CRITICAL POST: The active middle voice template, akeomai = I repair or I make amends for... in the five major tenses in Mycenaean Linear B & ancient Greek: In all of the ancient East Greek dialects, right on down from Mycenaean Linear B to Arcado-Cypriot, its closest cousin (ca. 1100-400 BCE), through to Homeric Greek (ca. 800 BCE, a hodgepodge amalgam of various early ancient Greek dialects), to Ionic and Attic Greek (ca. 500-400 BCE), right on through to Hellenistic Greek (ca. 300-100 BCE) to New Testament Koine Greek (ca. 100 AD) and even to modern Greek, the active middle voice was extremely common, playing an indispensable role in the expression of verbal actions. In fact, it was probably even more common than the standard active voice, which we have already covered under the verb kauo = to burn. In Mycenaean Linear B and in all subsequent ancient Greek dialects, the template for active middle voice is here represented by the verb, akeomai = I repair -or- I make amends (for myself). The 5 major indicative active tenses represented are, once again: the present active middle voice the future active middle voice the imperfect active middle voice the aorist (or simple past) active middle voice the perfect active middle voice all conjugated in full in this table:What is the function of the active middle voice in Mycenaean Linear B & ancient (as well as modern) Greek? It is a very good thing to ask — in fact, it is crucial to the proper understanding of the critical difference between the standard active voice and the middle voice of verbs in Greek. The two voices are simply not the same. The standard active voice, as in the verb, kauo (present), kauso (future), ekauon (imperfect), ekausa (aorist or simple past) & kekausa (perfect) simply indicates something that someone does, will do, was doing, did or has done, with no further qualifications. The active middle voice is quite another kettle of fish. It is much more active (quite literally!) and much more dynamic. The active middle voice denotes any of the following activities: 1. Any action undertaken by the subject, in which the subject takes a powerful personal interest in whatever action he or she is undertaking; 2. Any action undertaken by the subject, in which the subject acts strictly on his or her own behalf, without any direct influence of or consideration of whatever anyone else may think or adjudge about said action; 3. Any action undertaken by the subject, in which the subject acts independently, of his or her own volition, regardless; 4. Any action undertaken by the subject, which is of a reflexive nature, ie. by means of which the subject does something for or to oneself. It goes without saying that an active present voice as so utterly complex as the active middle voice exists in no modern language, except for the fourth (4th.) application. The middle voice was of primal importance to the ancient Greeks because they were highly individualistic and egocentric (as opposed to being egoistic, which has nothing whatsoever to do with the active middle voice, except in rare instances). Reflexive verbs (4) are common in practically all modern languages. Thus, we have: in English: I wash myself, you wash yourself, we wash ourselves etc. et en français : je me lave, tu te laves, nous nous lavons – et ainsi de suite, to cite just two examples. On the other hand, the strict emphasis on personal responsibility for one’ s actions which is the preeminent characteristic of the active middle voice in Mycenaean Linear B and in ancient and modern Greek is nowhere to be found in modern Centum (Occidental) Indo-European languages such as English, French, Italian, Spanish, German etc. etc. In order to express the emphasis on direct personal responsibility innate to the active middle voice in ancient and modern Greek, modern languages have to resort to (sometimes cumbrous) circumlocutions. For instance, to express the first (1.) function of the active middle voice in ancient Greek, English has to resort to this circumlocution: I am taking a powerful personal interest in repairing... etc. And for the second (2.) function, this is what English has to resort to: I am acting strictly on my own behalf in repairing (regardless of what anyone else thinks of it) And for the third (3.) function: I am acting entirely on my own (or independently) to repair etc. Quite the circumlocutions in comparison with the active middle voice in ancient Greek, which is always so compactly and eloquently expressed by a single word, regardless of tense! Consequently, it is virtually impossible to grasp the several meanings (at least 4) inherent to the active middle voice in ancient Greek, unless one has a firm grasp on the 4 principal functions I have outlined here. I repeat, the distinction between the simple active voice and the active middle voice in both ancient and modern Greek is fundamental to a proper understanding of the divergent functioning of these two active tenses, the simple active and the active middle.
