Tag Archive: grain crops



Translation of Linear B tablet Knossos KN 854 K j 11 by Rita Roberts:

Knossos tablet KN 854 K j 11 by Rita Roberts

 


New interpretation of Linear A tablet ZA 20 (Zakros):

Linear A tablet ZA 20 HM 1636 Zakros

This new interpretation of Linear A tablet ZA 20 (Zakros) varies only slightly from my original one. I interpret the syllabogram on line 0 (the indecipherable line) as being NI, since the bottom of NI is a vertical line. And figs often figure prominently in Linear A tablets. The actual reading of the text is not quite clear, since there are at least 2 damaged syllabograms following MI on line 1. It is impossible to determine with any accuracy what the actual units of measurement are for anything on this tablet, although of course the units of chaff from wheat would have to be considerably less than the total units of wheat. So 1 unit + 6 units of wheat probably refers to something like bushels (a mere approximation), from which we would not get all that much chaff… which may explain the presence of the container, supposedly containing 3 smallish units of chaff. But why would anyone want to place chaff in a container? So we see problems with the decipherment.


Common pulse crops in the late Neolithic, Early, Middle and Late Bronze Ages Mediterranean and Near East, including Minoan Crete:

Minoan pulses diet

Go to:

http://www.fao.org/pulses-2016/news/news-detail/en/c/429320/

Faba beans (Vicia Faba) fa/ba ancient Greek

Faba beans are among the world’s most ancient crops. During the Neolithic, Bronze and Iron ages, they played an important role in spreading agriculture throughout Eurasia and North Africa, along with other pulses and cereals. They can be found in numerous archaeological deposits.

Peas (Pisum sativum)

Peas also belong to one of the oldest domesticated crops. Archaeological evidence dates its existence back to 10 000 BC to the Near East and Central Asia. During the Stone and Bronze ages they spread to Europe and the Mediterranean and then to India in 200 BC.

Chickpeas (Cicer arietinum)

Chickpeas originated in an area located between the southeast of Turkey and the western part of the Fertile Crescent. They were domesticated around 7 000 BC. This is the reason why chickpeas are culturally bound to the Middle East and Asia, and why they are a basic constituent of Asian diets.

Lentils (Lens culinaris)

Lentils were also domesticated in the Fertile Crescent – in what today is Iraq. As far back as 8 500-6 000 BC, archaeological evidence confirms the existence of lentils. Just like chickpeas, lentils are a basic constituent of Asian diets.

Cow peas (Vigna unguiculata)

Cow peas, as we know them today, originated in Sub Saharan Africa but the origin of wild varieties has been traced to southern Africa. Although today cowpeas are cultivated throughout the world, they are still an important component of traditional intercropping systems in the dry savannahs of Sub-Saharan Africa due to their high shade tolerance. Ever since their domestication, they have been culturally bound to this region.

Lupine (Lupinus)

Lupinus is regarded as one of the most diverse genus in the legumes family. It is crucial for its very high protein content – up to 45%- and for its versatility, ranging from human nutrition to forage. The two main varieties domesticated by ancient civilizations are part of two geographically isolated groups: White Lupine, (Lupinus albus) of the Old World group and Andean Lupine (Lupinus mutabilis) of the New World group.

AND also download this highly relevant document:

thesis_hum_1997_riley_frank_richard.pdf

The Role of the Traditional Mediterranean Diet in the Development of Minoan Crete:

In this extremely detailed analysis of grain and pulse crops vetch, bitter vetch, lentils, chick peas, peas, grass peas, Celtic beans are all mentioned, with a great deal of information on how they were grown and how they were fully incorporated into the Minoan diet. 

Since we have already deciphered, in some cases, with complete accuracy, the types of grain crops the Minoans grew, ie. kunisu for emmer wheat and dideru for einkorn wheat, plus sara2 (sarai) for flax, among others, with the information on the most common Bronze Age pulse crops we now have in hand, we may now draw the tentative conclusion that any one of the following words, in order of frequency of use on the tablets, are very likely pulse crops:

1 minute 20 10 10 6+ = 46+
2 pura2 (purai) 6 (with figs) 40 (with grains) (Haghia Triada only) 40
3 qanuma 20 
all from Haghia Triada only...

