablets and fragments for the first quarter of her third year.

Linear B - KN Dd1171, article by Peter J. Keyse on academia.edu 

Click on this graphic to view Keyse’s article:

Linear B - KN Dd1171

Peter J. Keyse provides a thorough analysis of Linear B tablet  KN Dd 1171 in this fascinating article, which is well worth reading for anyone who is familiar with the Linear B syllabary, and certainly for anyone who is studying Linear B in depth. His article is not without errors. For instance, he deciphers PoRo as the name of someone in what he calls the PoMe “worker class” = a shepherd,

Linear B - KN Dd1171 PORO

but his interpretation of of PORO is clearly incorrect, as this word  has 3 distinct meanings, one of which is the Linear B word for “a foal”, as demonstrated by Chris Tselentis in his Linear B Lexicon, here:

Tselentis PORO

(The other 2 meanings of POME offered by Tselentis do not fit the context)

while POME is quite obviously Mycenaean Greek for “shepherd”:

Tselentis POME

Keyse also notes that Michael Ventris identified 3 major styles for incisions - those at Knossos, Pylos and Mycenae. In his own words: The vertical lines are quite faint scratches and not easily seen. The cuts in the clay are ‘under-cut’ i.e. pushed in at an angle . This preoccupation with Linear B scribal hands recurs in a great many articles on Linear B. Keyse also covers the what he ascertains to be the phonetic sounds of the numerics on this tablet. He also emphasizes the nature and particulars characteristics of the scribal hand on this tablet.

But it his conclusion which is most fascinating. He says,

In conclusion: 

What would Dd1171 sound like if read aloud? Po-Ro. 20 OVISm, 72 OVISf. Pa-I-To. Pa 8 OVISm. While it reasonable to say that Linear B was no more the spoken language of its day than ‘double-entry bookkeeping’ speak is for accounting clerks today it is also true to say that accountants do on occasions talk in journals and double-entry (and not only when at dinner parties and down the pub) and they certainly call over inventories to each other. It is clear that Linear B had a sound but perhaps it is unlikely that we can fairly reproduce it today. Considering the importance of numbers within the Linear B archive I find it surprising that no phonic system has been devised to represent them or if devised is not clearly documented in the literature. 

COMMENT by Richard Vallance Janke on the sound, i.e. the general pronunciation of Linear B. In actuality, we probably do have some idea of how Mycenaean Greek was pronounced. Its closest cousin was Arcado-Cypriot, represented both by its own syllabary, Linear C, and by its own archaic alphabet. The Mycenaean and Arcado-Cypriot dialects were much closer phonetically than even Ionic and Attic Greek. Phonological details of the archaic Arcado-Cypriot dialect appear in C.D. Buck, The Greek Dialects, © 1955, 1998. ISBN 1-85399-566-8, on pg. 144. He provides even more information on Arcado-Cypriot on pp. 7-8, and classifies it as an East Greek dialect, pg. 9. This is highly significant, because if Arcado-Cypriot is East Greek, ergo Mycenaean Greek also is. This places both of the archaic East-Greek dialects, Mycenaean and Arcado-Cypriot, firmly in the camp of all East Greek dialects, including Arcadian, Aeolic, Lesbian, Cyprian, Pamphylian, Thessalian, Boeotian, and the much later Ionic and Attic dialects. So it is probably fair to say that we may have at least an idea, even if somewhat inaccurate, of how Mycenaean Greek was pronounced. And this has huge implications for the further study of Mycenaean Greek phonology.

KEY POST! How to download all of Scripta Minoa!

This procedure works only in Firefox, but can be readily adapted to other browsers. To download Scripta Minoa, Vol. 1, in Firefox, 

1. First go to the Google.com search page, as seen here:

google home

2. Secondly, copy this address in your Google.com HTML search bar, which in Firefox looks like this:


google search Script Minoa Vol 1620

And click the right arrow above, to open the file:

3. which will now appear on your desktop, at the LINK above, like this in Firefox:

Scripta Minoa Vol 1620

4. next, to the far right of the document displayed above, you will see the navy blue DOWNLOAD button, with the DOWNLOAD arrow in white. Click on it to download the file:

download the file
The DOWNLOAD Button is immediately above.

5. When you click on this button, the next thing you should see is this: 

save fle

CLICK: Save File, to save this file on your computer. You must then open your Downloads Folder, and open this file. Since the procedure to open Downloads in the Downloads Folder varies according to your operating system (Windows XP, Windows 7, Windows 10, Apple) you will have to download and save this file according to your system. I cannot help you with this step. If you need help with this step, consult the HELP files for downloading files on your computer.