Tag Archive: Hellenistic
The virtual invariability of the most archaic athematic MI verbs in ancient Greek from 1200 BCE (Linear B) – New Testament Koine Greek (ca. 100 AD): The following table clearly illustrates that the most archaic of ancient Greek verbs, namely, athematic verbs in MI, underwent only barely perceptible changes over a span of 1,700 years.This is because these verb forms were already fully developed even as early as in the Mycenaean Greek dialect, written in Linear B (ca. 1600-1200 BCE). This phenomenon falls under the purview of diachronic historical linguistics, whereby the term diachronic means “linguistic change or lack of it over an extended period of time”. The importance of the minimal changeability of archaic athematic MI verbs cannot be over stressed. Regardless of the period and of any particular dialect of ancient East Greek (early: Mycenaean and Arcado-Cypriot, middle: Homeric Epic, an amalgam of various dialects, Classical: Ionic & Attic) & late (Hellenistic & Koine Greek), very little change occurred. In fact, only the second & third person singular underwent any change at all. In Mycenaean Greek alone, the second person singular was didosi & the third person singular was didoti. In all subsequent dialects, the form of the 2nd. person singular became that for the third, while the second person singular itself morphed into didos in all ancient East Greek dialects pursuant to Mycenaean. This was the one and only change the conjugation of the present tense of archaic athematic verbs such as didomi underwent diachronically from 1,600 BCE to 100 AD. The verb didomi effectively serves as the template for the conjugation of the present active of all athematic verbs in MI throughout this historical period. This is just one notable aspect of progressive (D) derived Linear B grammar. There are many others, which of course we shall address in the gradual reconstruction of ancient Mycenaean Greek grammar over the next few months.
Fantastic new Blog on the Internet all about #ancient #Greek #warriors & #weapons including #Mycenaean. You simply HAVE to check it out! Richard
KORYVANTES Association published work
Thank you so much, Adonis Koryvantes, for not only inviting me to join your blog, but for allowing me to be an author. I sincerely hope I can contribute some really useful posts. PS I hope you got my invitation to my blog! In case you are not already following me on Twitter, here is my account: https://twitter.com/vallance22 I am already following you on Twitter. I shall soon post some of the lovely photos of Mycenae I took when I was there in early May, 2012. Richard Meanwhile, you may wish to check out this post on Linear B, Knossos & Mycenae: Click on the composite of the Frescoes to read this post the composite is much larger on my blog)10 of the Loveliest Frescoes from Knossos (Composite): Choose your Favourite(s)! Click to ENLARGE: These frescoes are as follows: [1] The Fresco of the Dolphins in the Queen’s Megaron…
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The Amazing Antikythera Mechanism: the First Analog Computer in History? To read this article in its entirety, please click on the Wikipedia logo below:The “Antikythera mechanism” was recovered from a shipwreck off the Greek island of Antikythera in 1900-1901, at the precise time the city of Knossos was being excavated by Sir Arthur Evans. Its significance and complexity were not understood until a century later when it was analyzed with modern X-ray technology. Its construction has been attributed to the Hellenistic Greeks. Technological artifacts approaching its complexity and workmanship did not appear again until the fourteenth century, when mechanical astronomical clocks were first constructed in Western Europe. Professor Michael Edmunds of Cardiff University, who led a 2006 study of the mechanism, said, “This device is just extraordinary, the only thing of its kind. The design is beautiful, the astronomy is exactly right. The way the mechanics are designed just makes your jaw drop. Whoever has done this has done it extremely carefully ... in terms of historic and scarcity value, I have to regard this mechanism as being more valuable than the Mona Lisa.” Illustration of the Antikythera archeological mechanism, with radiographic details of its intricate gearing system (Click to ENLARGE):
The mechanism was housed in a wooden box approximately 340 × 180 × 90 mm in size and comprised 30 (!) bronze gears(although more could have been lost). The largest gear, clearly visible in fragment A, is approximately 140 mm in diameter and has 223 teeth. You may also wish to consult The Antikythera Mechanism Research Project. Click on the logo:
http://www.antikythera-mechanism.gr/project/publications from which I draw this résumé. The Antikythera Mechanism is a Hellenistic astronomical machine with bronze gearing system, made about the second century B.C, preserved in fragments only. In 2005, new data considerably enhanced our knowledge of its functions, being as it is an instrument measuring geocentric cosmology, portraying the stars, Sun, Moon, and all five planets known in antiquity. Here are images of the gearing system and a modern reconstruction of the truly elegant Antikythera Mechanism (Click to ENLARGE):
and again, in Scientific American 2009. Click on the logo to read the article:
Résumé: The Antikythera mechanism is a unique & highly sophisticated mechanical analog calculator from the second-century BCE. Advanced imaging tools have enabled researchers to reconstruct how the device predicted with such astonishing accuracy lunar and solar eclipses and the motion of the moon in the sky. To read about the much earlier Minoan Disc (so-called Analog Computer) see the previous post. It is almost as mind-blowing! Richard