Any 3 of the above probably refer to broad beans (faba/fava) , chick peas *,  lupins *,  vetch * in any permuted order. 

and the crops they represent, permuted, could be any of the following, with the most likely candidates marked by an asterisk (*):

broad beans (faba/fava) *, chick peas *,  lupins *,  vetch *

Since four pulses are listed in English, versus only 3 in Minoan, one of the 4 is not one of the 3. But we cannot know which one.

with the following pulses also possible, but less likely, candidates:

bambara, cow peas, green peas, pigeon peas

 


Minoan Linear A poetic vocabulary (11 pages):

goddesses on signet Minoan prince saffron goddess

Thematic:

Agriculture/crops:

adara/adaro/adaru = having to do with the measurement of grain crops 
ade/adu = large unit of measurement for grains, something like bales?
adureza = dry unit of measurement, usually for grains
akara/akaru a1kra (arch. acc.) - or - = end, border + akaru a0gro/j = field

akiro a1kairoj = not in season, unseasonable -or- a1grioj = living in the fields; uncultivated, unreclaimed

amaja a3maca= wagon
arura a0rou/ra = unit of land -or- plough Cf. Linear B arura 
arudara a1lutra <- a1lutron = threshing instrument (arch. acc.) 
asesina = sowing or harvesting
asadaka a1staxa (arch. acc.) <- a1staxu (Minoan nom. sing.)= ear of corn
Asara2 TOP = Linear B Asaro A0sa/roj -or- may refer to Assur, hence Assyria -or- asara2 (asarai) = without flax
atare a0ta=lei/ <- a0ta=lo/j = tender; delicate (of crops?) -or- a0qa/lei <- a0qa/loj = without a branch, twig; without an olive branch -or- a9dro/j = full-grown – or – a0qa/rh = groats, meal, green fodder, forage, provender Cf. kupari = galingale
atiru a0te/lu <- a0te/loj = without boundaries 
dame/dami/daminu OM dame = a type of grain -or-  da/mei = in the village
data2 (datai) = olive
datu = olive tree 
dideru = einkorn wheat Cf. Linear B didero
durare = a type of grain, durum wheat?
dureza/durezase = unit of dry measurement? (variation of: adureza?)
ero e0llo/j = young deer, fawn 
etori e1tori <- e1toj = for a year 
itaja = unit of liquid volume for olive oil? (exact value unknown)
kami ka/mi (dat./instr. sing.) <- ka/ma = (on a) unit of land Cf. Linear B ka/ma 
kasaru = surviving? (drought)
kasitero kasite/loj = boundary of...?
kikadi = cicada (cricket) 
kireta2 (kiretai) kri/qai = barley
kiretana kriqani/aj = like barley, barley (attributive)
kiro/kirisi/kiru = owed Cf. Linear B oporo = they owed
kunisu = emmer wheat (derivation: Semitic kunnisu) 
madi = a ram? (probably, because it appears to be masculine and is used in conjunction with the ideogram for sheep 
maru/maruku/maruri mallo/j = flock of wool Cf. Linear B mali mali/ = wool 
meza me/za (fem. sing.) = greater, bigger Cf. Linear B mezo me/zwn me/zoj
minute (sing. minuta2 – minutai) = type of grain – or – Mi/nute\ <- Mi/noste\ = and Minos
mireja mhle/a = apple tree -or- mh/leia (gen. sing.) = belonging to a sheep
miru mh=lon = a sheep or goat -or- mh1lon = apple, tree fruit 
mirutarare = sheep pen? -or- apple orchard?  
naka na/ka (arch. acc) <- na/koj = sheep’s fleece    
nea ne/a = new Cf. Linear B ne/#a = new                                                                                                                                                                                                                        
pa3ni/pa3nina/pa3niwi =  millet -or- spelt 
pa3qe -or- qepa3 i.e. paiqe -or- qepai  (+ ideogram for wheat”) = a kind of grain similar to wheat
paja/pajai/pajare = contracted, indentured, hired?
para para\ = beside, from beside, by the side of, beyond etc.
pasarija = pa=sa + rija = all-encompassing, international? 
pura2 = a type of grain 
qanuma = a type of grain
qareto = lease field? Cf. Linear B onato
qaqisenuti xalkei/a=senuti = with bronze craftsmanship 
qera2u/qera2wa = a type of grain, probably millet or spelt
qeria = probably millet or spelt
reza = standard unit of linear measurement
rima lei=mac = garden -or- lei=mma = remnant, remains -or- lh=mma = income, receipts  (dative/instrumental plural) 
ruma/rumu/rumata/rumatase lu=matase <- lu=ma = offscourings from grain, i.e chaff
sara2 (sarai)/sarara/saru = flax
saro/saru/sarutu sa/ron = broom, threshing floor
sato sa/ton = Hebrew unit of measurement.
sedina = celery Cf. Linear B serino se/linon
seikama = seika/ma = a unit of land dedicated to a/the goddess
setamaru  = something to do with wool/spun wool?
sika  shka/ (arch. acc.) <- shko/j = fold, enclosure; (sheep) pen; sacred precinct, shrine = <- zhka/zw = to pen in Cf. Linear B periqoro peri/boloj = sheep pen 
Sikine TOP loc. sing. of Sikinos -or- OM = a type of grain
simita = mouse (arch. acc.) simito/simitu PGS  = zmi/nqoj mouse 
sitetu See situ below
situ si/tu si/tun = wheat Cf. Linear B sito si/ton 
suniku (common) su/noiku <- su/noikoj  living together, joint inhabitant,  dweller
suzu su/zuc = yoked together; paired Cf. Linear B zeukesi zeu/gesi = yoked (instr. pl.)
taikama taika/ma = a unit of land, something like an acre?
ta2re/ta2reki sta=rei<-  stai=j wheaten flour mixed into dough + tasise sta/sisei
tai2si (taisi) stai=sei <- stai=j = with wheaten flour mixed into a dough (instr. pl.)
teke/teki = small unit of measurement for wine @ 27 1/2 units per tereza
tereza = liquid unit of measurement
terikama te/leika/ma = extent of land, i.e. something like acreage, lit. land to its extent or boundary 
tero/teroa te/loj = end, boundary 
Tumitizase TOP -or- = linen Cf. Linear B rino li/non
udiriki u3driki <- u3droj = with water 
ukare = sowing or harvesting
Uminase TOP  Cf. Linear B Aminiso = harbour 
waja #ai/a = earth, land