6. AFTER you have successfully downloaded this file to your computer, open your Downloads Folder and SAVE the file to your computer, preferably on your desktop.

7. Then open Adobe Acrobat, and open the file on your desktop (or wherever you saved it) in Adobe Acrobat. Adobe Acrobat will open the file far far quicker than the online download, in fact, in a matter of seconds.

To download and open Scripta Minoa, Vol. 2, repeat all of the steps above, except that in:

Step 2, Secondly, copy this address in your Google.com HTML search bar, which in Firefox looks like this:


google search Script Minoa Vol 2620

And click the right arrow above, to open the file:
And then you should see this page: 

Scripta Minoa Vol 2620

This is the Google address for Scripta Minoa, Vol. 2, which is not quite the same as the Google address for Scripta Minoa, Vol. 1.

NOTE that certain details in Steps 1-7 above will vary from browser to browser. We did not provide instructions for Internet Explorer, as we only use Firefox. So if you are using a browser other than Firefox, you may have to adjust some of the input(s) for each step above.

Please NOTE that the Linear B fragments and tablets appear in Scripta Minoa, Volume 2, not Volume 1. You can see this for yourself when you open Scripta Minoa, Volume 2, in your Adobe Acrobat Reader. SCROLL DOWN the file until you see this page, the first page of the fragments and tablets in Vol. 2.:

first tablets from scripta minoa vol 2620

Guidelines for submissions to Les Éditions KONOSO Press now on academia.edu:

guidelines KONOSO Press academia.edu

Guidelines for submissions to Les Éditions KONOSO Press, Ottawa, Ontario, Canada, are now on academia.edu. Our new Press will be publishing online monographs and books only, from 40 to 200 pages long. Submissions will be accepted starting July 1 2018. Any person submitting papers should expect to wait 6 months before we can advise that person whether or not we have accepted the submission. Submissions guidelines are very strict. You must read them exhaustively. Submissions not following these guidelines will be automatically rejected.

The editors on our board of editors are of the highest calibre with the finest credentials. Here is the list of all our editors:

ISBN 978-0-9868289-1-1

Board of Editors/Conseil des rédacteurs

Richard Vallance Janke, University of Western Ontario, Emeritus


Alexandre Solcà

Associate Editor-in-Chief, Université de Genève

Spyros Bakas,

Chief Associate Editor, University of Warsaw

Associate Editors:

John Bengtson, University of Minnesota

Julia Binnberg, University of Oxford, Classical Archaeology

Nic Fields, University of Newcastle, England

Jean-Philippe Gingras, Royal Military College of Canada

Jorrit Kelder, University of Oxford, Oriental Studies, Associate Professor

Roman Koslenko, Mykolaiv National University & National Academy of Sciences, Ukraine

Haris Koutelakis, Kapodistrian University of Athens

Massimo Perna, Università degli Studi di Napoli Suor Orsola Benincasa

Philipp Schwinghammer, Universität Leipzig, Historisches Seminar

Olivier Simon, Université de Lorraine, independent researcher, PIE

The most renowned of these editors are Spyros Bakas of the University of Warsaw, an expert in ancient Mycenaean and Greek warfare, and Jorrit Kelder of the University of Oxford, one of the worlds most famous researchers in Mycenaean Linear B.

Our Press promises to become one of the world’s most prestigious publishers in ancient Aegean studies in short order.

You may submit your first paper as of July 1 2018.

Richard Vallance Janke, Editor-in-Chief, May 9 2018

Rita Roberts translation of Knossos tablet KN 160a J j 11, dealing with wine, corrected:

Linear B tablet KN 160a J j 11 wine

Rita Roberts translation of Knossos tablet KN 160a J j 11, dealing with wine, corrected, is trickier than the previous one she has translated to fulfill the requirements for her second year of university, KN 906 Da 02, dealing with livestock. Because this tablet is damaged, truncated left and right, it can be more difficult to establish meaning for certain terms. But not necessarily so. Rita struggled gainfully with this tablet. And this is understandable. What determines everything in the decipherment of any tablet, Linear A or B, is CONTEXT. If we cannot determine what any given word(s) mean in the actual context of the tablet, we sometimes fail to grasp the meanings of these words. But in the end, everything falls into place, and a relatively convincing translation can be gleaned from it, as we see in the illustration above.