Flowers/fruit/spices etc:

adakisika a0dakissi/ka = adorned with ivory
adoro a1doroj = receiving no gifts; unpaid; giving no gifts
akumina a0ku/mina = without cumin? (arch. acc.)
amawasi a3mai#asi = with violets
asidatoi a0si/datoi = without pomegranate (dat. sing.)
atade a1ttade = from father 
ditamana = dittany
dudama = a kind of fruit = dates? (found in context with figs)
ia i0a/  (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets/ija See i0a/ (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets (variation) 
kanaka kna/ka (arch. acc. of respect) = saffron Cf Linear B kanako kna/koj
kapa/kapaqe/kapate/kapi  karpa/ (arch. acc.) + karpa/te\ = fruit, and fruit, with fruit -or- kara 
kera/kero ke/raj = horn (ivory) -or- khr/oj = bees-wax Cf. Linear B kera
kikina = some kind of fruit, quite likely grapes (from context)
kireza = measurement of figs = 1 basket of figs carried on a shoulder
kitai/kitei = kestai/ kestei/ = embroidered (lit.), but in context = basketry, basket(s)
kupari ku/pairi (instr. sing.) <- ku/pairoj = marsh-plant used to feed horses, galingale or ginger
kuruku kro/koj = crocus, saffron
mera mela/j = black  - or – me/la (arch. accus.) = honey 
merasasaa/merasasaja (very common) = something to do with honey/ honeycomb or honey drink? 
meto mesto/j = full, filled
mireja mhle/a = apple tree -or- mh/leia (gen. sing.) = belonging to a sheep
miru mh=lon = a sheep or goat -or- mh1lon = apple, tree fruit 
mirutarare = sheep pen? -or- apple orchard? 
mita  mi/nqa = mint Cf. Linear B mita 
muru mu/ron = sweet oil extracted from plants; sweet oil; unguent; perfume Cf. Linear B musaja
nira2 (nirai) -or- nita2 (nisai) OM = figs + ideogram = NI (in both Linear A & B)
oteja o1steia <- o1streia = oyster pigment; oyster purple Cf. Linear B otawero o1streioj 
para para\ = beside, from beside, by the side of, beyond etc.
patane OM = lentils? (fem. pl.)
pimata PGS = pimento
pita/pitaja pista/kion = pistachio-nut 
pitakase/pitakesi pista/kesi = with pistachio-nuts (instr. pl.) 
punikaso funi/kasoj = crimson, red (of wine) Cf. Linear B ponikiya ponikiyo foini/kioj = crimson 
ra2ri (rairi) = lily 
rima = lei=mac = garden -or- lei=mma = remnant, remains -or- lh=mma = income, receipts  (dative/instrumental plural)
rimisi See above (instr. pl.) 
rosa = rose 
rosirasiro = rosebush? 
sasame sasa/me = sesame Cf. Linear B sasa/ma
sedina = celery Cf. Linear B serino se/linon
tuma/tumei/tumi qumi/a = incense
turunu qo/rnoj = throne Cf. Linear B tono qo/rnoj 
unana = penny royal?
uro ou0=loj = entire, total. Cf. kuro ku=rwn = reaching, attaining i.e. = total
waja #ai/a = earth, land

Military:
ia i0a/  (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets/ija See i0a/ (n. pl.) = an arrow (sing.) & i1a (n. pl.) = violets (variation) 
ima i9ma/c = leather strap, thong; lash of a whip 
ira2 i1la=i = troops, companies, squadrons
kara kara/ = head Cf. Linear B kara(pi) kara/afi
kipisi ci/fisi <- ci/foj = with swords (instr. pl.) 
kito xitw/n = chiton Cf. Linear B kito
koiru koi/ru <- koi/roj = hollow (ships) 
koru ko/ruj = helmet Cf. Linear B koru
kuro/kurotu ku=roj = supreme power, authority & ku=rwn = reaching, attaining i.e. = total Cf. Linear B tosa to/sa
kuto/kutu ku/toj = shield, cuirass
qaro ba=lo/j = threshold 
qero be/loj = arrow, dart
radu r9a/bdu <- r9a/bdoj = rod, switch; spear-staff or shaft
ra2ti (raiti) r9aisth/r = a hammer, crusher
sama/samaro sama/ro = burial ground Cf. Linear B Sama/ra sama/ra = place name -or- monument -or- grave mound OR sa/meron = today
sere -or- rese seirei/ <- seira/ = with a cord or rope (instrumental sing.)
tarasa = sea Cf. Linear B tarasa qa/lassa
toraka qw/rac  = breastplate, cuirass = Linear B toraka
toro tau/roj = bull -or- qolo/j = dome or circular vault; vaulted building
zuma zw=ma girdle, belt; girded tunic

Pottery/vessels:

aresana a1leisana <- a1leison = an embossed cup (arch. acc.) = de/paj (Homeric) Cf. Linear B dipa/arisu  a1leisu <- a1leison = embossed cup 
daqera = a type of vase? 
darida = large vase, slightly smaller than a pithos
daropa = stirrup jar 
depa/depu de/paj de/pu (acc.?)= cup Cf. Linear B dipa di/paj & Homeric de/pa
dipa3a (dipaia) di/paia <- di/paj de/paj = from a cup 
dipaja di/paia <- di/paj de/paj = from a cup (alternate?)
ipinama/ipinamina i0pneume/na (fem. sing.) = baked (bread)

itisapuko i1tija = round + pu/coj = box-wood -or- NMOM i1tija = round + puko = tripod = round tripod Cf. puko below

kadi kadi/ (instr. sing.) <- ka/doj = with a jar or vessel for water or wine
kadusi ka/dusi <= ka/doj = with buckets or pails (instr. pl.) 
kairo kairo/j = due measure 
kaki/kaku xalku/ <- xalko/j = copper, bronze
kakunete = bronze alloy - or – crafted in bronze 
karopa2 (karopai) = kylix with 2 handles-or-   ka/rdoph = wooden vessel/vase
kataro ka/nqa=roj = scarab (Egyptian) + drinking cup
kera/kero ke/raj = horn (ivory) -or- khr/oj = bees-wax Cf. Linear B kera
meto mesto/j = full, filled
meza me/za (fem. sing.) = greater, bigger Cf. Linear B mezo me/zwn me/zoj
nere = larger amphora size (fem. plural) 
posa po/sa= (arch. acc.) <- poi/si=j = drink(ing), beverage -or- po/sa <- po/soj = how great, how much, of what value?  
posi -or- sipo posi/ = on, upon Cf. Linear B posi -or- sipo = si/fwn = reed, straw, siphon
puko= tripod Cf. Linear B pukoso pu/coj = box-wood. Apparently unrelated 
qapa3 (qapai)  = (large) handle-less vase or amphora
qapaja/qapajanai qapaja (genitive sing. of qapa3 (qapai))
qaqisenuti xalkei/a=senuti = with bronze craftsmanship
qedi = a flagon (for wine) 
qeti (instr. sing.)/qetiradu = a very large pot, pithos Cf. Linear B PGS qeto pi/qoj
supa3 (supai)/supa3ra (supaira) =small cup with handles Cf. Linear B dipa mewiyo
supi/supu/supu2 = largest size pithos -or-   supu/h sipu/h sipu/a i0pu/a = meal tub = suropa = some kind of vase?
tisa = pottery worker/working on pottery/pottery wheel (tourney)