The only character which occasions real difficulty is the supersyllabogram PE, which usually stands for seed(s). But if this the meaning to be extracted, it does not really make all that much sense, since grape seeds do not contribute much to wine, only the grapes do. The only explanation I can muster here is this: the grape seeds had to be extracted, i.e. removed, from the grapes to produce the wine. That makes sense. Finally, we find the ideogram for “olive oil” on this tablet, but how olive oil mixes with wine is a mystery to me, unless the olive oil is being served with bread along with the wine. But there is no mention of bread on this tablet. So some issues remain unresolved.


Rita Roberts translation of Knossos tablet KN 906 Da 02 corrected, livestock from the marketplace:

Linear B KN 906 D a 02

This is one of three tablets which Rita Roberts had to translate to qualify for her second year of university. This tablet is the easiest of the three, on an ascending scale of difficulty. Rita achieved the excellent mark of 91 % = A + for this tablet. Congratulations, Rita!

The other two tablets are extremely challenging, even for experts in Linear B.

THE MYCENAEAN LINEAR B “ROSETTA STONE” TO MINOAN LINEAR Tablet HT 31 (Haghia Triada) Vessels and Pottery

Richard Vallance

has just been uploaded to my academia.edu account, here:

Mycenaean Rossetta Stone for Linear A tablet HT 31

To DOWNLOAD it, click on the DOWNLOAD button on the top right hand side of the page.


In partnership with The Association of Historical Studies, Koryvantes (Athens), we address past and current prospects for the decipherment of the Minoan language, which has never met with any credible success in the 117 years since the ?rst discovery of Minoan Linear A tablets by Sir Arthur Evans at Knossos in 1900. A considerable number of philologists and historical linguists, some of them amateurs, claim to have deciphered the Minoan language, yet no one has ever formulated a convincing decipherment. We advance a unique and entirely untested approach to unravelling the text of Minoan Linear A tablet HT 31 (Haghia Triada), based on the principle of cross-correlative retrogressive extrapolation (CCRE) from Mycenaean Linear B to Linear A. HT 31 so closely parallels Mycenaean Linear B tablet, Pylos Py TA 641-1952 (Ventris) that the latter effectively serves as a kind of “Rosetta Stone” for the former. There is also credible evidence that a Mycenaean derived superstratum imposed itself on Linear A as the result of the Mycenaean conquest of Knossos and Crete ca. 1500 – 1450 BCE or, failing that, their all but absolute suzerainty over Knossos and its dependencies. Approximately 300 or 26 % of 1166 intact words in Linear A are very likely of Mycenaean origin.

Rita Roberts’ translation of Knossos tablet KN J 1 f 01, her last tablet for her second year of university:

Linear B tablet KN 1 J f 01 priestess of the winds

Line 1: Deukijojo = month name + temeno = shrine. The damaged first syllabogram looks like TO. The actual word temeno =temple” does not appear on the first line of this tablet, since it appears that the the scribe has made a scribal error, which actually happens quite often on Linear B tablets. The writing is messy, and appears to read teno, which would explain the scribal error, i.e. he missed on one syllabogram. Deukijojo could either be a month name, in which case it means “the tenth month” or more properly in this content, “of the tenth month” or it could simply be a persons name. If it refers to the tenth month, then it follows that the entire tablet refers to this month.

Line 2:

Wakatanujo – or- Dukatanayo = name + newejo = “of something new” + 3 units (probably bales) of barley. Hence the line refers to 3 new units (probably bales) of barley from Wakatanujo – or- Dukatanayo

Line 3:

Padarejode = a place hame, which is a sanctuary = hence, olive oil from Dardare and 2 units (probably bales) of barley.

Line 4:

Pade = name plus olive oil and 1 unit (probably a bale) of barley

Line 5:

Pasiteoi = “to all gods” barley and 1 unit of olive oil

Line 6:

olive oil and barley for Qerasiya = goddess Artemis, with numerals absent because of right truncation.

Line 7:

1 unit of barley to all the gods at Aminiso = Amnisos

Line 8:

2 units (probably pithoi) of olive oil for the goddess Erinu. Note that Erinu references one of the Furies (Erynies) in Greek. So it would appear that the scribe tells us that there was a sacrifice to at least one of or probably all of the Furies to appease them so that crops would thrive.

Line 9:

Gold and olive oil and 1 cyperus plant, probably dedicated to the priestess of the winds in Line 10.

Line 10:

4 cyperus plans dedicated to Anemo Ijereja = to the priestess of the winds

Line 11:

Blank and truncated.

Line 12:

3 units (probably pithoi) of olive oil and 2 units of barely plus 2 cyperus trees (also probably dedicated to the priestess of the winds)

Line 13:

Blank and truncated.