Religious:

ara a0ra/ = a prayer 
araju a0ra=u <- a0ra=oj = prayed for 
arati a0ra=ti/ <- a0ra/toj = with something unblessed Cf. makarite  below
atanate a0qa/na=te = with an immortal (instr. sing.) 
damate Da/mate = Damater Cf. Linear B Damate -or- da/matei = in the village 
dare da=lei/ <- da=lo/j = (with) a firebrand or torch/daro LIG  da=lo/j = firebrand
dewa -or- wide de/#a = goddess? 
dija/dije Di/ #a Cf. Linear B Diwija Di#i/a = priestess of Zeus
dumitatira2 (dumitatirai) = left or right side of a spindle? (or verso) 
dura2 dou/lai = slaves (fem.) Cf. Linear B doera doe/la 
esija e3sti/a = hearth of a house 
Idamate/Idamete  0Idama/te = Mother goddess of Mount Ida
Idarea  0Idar9ea = Rhea, goddess of Mount Ida 
ijate i0a/ter = doctor, physician Cf. Linear iyate  i0a/ter
iruja i0e/ruia = priestess Cf. Linear B iyereya i0e/reia
jamauti i1amauti = as a means of healing <- i1ama i1amatoj = healing, remedy
jarisapa  = some kind of dress? Cf. Linear B sapa
jasaja  0Ia=sai/a <-  0Ia=sw/ of/from the goddess of healing and health  
jasidara i0a=sida=la/ = healing torch/firebrand (arch. acc.) 
jate/jateo i0a=th/r = physician 
jatimane i0a=th/j mannei= = with the bread of healing  
mana/manapi (common) Hebrew manna= = (of spiritual food) bread from heaven, the supernatural food eaten by the Israelites in the desert  
maza/mazu  ma=za  = kneaded or unbaked bread, barley bread/cake
miturea mi/toj 9Re/a= thread of a warp for Rhea 
narepirea narepir9e/a = Rhea, goddess of the snake/ snake goddess?   
pimitatira2 (pimitatirai) = right of left side of a spindle? -or- verso  
qajo ba/i"on = a palm branch (Kafkania pebble)
ranatusu (agglutinative?) -or-  r9anatusu < - r9anti/zw = to cleanse, purify 
rani r9a=ni/j = anything sprinkled (as in a libation); rain drop See also ratise
ratise (ritise?) = la/tise <- la/taj = with drops of wine (instr. pl.)
rea r9e/a = goddess, Rhea
sea/sei se/a se/ei (dat. sing.) = snake goddess (from K. Bouzanis)
seikama= seika/ma = a unit of land dedicated to a/the goddess
taro tau=roj = bull
tejai qei/ai = goddesses
tuma/tumei/tumi qumi/a = incense
turunu qo/rnoj = throne Cf. Linear B tono qo/rnoj
wanaka = king 
wireu #i0eru/ <- #i0ero/j = priest Cf. Linear B iyero i0ero/j

Textiles:

arako a0ra/c = weaver Cf. Linear B arakateya a0laka/teiai = weavers

arakokuzu = weavers establishment?

Trees:

datu = olive tree
keda = cedar
kidapa = ash wood? (a type of wood) Appears only on Linear B tablet KN 894 N v 01
kidaro kidaro ke/dron = juniper berry-or- kedri/a = oil of cedar Cf. Linear B kidaro
kitanasija/kitanasijase kitanisija (gen. sing.) ki/rtanasia <- ki/rtanoj = terebinth tree Cf. Linear B kitano ki/rtanoj 
tarawita = terebinth tree Cf. Linear B kitano ki/rtanoj & timito ti/rminqoj 
tarina qalli/na (arch. acc.) <- qallo/j = a young shoot, twig; festive olive-branch 

Wine:

aka -or- kaa a0ska/ (arch. acc.) <- a0sko/j = leather bag, wine skin
apero a1mpeloj = a vine  Cf. Linear B apero 
kupazu kou/fazu <- kou/fazoj = light (of wine) 
kuqani = a type of (fine) wine
kuwa -or- waku ku/#a = girl Cf. Linear B kowa ko/#a – or – #a0sku/ <- #a0sko/j = leather bag or wineskin 
punikaso funi/kasoj = crimson, red (of wine) Cf. Linear B ponikiya ponikiyo foini/kioj = crimson 
qesizue (plural) = wine goblets? 
ratise (ritise?) = la/tise <- la/taj = with drops of wine (instr. pl.)
unaa oi0nai/a = wine vessel, wine jug, wine jar
winadu #i1nadu = vineyard Cf. Linear B winado
winu #i/nu = wine Cf. Linear B wono  #oi/noj
winumatari #i/numa/tari = wine dedicated to Mother Earth


ONOTOP:

Adunitana 
Akanu/Akanuzati  OP A0rxa/nej = Archanes (Crete) 
Arenesidi 
Asasumaino
Asasumaise 
Asuja Cf Linear B Asiwiya A0si/#ia
Demirirema 
Dawa = place name Cf. LB dawo Da/#oj / Da/#on 
Dikate = Mount Dikte Cf. Linear B Dikatade Diktai/oj 
Dupu3re Cf. Linear B Dupu2razo Dupurai/zoj 
Ida/Idaa/Idada/Idapa3  = Mount Ida
Idunesi
Ikurina  
Inajapaqa
Itinisa = female resident of Itanos?
Izurinita
Kana/kanatiti/kanau Kanna
Kanijami Kaniamis (female name)?
Ketesunata
Kina Kinna
Kiso Kissos
Kosaiti Cf. Linear B Kutaito Ku/taistoj (not necessarily the same place) 
Masuja
Mekidi Megi/di <- Me/gaj = the Great
Mesenurutu
Midemidiu
Pamanuita
Raja/Raju  9Rai/a = Raia Cf. Linear B Raja 
rea PGS r9e/a = goddess, Rhea
Rujamime
Rukito
Seimasusaa 
Setoija 
Sewaude  
Sezanitao
Sikira/Sikirita 
Sima
Suria 
Tainaro 
Ta2rimarusi
Tejare TOP Cf. Linear B Tejaro qei/aroj = place of the gods?
Tita = Ti=ta/n
Uminase
Waduna 
Wadunimi 

Wasatomaro

Zadeu


HT 123 (Haghia Triada) VERSO, deciphered for the first time ever:

 

Linear A tablet HT 123 Haghia Triada VERSO

 
As follows:
1. 2 shares in an enclosed plot land for 11 months,
1 scythe for sowing
2. tidata . pisa . 4 2 shares in 1 enclosed plot 
3. in 1 enclosed plot *188 tupadida
4. sowing *... kadi . repu
5. paputuito harvesting to full harvest 
6. kuro 20 . kiro 5

NOTES:
1. the lop-sided square with a cross in it in line 1 is an enclosed plot of land with 2 shares for the tenant farmers, which was sown 11 months ago, the tenants using a scythe for sowing. The scythe also appears in line 1, looking somewhat like a sword.
2. In line 2, the 2 shares are repeated. The words *188 and tupadata are indecipherable, although tupadida is obviously some kind of crop.
4. In line 4, the word kadi refers to an amphora (large) for the storage of the paputuito (also indecipherable, also a crop)
5. which in line 5 has been harvested to full harvest. This makes perfect sense, since the harvest occurs in the 11th. month, i.e. lunar November. This particular season, it appears to be still warm enough that month to cash in on the full harvest. This is possible in a Mediterranean climate such as in Crete.
6. In line 6, kuro references the total return for the full harvest, while kiro stands for the 5 shares owed (4 for the tenants, 1 for the landlord). This also makes sense, since 2 shares are listed on line 1, and 2 more in line 2. As for the extra share, this is apparently the tithe for the landlord.          


Just uploaded to academia.edu: Decipherment of Linear A tablet HT 86 Haghia Triada, a mirror image of HT 95:

decipherment of Linear A tablet HT 86 academia.edu

Linear A Tablet HT 86 (Haghia Triada) Linear A tablet HT 86 (Haghia Triada) appears to be inscribed partially in Mycenaean-derived New Minoan and partially in Old Minoan, just as is HT 95 (Haghia Triada). This is one of the most significant of all Linear A tablets, because it so closely parallels HT 95. The fact that the text of HT 86 so closely mirrors that of HT 95 lends further credence to our decipherment of both of these tablets taken together. We find approximately equal parts of Mycenaean-derived New Minoan and Old Minoan vocabulary on HT 86. Here we have the New Minoan vocabulary on HT 86: akaru, dideru (equivalent to Linear B didero), dame & minute Old Minoan vocabulary on HT 86: kunisu, saru, qara2wa (qaraiwa) & adu. We must pay special heed to the terms akaru and dideru in New Minoan, as these in turn signify " field " (archaic acc.), where all of these crops are obviously grown and didero, which is Linear A for " einkorn wheat ". As for the Old Minoan terminology, we have kunisu, which is " emmer wheat " and adu, which is a very large unit of dry measurement, probably " bales ". Astonishingly, the text as a whole admirably hangs together, all the more so when compared with that of HT 95. 