This is the very last tablet Rita Roberts is to translate for her second year of university, and it is by far the most challenging she has ever been confronted with to date. Congratulations to Rita! She is now about to take her final examination for her second year, which is to consist of 25 questions in increasing level of difficulty, the last 5 of which are to be translations of tablets, plus her second year thesis paper, What did the Minoan agricultural sector contribute to the Mycenaean Empire? This paper must be at least 25 pages long, inclusive of the bibliography but excluding illustrations, which will add to the page length of her thesis. Since this thesis paper is much more difficult than her first year thesis, I am allotting her three months to complete it, i.e. Feb. 15 – May 15. However, she must complete the rest of the examination in just 2 weeks (Feb. 15 – March 1 2018).

In the next post, I shall re-inscribe the entire tablet in archaic Greek from the Mycenaean.


Translation of Linear B tablet KN 903 Da 01 by Rita Roberts:

KN 903 D a 01 livestock

Here we have Rita Roberts translation of Linear B B tablet KN 903 Da 01. In her own decipherment, Rita translated Watoakoraya as a personal name of a shepherd or herdsman, but this is clearly wrong, because akoraya is genitive singular and means “from the market” and Wato is archaic dative singular for Watos, which is a place name. So the proper translation is “from the market at Watos”. Otherwise, her translation is sound.

Translation of Linear B tablet KN 894 Do 04 by Rita Roberts:

KN 898 D o 04 opxen ZE

Here we have Rita Roberts translation of Linear B B tablet KN 894 Do 04, which I find quite fascinating, even though it is so short. This is because of the supersyllabogram ZE, which literally means “yoked with a pair of or as Rita Roberts puts it a team of oxen”. In addition, we have the enclitic QE following the name Tomako, which means “and”, implying that there was another herdsman mentioned before Tomako; hence, the tablet is left-truncated as well as right-truncated.

Linear B tablet KN 702 M b 11, “to all the gods” by Rita Roberts

Knossos tablet KN 702 M b 11

This is one of the most significant of all Linear B tablets, as it refers “to all the gods” . But who are all of these gods in Mycenaean Greek? Beneath the translation all of the Mycenaean gods are listed. We notice that whereas many of them survived into archaic and classical Greek (those tagged with an asterisk * after them), some did not. They simply disappeared after the fall of Mycenae ca. 1200 BCE. However, this does not mean that most of them were not (highly) significant to the Mycenaeans. We cite in particular Potnia or Potnia Theron = Mistress (of the Wild Beasts), Emaha2 (Emahai), Manassa, Presphaion, Qerasiya (Kerasiya) and Tiriseroe.

Brian Wyble’s carved facsimile of Linear B tablet KN 349 J b 12. He made this himself. Amazing!

Brian Wyble's facsimile of Linear B tablet KN 349 J b 12

Linear B text Latinized:

Rukito apudosi + ideogram for “olive oil” 52+ (because it is right



52 + units (probably amphorae) of olive oil, delivery to Lykinthos.

Transliterated into archaic Greek:

n /b / a0mfiforh/#ei e1laia, a0pu/dosij Lu/kinqo.

Brian is our newest student of Linear B. He already has a fundamental understanding of ancient Greek, although I am sure he realizes from the archaic Greek text above that he needs to master archaic Greek. This should come to him in no time flat.

Welcome from all of us to the study of Linear B, Brian!

Rita Roberts’ translation of Knossos Linear B tablet, KN 897 D a 11:

Linear B tablet KN 897 D a 11

Rita Roberts’ translation of Knossos Linear B tablet, KN 897 D a 11 reveals a brilliant insight on her part. She surmises that the single syllabogram PO may actually be the first syllable of Linear B pome poimh/n, which means “shepherd” or “herdsman”, and taht is one brilliant insight! If she is correct — and I believe she is — PO is a brand new supersyllabogram which I have not as yet accounted for.

Translation of Linear B tablet KN 347 D x 01 by Rita Roberts:

Linear A tablet KN 347 D x 01


Translation of Linear B tablet KN 349 J b 12 by Rita Roberts:

Linear A tablet KN 349 J b 12


Rita Roberts translation of Linear B tablet KN 911 D e 01 (Knossos):

Linear B KN 911 D e 01

This is one of the most complex Linear B tablets Rita Roberts has ever had to translate. She also provided a running free translation of this tablet, but I have had to omit it for lack of space in the graphics file. In other words, if I had included her free translation, the graphics file would have been much too long to display properly. As it stands, it is already very long. One of the prime characteristics of a small subset of Linear B tablets, mostly from Pylos, but in this case from Knossos, is that they are long lists of names, in this case, shepherds taking care of their sheep. Rita Roberts makes the following observations on this tablet.


This Linear B tablet 911 De 0l (LXX) is a lengthy inventory of hundreds of ewes, billy goats, she goats and rams, I would imagine it is of special interest for Knossos palace. It is difficult to say whether all these animals were brought together at the same time for any specific purpose. If so there are a few reasons to suggest why this could be. The first would be, having to check the stock for health reasons for the possible move to a new pasture. Secondly, it could be that the animals needed to be organized for shearing, also some for slaughter. My final suggestion is, maybe some animals were for possible export. However, these are a few possible reasons for such a large inventory, but on the whole it is a comprehensive inventory for the palace.

I may as well admit that I passed this tablet onto Rita as I am constitutionally lazy when it comes to deciphering long tablets. However, this is not the only reason. It is vital that Rita master (subjunctive) complex tablets that pose a huge challenge. This one certainly does.



My article, Lexicon of Chariot Construction in Mycenaean Linear B, has been accepted in advance by the international historical journal, Epohi/Epochs:

Epohi Epochs historical journal

I shall be submitting it to the editor-in-chief, Stefan Iordanov of the Faculty of History of St. Cyril and St. Methodius University of Veliko Tarnovo (hence forward referred to as UVT), Bulgaria. The editorial board consists of highly prestigious researchers:

Executive Editor:

Stefan Yordanov, Associate Prof., Ph.D., St. Cyril and St. Methodius University of Veliko Tarnovo


Ivan Tyutyundjiev, Prof., Dr. Hab., St. Cyril and St. Methodius University of Veliko Tarnovo

Deputy Editors in Chief:

Plamen Pavlov, Prof., Ph.D., St. Cyril and St. Methodius University of Veliko Tarnovo

Nikolay Kanev, Associate Prof., Ph.D., St. Cyril and St. Methodius University of Veliko Tarnovo


Acad. Vasil Gyuzelev, Prof., Dr. Hab., Member of the Bulgarian Academy of science and President of the Association of Byzantinists and Medievalists in Bulgaria

Demetrios Gonis, Dr. Hab., Professor Emeritus of University of Athens (Greece)

Mirosław Jerzy Leszka, Prof., Dr. Hab., University of Lodz (Poland)

Tatyana Leontyeva, Prof., Dr. Hab., State University of Tver (Russia)

Milko Palangurski, Prof., Dr. Hab., St. Cyril and St. Methodius University of Veliko Tarnovo

Petko Petkov, Проф. д-р Петко Петков, St. Cyril and St. Methodius University of Veliko Tarnovo

Rumen Yankov, Prof., Dr. Hab., St. Cyril and St. Methodius University of Veliko Tarnovo

Mariya Ivanova, Prof., Dr. Hab., St. Cyril and St. Methodius University of Veliko Tarnovo

Dan Dana, Chargé de recherche de 1ère classe, Ph.D., Centre Nationale de la Recherche Scientifique – Paris (France)

Issue editors:

Nikolay Kanev, Associate Prof., Ph.D.

Stefan Yordanov, Associate Prof., Ph.D.

Translation of a very tricky Linear B tablet, Knossos KN 913 D k 01 by Rita Roberts:

Knossos tablet KN 913 D k 01 translation by Rita Roberts

The decipherment of this tablet is far from clear-cut, and all because of 1 word, paro, the first on both lines 1 and 2. This word very likely corresponds to the ancient Greek pa/loj (palos) = a lot (cast), meaning a lot cast by one or more people to decide who is obliged to do something, and in this case, which is apparently a religious context, that something is the sacrifice of a billy goat and a she goat. Etowono got the lot for the ram, probably the long stick, if that is what it was, given that we are dealing with a ram here. Komawete got the short one for the she goat. It kind of makes sense, and in fact there would seem to be no other rational interpretation of this tablet. It is one of the trickiest I have ever assigned to Rita, and this aroused her suspicions in the first place. Because she could not possibly have recognized the (archaic or ancient) Greek for paro, I had to delve into that word. Otherwise, her translation is highly commendable, and deserves a full 100 %.


Translation of Linear B tablet Knossos KN 854 K j 11 by Rita Roberts:

Knossos tablet KN 854 K j 11 by Rita Roberts


Translation of Linear B Knossos tablet KN 355 J b 19 by Rita Roberts:

Knossos tablet KN 355 J b 19 by Rita Roberts



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