Statistical incidence of various types of gains and of flax on Linear A tablets from Haghia Triada and elsewhere, now on academia.edu

Statistical incidence of various types of grains and of flax on Linear A tablets from Haghia Triada and elsewhere

 

 


Statistical incidence of various types of grains on Linear A tablets from Haghia Triada and elsewhere:

incidence of barley einkorn emmer on Linear A tablets

akaru = field HT 2 (20+) HT 86 X2 (20+ )

TOTAL = 40+

barley

kireta2 (kiretai) = barley HT 85 (1) + HT 129 (33)

TOTAL = 34

kiretana = barley-like HT 2 (54+) HT 8 X 2 (5) HT 108 (1) HT 120 (60)

TOTAL = 120

einkorn wheat

dideru = einkorn wheat HT 86 X 2 (2nd. trunc.) (20) HT 95 X 2 (20)

TOTAL = 40

emmer wheat

kunisu = emmer wheat HT 10 (0) HT 86 X 2 (40+) HT 95 X 2 (30)

TOTAL = 70+

flax

[sara2 = flax HT 18 (10) HT 28 X 2 (21) HT 30 (0) HT 32-34 (0) HT 90 (20) HT 93 (20) HT 94 (5) HT 97 (0) HT 99 (4+) HT 100-102 (985+) HT 105 (234) HT 114 (10) HT 121 (5) HT 125 (2) HT 130 (0)

TOTAL = 1306+

+ saru (oblique case) HT 86 X 3 (41+) HT 95 X 2 (30) HT 123+124 (16 )

TOTAL = 87+

TOTAL for all references to flax = 1393]

spelt or millet

dame = spelt or millet HT 86 (20) HT 95 X2 (20) HT 120 (74)

TOTAL = 94

millet or spelt

qera2u/qera2wa = millet or spelt HT 1 (197) HT 95 X2 (17)
TOTAL = 214

durare = durum wheat? Knossos KN Zc 7 (0)

TOTAL = 0

minute = a type of grain -or- and for a month HT 86 (20) HT 95 X2 (20) HT 106 (6+)

TOTAL = 46+

pura2 = a type of grain HT 28 (6) HT 116 (45) KN 54 (0)

TOTAL = 51

qanuma = ditto HT 116 (20) KH 88 (Khania) (10)

TOTAL = 20

standard units of measurement on all Linear A tablets:

adu HT 85 (0) HT 86 (0) HT 88 (20) HT 92 (680) HT 95 (0) HT 99 (0) HT 133 (55) (bales?)

TOTAL = 755

adureza (0) = standard unit of dry measurement, something like a bushel

dureza (7 ) = variant of the same

TOTAL = 7

kireza ( 42) = standard unit of measurement for figs, dates or grapes = 1 basket

TOTAL = 42

reza (67+ ) = standard unit of linear measurement

TOTAL = 67+

tereza (0) = standard unit of liquid measurement

© by Richard Vallance Janke 2017


Linear A tablet HT 133 (Haghia Triada) fully deciphered:

Linear A tablet HT 133 Haghia Triada

The intriguing thing about this tablet is this: apart from the word adu, which apparently means something like bales, the rest of the tablet contains only supersyllabograms. If indeed adu does refer to something like bales of wheat, and if te is the abbreviation for terikama, which refers to something like an acre, then the tablet makes complete sense. 55 bales per acre. A good yield.

 


New interpretation of Linear A tablet PE 1 (Petras), grain crops:

In light of recent crucial discoveries I have made with respect to the cultivation of grain crops in the Bronze Age, particularly in Crete, I have revised my original decipherment of this tablet to read as follows:

Linear A tablet Petras PE 1 grains

Although it is uncertain whether or not the supersyllabogram PA refers to pa3qe (paiqe) or even if that word refers to the specific crops, millet or spelt, at least we do know the tablet is referencing grains throughout, because the ideogram for them appears twice, with the same supersyllabogram both times. It would appear that the 72 men are the sowers or harvesters. If that is the case, then ukare or asesina might mean sowing or harvesting”, more likely the latter than the former. The addition of these two new words raises the total number of entries in the Comprehensive Linear A Lexicon from 1029 to 1031, now 257 more than the 774 in the Linear A Reverse Lexicon by Prof. John G. Younger, such that our lexicon is 25 % larger than his.

 


A partial rational translation of another Minoan Linear A tablet on crops:

Ms. Gretchen Leonhardt has correctly pointed out that this decipherment I have assayed of what I took to be one Linear A tablet is in fact two entirely unrelated Linear A tablets, and  as such it must be considered as completely invalid. I am truly grateful to Ms. Leonhardt for bringing this serious gaffe to my attention. Once I have cleared the matter up, I shall repost my decipherment of both of these tablets in two separate posts.

a-partial-translation-of-another-minoan-linear-a-tablet

This Linear B tablet clearly deals with various crops, with the lead in crop being grains or wheat, just as one would expect on either a Mycenaean Linear B tablet. By the same token, there is no reason to suppose that a Minoan Linear A tablet dealing with crops would not deal first and foremost with grains and wheat. The units of measurements identified on this tablet accord with those tentatively tabulated by Andras Zeke on the

minoan-language-blog

I have already tentatively deciphered both adu and adaru in my Glossary of 107 Minoan Linear A words to appear in Archaeology and Science, Vol. 16 (2016), which is to be published sometime in 2018, since the publication date of this compendious international annual always lags behind by at least 18 months from the approximate date of submission of articles by authors, which in my case was November 2016.

SV3DPRINTER

Next Big Tech field 3D Printing is, " The Top Brain Game"

Diary of a Pagan Art Student

Like the title says

CreyenteAarav

Love Brings Everyone Back❤

O LADO ESCURO DA LUA

Minha maneira de ver, falar, ouvir e pensar o mundo... se quiser, venha comigo...

blog bangla mail

Ekakhana Bengali mail on this blog from the history of the world or the whole world will be written the history of the old and the new. All the brothers and sisters invited blogger

GIRLS16@LUND

4th Lund Conference on Games, Interaction, Reasoning, Learning and Semantics

Site Title

“Love recognizes no barriers. It jumps hurdles, leaps fences, penetrates walls to arrive at its destination full of hope.” — Maya Angelou

LinneaTanner.com - Apollo's Raven

LinneaTanner.com - Apollo's Raven

When Women Inspire

Spotlighting inspirational women and how you can make a positive impact too

Evelina

by Evelina Di Lauro

God Is Everything

Jesus Lord Jehovah God Christian Bible Religion Holy Spirit

The Deadliest Blogger: Military History Page

The historical writing of Barry C. Jacobsen

THE SHIELD OF ACHILLES

Artistic Reconstruction and Original Translation From Homer's "Iliad" by Kathleen Vail

Akhelas Writing

The Myriad Musings of Austin Conrad

Be Like Water

Music, Film and Life

Little Fears

Flash fiction tales of humor, horror and whimsy

Im ashamed to die until i have won some victory for humanity.(Horace Mann)

Domenic Garisto/havau22.com / IF YOU CAN'T BE THE POET, BE THE POEM (David Carradine) LIFE IS NOT A REHERSAL,SO LIVE IT.

Φιλολογικά φύλλα

... από την περιπέτεια της θεωρίας, της ερμηνείας και της διδασκαλίας

Le Blog BlookUp

Imprimez et transformez vos contenus digitaux, blogs et réseaux sociaux, en magnifiques livres papier sur blookup.com

Diwiyana's Dreamscape

Just another WordPress.com site

pseudopr1me

Just another WordPress.com site

Adham Smart

Often written, sometimes read

archbhoo

Just another WordPress.com site

Memnison Journal

Jim Rittenhouse's semidaily journal of news, commentary and reports

Under the influence!

Myths, legends, folklore and tales from around the world

archaeologythimbleful

...in small doses

AFRICAN HOMAGE

CONTEMPORARY ART GALLERY

peiraieus

A Mental Repository

My Blog

This WordPress.com site is the cat’s pajamas

Hidalgo & Suárez - Estudio de Historia y Genealogía

Genealogista profesional en España - Professional genealogist in Spain - Généalogiste professionnel en Espagne

Rearview Mirror

Music, Film, Art, History and more....

Virginia Views

Country Living for Beginners

%d bloggers like this: