Category: TEXTILES



NEW on academia.edu. High Correlation Linear A-Linear B vocabulary, grammar and orthography in Linear A, by Richard Vallance Janke and Alexandre Solcà:

CLICK HERE:

High Correlation Linear A Linear B on academia.edu

ABSTRACT:
Over the past 118 years since the discovery of the first Linear A tablets at Knossos, innumerable attempts have been made to decipher Linear A, all of them falling short of expectations in academia, or being outright abject failures. We propose a multi-pronged approach to the decipherment of the Mycenaean-derived superstrate in Linear A, otherwise known as New Minoan (NM), with the implicit understanding that we, like all other researchers past and present, are not in a position to decipher the Minoan substrate language, a.k.a. Old Minoan (OM), onto which Mycenaean-derived New Minoan (NM) vocabulary is grafted. The primary thrust of this monograph is to demonstrate the high correlation which obtains only between Mycenaean-derived Linear A and Linear B vocabulary, a.k.a. New Minoan (NM) in Linear A, between the grammar and orthography in Linear A and Linear B and between their syllabaries. To this end we have adopted a multi-pronged approach, which consists of the following methodologies: (a) the establishment of high correlation between Mycenaean-derived Linear A and Linear B vocabulary, wherever applicable (b) the confirmation of high correlation between the Linear A and Linear B syllabaries (c) demonstration of high correlation between the orthography of Mycenaean-derived Linear A terms and their Linear B counterparts and (d) corroborating evidence of the possible derivation of much of Mycenaean, archaic and Homeric Greek grammar from foundational archaic Minoan declensions. 

Keywords: syllabary, Linear A, substrate, Linear B, superstrate, correlation, high correlation, derivation, derivative analysis, vocabulary, orthography, syllabaries, grammar, archaic Greek, Homeric Greek

This monograph, High Correlation Linear A-Linear B vocabulary, grammar and orthography in Linear A, by Richard Vallance Janke and Alexandre Solcà, is the largest study into the genesis of a Mycenaean-derived superstrate in Linear A ever undertaken by these authors. This is merely the draft paper, and as such it has yet to be approved for final publication by the editorial board of Les Éditions KONOSO Press. Since this is a draft paper only, we urgently request that any and all visitors to View Comments apprise us of any and all errors, whether orthographic, grammatical or syntactical. We have already proof-read this monograph at least 150 times, but before it can be approved or is approved for final publication by Les Éditions KONOSO Press, it must be absolutely free of errors of any kind. So if you spot any errors whatsoever, please let us know at once. We of course welcome any and all comments, observations and criticisms on this major new and entirely revolutionary study into the possible/probable existence of a Mycenaean-derived superstrate in Linear A. We realize that a great many critics will object to our hypothesis, some of them vociferously. But all we ask is that you keep an open mind, whoever you may be, with our thanks in advance.

Also, please be sure to go straight to this astonishing new study on academia.edu, by clicking on the graphical link at the outset of this post. Please do bookmark it, and if you are a member of academia.edu, please recommend it to other researchers. And if you already know Linear B, read all of it, because you will be astounded to discover how great is the overlap between Mycenaean-derived Greek in Linear A and Mycenaean Greek in Linear B. Trust me.

Thank you

Richard Vallance Janke and Alexandre Solcà



Academia.edu THESIS The Minoan and Mycenaean Agricultural Trade and Trade Routes in the Mycenaean Empire by Rita Roberts:

Click on this logo to download her thesis:

minoan and mycenaean main

We are proud to announce that Rita Roberts has fulfilled the requirements of her second year of university, and has passed with a mark of 85 %. We have awarded her 90 % for thesis, The Minoan and Mycenaean Agricultural Trade and Trade Routes in the Mycenaean Empire, which is a finely researched document I highly recommend to any and all. It deals in great detail with every conceivable aspect of Minoan and Mycenaean agricultural trade via their trade routes in the Mycenaean Empire, ca. 1600-1450 BCE. We congratulate Rita on her splendid achievement, and we look forward to her fuflling the exacting requirements of her third and final year of university which commences on July 1 2018, Canada Day. Once she has completed her third year, she will have earned her Bachelor of Arts degree in Minoan and Mycenaean studies.


Linear A fragment HT 55 (Haghia Triada) RECTO: wool and silk dress of a priestess:

linear-a-fragment-ht-55-recto1

The RECTO of this fragment probably deals with wool and silk textiles. The word KIRO, which appears to mean “box” or “chest”, may imply that there is a silken garment trimmed with wool in a chest. But there is no way to substantiate this as this is a fragment, and so the words do not necessarily string together in any way which makes any real sense. The fragment may imply that a Minoan priestess is wearing a dress of silk trimmed with wool (hence the instrumental singular for wool), which has been recently stored in or is still stored in a chest to retain its freshness. Notice in the modern recreation photo on the left that the trim on the woman’s dress appears to be of wool. Perhaps she is a priestess of one of the peak sanctuaries. This makes sense, as there were many peak sanctuaries in Minoan Crete. Post revised courtesy of Jean-Philippe Gingras.

Introduction to supersyllabograms on Linear A tablets: PART A

Supersyllabograms in Mycenaean Linear B:

The phenomenon of the supersyllabogram in Mycenaean Linear B was first introduced to the world at at the Third Interdisciplinary Conference, Thinking Symbols, on July 1, 2015, at the Pultusk Academy of Humanities, here:

role of supersyllabograms in Linear B Thinking Symbols

Prior to 2015, no researcher had ever identified supersyllabograms in Linear B. But what is a supersyllabogram? A supersyllabogram is the first syllabogram, i.e. the first syllable of a particular major Mycenaean Linear B word paired with a particular ideogram in any of the major sectors of the Mycenaean economy, agricultural, military, textiles, vessels and pottery. Initially, in 2015, 34 supersyllabograms were identified in this talk, which is brief enough for you to glean a clear conception of what supersyllabograms entail.

By 2016, this number had risen to 36, 35 syllabograms and 1 homophone or logogram (AI), published in Archaeology and Science, Vol. 11 (2015), ISSN 1452-7448, pp. 73-108, published in 2016, here:

Archaeology and Science decipherment of supersyllabograms in Linear B

 

Here is the abstract of that article:

A supersyllabogram is the first syllabogram, i.e. the first syllable of a major (never minor) economic indicator combined with a closely related ideogram in the four economic sectors of the Mycenaean economy, agricultural, military, textiles and vessels or pottery. With very few exceptions, change the economic sector and you change the meaning of any particular supersyllabogram. Of some 3,500 tablets and fragments from Knossos, about 800 or 23% contain at least one supersyllabogram and sometimes as many as four or five. The whole point of supersyllabograms is that they are meant to eliminate text on tablets to the greatest possible extent. In a syllabary of 61 syllabograms + one homophone (AI), 36 syllabograms or 59% are supersyllabograms. Supersyllabograms serve to greatly economize on the precious space available on the tiny inventory tablets in Linear B. Any complete decipherment of Linear B must fully account for the supersyllabogram as a unique phenomenon without which any approach to the interpretation of the Linear B syllabary is squarely compromised.

Supersyllabograms in Linear A:

As it turns out, supersyllabograms were not invented by the Mycenaeans, but by the Minoans. They first emerged in Linear A, not Linear B. In a syllabary of 54 syllabograms, 27 or 50 % are supersyllabograms. This compares favourably with the incidence of supersyllabograms in Linear B, in which 36 or 59 % of 61 syllabograms are supersyllabograms.

Linear A base syllabary

620 Table 5 Table of 27 supersyllabograms in Minoan Linear A

KEY to supersyllabograms in Linear A:

fi = figs

gr = grains (wheat)

ma = man, person

oo = olives, olive oil

pi = pigs

ra = rams

sh = sheep

te = textiles

ve = vessels

wi = wine & vinegar

Locales where Linear A tablets have been found:

HT = Haghia Triada

KH = Khania

MA = Malia

PE = Petras
PH = Phaistos

TH = Thera

TY = Tylissos

ZA = Zakros

The numeric value of each supersyllabograms is rated as follows:

BOLD: n. e.g. 21. TE = a supersyllabogram for which the definition is either certain or highly probable.

Italics: n. e.g. 1. A = a supersyllabogram for which the definition is possible.

Standard font: n. e.g. 2 = a supersyllabogram for which the definition is unlikely or questionable.

1. A aka = aska = a0ska = wine skin -or- apero PGS a1mpeloj = a vine Cf. Linear B apero -or- aresana NM1 a1leisana <- a1leison = an embossed cup (arch. acc.) = de/paj (Homeric) Cf. Linear B dipa/arisu NM1 a1leisu <- a1leison = embossed cup

HT 2 oo HT 39 ve KH 83 ve MA 10 ve

2. DA dadumata OM = harvesting? -or- grain(s) measured? -or- dadumina/dadumine OM= related to harvesting?

HT 133 gr

3. DI dipa3a (dipaia) PGS di/paia <- di/paj de/paj = from a cup -or- dipaja PGS di/paia <- di/paj de/paj = from a cup (alternate?)

HT 12 oo HT 14 oo (x2) HT 28 oo (x5) HT 50 oo HT 90 oo HT 116 oo HT 121 oo HT 129 oo

4. E etori NM1 e1tori <- e1toj = for a year?

HT 2 oo HT 21 oo HT 34 gr HT 50 oo HT 58 oo MA 10 (x3)

5. KA kadi MOSE NM1 kadi/ (instr. sing.) <- ka/doj = with a jar or vessel for water or wine

HT 28 wi HT 88 ma HT 100 ma

6. KE ?

HT 26 ve (x2)

7. KI kitina NM1 ktoi/na/ktoina/siaj = border of a plot of land/territory Cf. Linear B kotona kotoina ktoi/na = plot of land?

HT 8 oo HT 9 wi HT 16 oo HT 28 oo HT 44 gr HT 50 oo (x2) HT 91 oo HT 101 oo (x2) HT 116 (x2) HT 125 oo HT 129 oo HT 140 oo? (x2) TY 3 (x3) ZA 18 oo

8. KU?

HT 38 te (x2) HT 61 gr HT 128 gr (x6) PH 31 sh (x7)

9. ME meza NM1 me/za (fem. sing.) = greater, bigger Cf. Linear B mezo me/zwn me/zoj?

TY 3 oo ZA 15 wi

10. MI ? HT 28 oo HT 50 oo HT 58 oo HT 90 oo HT 91 oo (x2) HT 100 oo HT 101 oo HT 116 oo (x2) HT 125 oo HT 137 oo TY 3 oo (x5)

11. NE nea NM1 ne/a = new Cf. Linear B ne/#a = new -or- nere OM = larger amphora size (fem. plural)

HT 23 oo HT 32 oo (x2) HT 100 oo

12. PA pa3ni/pa3nina/pa3niwi OM = millet -or- spelt -or- pa3qe -or- qepa3 i.e. paiqe -or- qepai (+ ideogram for wheat”) LIG = a kind of grain similar to wheat

HT 43 gr HT 93 gr (x2) HT 120 gr (x3) HT 125 oo HT 128 gr KH 27 gr PE 1 (x2) TY 3 oo ZA 6 gr (x3) ZA 11 (x5) ZA 18 gr ZA 28 gr

13. QE qera2u/qera2wa OM = a type of grain, probably millet or spelt (inflected) -or-

qeria OM = probably millet or spelt

HT 16 gr HT 28 gr HT 36 gr HT 99 gr HT 101 gr HT 121 oo ZA 11 gr

14. RA ranatusu (agglutinative?) -or- NM1 r9anatusu < – r9anti/zw = to cleanse, purify

rani NM1 r9a=ni/j = anything sprinkled (as in a libation); rain drop See also ratise -or- ratise (ritise?) NM1 = la/tise <- la/taj = with drops of wine (instr. pl.)

HT 44 oo KH 31 ve KH 91 ve ZA 6 wi (x2) ZA 15

15. RI rima NM1 lei=mac = garden -or- lei=mma = remnant, remains -or- lh=mma = income, receipts (dative/instrumental plural)

HT 23 oo HT 35 oo HT 60 oo KH 82 oo

16. RU ruma/rumu/rumata/rumatase lu=matase <- lu=ma = offscourings from grain, i.e chaff?

KH 12 ve (x2) KH 63 ve KH 83 ve KH 84 ve KH 85 ve KH 91 ve

17. SA sato PGS Hebrew sa/ton = Hebrew unit of measurement?

HT 27 gr (x2) wi HT 144 wi HT 131 wi ZA 15 wi

18. SI sika NM1 shka/ (arch. acc.) <- shko/j = fold, enclosure; (sheep) pen; sacred precinct, shrine = <- zhka/zw = to pen in Cf. Linear B periqoro peri/boloj = sheep pen?

HT 27 wi PH 31 pi PH 31 sh ZA 9 sh (x3)

19. SU supa3 (supai)/supa3ra (supaira) OM =small cup with handles Cf. Linear B dipa mewiyo

-or- supi/supu/supu2 OM = largest size pithos -or- MOSE NM1 supu/h sipu/h sipu/a i0pu/a = meal

20. MA? 10 ve ZA 5 wi

TA taikama OM tai + NM1 ka/ma = a unit of land, something like an acre? -or- ta2re/ta2reki NM1 sta=rei<- stai=j wheaten flour mixed into dough + tasise sta/sisei -or- tai2si (taisi) NM1 stai=sei <- stai=j = with wheaten flour mixed into a dough (instr. pl.)

HT 28 oo (x2) HT 35 oo KH 19 oo KH 39 KH 55 oo KH 61 oo KH 85 oo

21. TE = teresa OM = liquid unit of measurement

HT 6 fi HT 13 wi HT 17 wi HT 19 wi HT 21 gr HT 40 gr HT 44 gr HT 51 fi HT 62 wi HT 67 fi HT 70 fi HT 96 fi HT 133 gr TH 6 te TH Zb 11 wi

22. TI tisa OM = pottery worker/working on pottery/pottery wheel (tourney)?

KH 10 ve

23. TU ?

HT 23 oo HT 28 oo HT 50 oo HT 101 oo TY 3 oo

24. U uro NM1 ou0=loj = entire, total. Cf. kuro ku=rwn = reaching, attaining i.e. = total ?

HT 2 oo HT 21 oo HT 28 oo HT 40 00 (x3) HT 43 oo HT 58 oo HT 91 oo HT 96 oo HT 100 oo HT 101 oo (x2) HT 125 oo HT 140 oo (x8) TY 3 oo

25. WA HT 27 wi (x2)

26. WI winadu #i1nadu = vineyard Cf. Linear B winado -or- winu NM1 #i/nu = wine Cf. Linear B wono #oi/noj -or- winumatari NM1 #i/numa/tari = wine dedicated to Mother Earth (agglutinative)

27. KH 5 wi


Are Minoan and Mycenaean fractions fractions? I am not at all convinced

Are Minoan Linear A fractions fractions or something else

Are Mycenaean Linear B fractions fractions or something else

Since Minoan and Mycenaean fractions, as estimated by Andras Zeke of the Minoan Language Blog and Prof. John G. Younger, fall as low as 1/10 and 1/32, I am not at all convinced that these are fractions at all. They are, as far as I can tell, crop shares. This makes a lot more sense, since we are dealing with farming, where crop shares have always been of paramount importance. As for units of measurement, we have no real idea what they were, since Minoan Crete and the Mycenaean Empire are so remote in history. No one can possibly determine fractions that far back in history. In fact, Prof. Younger and Andras Zeke cannot even agree on the values of the fractions... not that that argument invalidates the notion they are not fractions. That is a specious argument. However, it makes more sense to consider these as crop shares, especially in view of the fact that some of the Mycenaean symbols are so remarkably similar to their Minoan counterparts. The appearance of symbols has nothing to do with what we take them to mean. This again is an arbitrary decision, which may be right or wrong.  


POST 1600: On academia.edu: Minoan Linear A tablet HT 95, emmer and einkorn wheat, other grains and flax:

Minoan Linear A tablet academia.edu

I have just uploaded an article on academia.edu: Minoan Linear A tablet HT 95, emmer and einkorn wheat, other grains and flax, which you can find here (Click on the banner):

I encourage you to download it and read it, as it is only 4 pages long.

 


Linear A tablet ZA 14 (Zakros) appears to be almost entirely inscribed in Mycenaean-derived Greek:

Linear A ZA 14 Zakros

minoan fashion linen dresses

 

Linear A tablet ZA 14 (Zakros) appears to be almost entirely inscribed in Mycenaean-derived Greek. The only exception is the word tumitizase, which from the context very likely means linen, one of the most highly prize cloths or textiles in Minoan/Mycenaean times. All of the other Mycenaean derived words have been adjusted to meet the exigencies of Minoan grammar. Comments: Megidi almost certainly is in a Minoan oblique case. Given that I have extrapolated 5 more words with the ultimate di: dimedi, medakidi, mekidi, sekadidi and sekidi, it appears that this case may be the genitive singular, probably masculine. Further research is required to substantiate this claim, if at all possible. Mycenaean-derived punikaso is such a striking match with Linear B poinikiyo that it almost certainly means Phoenician. With reference to textiles, this word signifies “crimson”. In addition, qatiju is a close match with ancient Greek, geitheo (here Latinized) = to delight in, which in Minoan grammar is rendered as qatiju, i.e. gatheiu. Also, we have kupi = xhoufi from xhous, “in liquid measure” and panuke = fanuthe from fanos, meaning “brightly washed” and finally jawi for iawi = in violet (Greek).

To summarize, the decipherment makes perfect sense if all the vocabulary is interpreted as being Mycenaean-derived, except for tumitizase, which context practically demands signifies “linen”, the Old Minoan word corresponding with Linear B rino.

This remarkable decipherment lends even further credence to the hypothesis that a Mycenaean-derived superstratum imposed itself on the Minoan substratum. I have already deciphered at least six Linear A tablets which are primarily inscribed in Mycenaean-derived Greek, along with more inscribed in an admixture of Old and New Minoan.


Common Linear A ideograms for livestock, crops, olives, barley and wheat:

Linear A ideograms 620

These are the most common Linear A ideograms for livestock, crops, olives, barley and wheat. Unlike Mycenaean Linear B, Linear draws a distinction between certain species of wheat, with the ideogram for “wheat” accompanied by the supersyllabogram DI meaning dideru = “roasted einkorn” and the same ideogram accompanied by QE , signifying qerie = “emmer wheat”, while at the same time using a slightly different ideogram for “barley”.  In addition, the word sara2 (sarai) = “sharia wheat”. All of these words are firmly established and confirmed in either the Old Minoan or the pre-Greek substratum. Most of the Linear A ideograms are either very similar or identical to their Linear B counterparts.

Here you see illustrations of emmer wheat and roasted einkorn:

roasted einkorn and emmer wheat

And here is sharia wheat:

sharia wheat


Minoan Linear A words: 7 types of cloth on tablet HT 117 (Haghia Triada) compared with 7 types of cloth in Mycenaean Linear B:

kinds of cloth in Minoan Linear A

My, my, what a co-incidence? Or is it?  7 types of cloth are apparently tallied on tablet HT 117 (Haghia Triada), at least if I have translated the “correct” words corresponding to cloth types in Minoan Linear A (although I am fairly certain I have come close to the mark), and these can be compared with 7 types of cloth in Mycenaean Linear B,

kinds of cloth in Mycenaean Linear B

although in the latter case I may have missed 1 or 2 types of cloth. At any rate, no one knows what kinds of textiles/cloth even the words in Mycenaean Linear B refer to, so what does it matter if the 7 Minoan Linear terms for cloth/textiles do not align with their supposed Mycenaean Linear B counterparts? It does not matter one jot, since we will never know what the cloth/textile types are in either syllabary. So take your pick. One is as good as the next.

The main point is that we have apparently catalogued 7 major types of textiles/cloth in Minoan Linear A with a fairly high degree of certainty ( > 60 %).


This is a beautifully illustrated Mycenaean Linear B tablet on 5 carpenters who owe the tax collector:

KN 826 A c 11 and tax collection

The illustrations at the top are (left) several designs for Minoan houses (Knossos). Notice that many of them are 3 stories high, which is unusual for the ancient world, except for Rome, with its shabby multi-storied insulae (islands) or apartment buildings, which frequently collapsed. Such can scarcely be said of the Minoan houses, which were built to withstand earthquakes. You can see this for yourself from the top left picture, where the windows in the last 2 houses on the bottom display the heavy wooden beams, both vertical and horizontal, used to reinforce the windows. A cute clay model of a Minoan house at Knossos appears at the top right. The Minoans at Knossos were just as fussy about their typical beautifully fluted Minoan columns and sturdily reinforced doors, as can clearly be seen in these two photos I took when I was in Knossos on May 2, 2012:

Knossos, Third Palace, Late Minoan IIIb ca. 1450 BCE reinforced windows and doors

Knossos, Third Palace, Late Minoan IIIb ca. 1450 BCE fluted columns

I am particularly impressed by the text in Mycenaean Greek, which is easily rendered into Archaic Greek.


Linear B tablet KN 641 R j 02, textiles painted red:

Linear B tablet KN 641 R j 02 textiles

Linear B tablet KN 641 R j 02 repeatedly refers to textiles painted red (3 times) and apparently to textiles painted purple, once only. The word Oapapa appears to be a woman’s name (very likely Minoan), which suits the context quite well. The word kekareareiyo, in the genitive case, also appears to be a type of cloth,  given that it is (probably) followed by the word POpureya (right-truncated after the initial syllabogram PO), meaning that whatever type of cloth it is, it is not purple. The word papeya = farpeia on line 4 is also almost certainly a type of cloth, since it is painted red. The units of textiles referred to are most likely rolls or skeins. Several place names are mentioned, so the textile industry for dying cloth is apparently widespread. The peculiar thing is that the toponyms are all minor place names.

Mycenaean Woman in a red dress




Pylos tablet Eo 269, wool carding and the production of wheat:

Pylos tablet Eo 269 wheat crops

Pylos tablet Eo 269 deals with both wool carding and the production of wheat (wheat crops). The person responsible for wool carding is Aktaoios, who is the owner of a settled plot of land. Note the emphasis on “settled”. The family lives on the land and off it. Aktaoios would therefore appear to be a well off farmer-land owner. The first occupation mentioned is wool carding, which implies the presence of (a lot of) sheep, even though sheep are not specifically mentioned on this tablet. With reference to the wheat crop, while we do not know exactly how much wheat the “unit of measurement” refers to, for the sake of convenience, let us say it is something like 1 hectares or 1 acre or something along those lines. It clearly was something along those lines, but no actual “proof” of the size of measured land upon which wheat was grown in Mycenaean times survives, as is to be expected. So we make an approximation. In any case, it is a lot of wheat, and he and his family would have had to do a lot of seeding to bring in such a rich crop. The Minoans and Mycenaeans (here at Pylos) appear to have been real experts at growing wheat, as it is often mentioned in large quantities on Linear B tablets from both Knossos and Pylos.


Severely damaged tablet on textiles, KN 1530 R t 01:

KN 1530 R t 01 textiles damaged

Because Knossos tablet KN 1530 R t 01 on textiles is so severely damaged, it is impossible to make any sense at all out of lines 1 & 2, while only the right side of line 3 makes any sense, in so far as it clearly sets down 11 units of textiles and (apparently) a liability, if that is what the supersyllabogram O means in this context, i.e. O = opero = liability. Line 4 is muddled on the left side. It is difficult to establish whether or not the word on the left side, which is partially missing, is a person’s name, but if it is, and we insert “i” as the missing letter, then we have Waisio in Linear B or Waisios in Archaic Greek. The middle part of this line is garbled. The word kitano means “a terebinth tree” and seems out of place in this context, unless the pistachio from this tree is used to create a pale green dye for the cloth. The right side of line 4 makes sense, in so far as it clearly sets down 11 units of textiles and (apparently) a liability, if that is what the supersyllabogram O means in this context, i.e. O = opero = liability.


Linear B tablet Knossos KN 683 Sh 01 dealing with textiles and onyx:

KN 683 S h 01 textiles

Linear B tablet Knossos KN 683 Sh 01 deals primarily with textiles, but it covers a lot more ground than just that. The textiles mentioned are (a) wehano, a Linear B word for “a type of textile”, but since this word is archaic Mycenaean Greek, we do not know exactly what kind of textile it refers to. We do know that it is a kind of cloth, but that is as far as it goes. (b) The next type of cloth mentioned is mare (in Linear B = “wool”. Next comes the really surprising mention of onyx = onuke in Mycenaean Linear B! Female interior decorators are not only working on both types of cloth, but on the onyx too! Wow! The question is, what are they decorating that requires both two kinds of cloth (one wool) and onyx as well? That is a mystery to me. And they are using an awful lot of wool (9 rolls at 2 units of weight each, probably something along the line of kilograms), in other words something like 18 kilograms or so.  And it is hardly surprising that, with the use of 2 types of cloth and of onyx, this interior decorating, whatever it is, is going to be expensive to the potential buyer, which is why the ladies in question wish to make it perfectly clear that there is a question of debts to be paid. No payment, no decorations. Nada. Nothing surprising there. Ancient capitalism at its best.

I actually found this tablet not only quite a challenge, but a real beauty at that. There is a great deal more information to be found on it than on most Linear B tablets. That is what makes it so intriguing. 


Linear B tablets dealing with gold cloth (supersyllabogram KU incharged):

Linear B tablets dealing with gold cloth KN 514 to KN 516

The 3 Linear B tablets above all deal with gold cloth. The supersyllabogram KI incharged in the ideogram for pawea = textiles indicates that the cloth is made of gold = kuruso in Linear B. The translations are completely transparent. The only problem is with the right-truncated syllabogram A on the first fragment. This could be the first syllabogram, i.e. the first syllable of at least 5 Mycenaean Greek words as illustrated above. Take your choice. My favourite is “decorated”, although I also particularly like “silver”, since cloth woven with silver and gold would be extremely precious. The following picture illustrates two Minoan women wearing dresses with gold weaving.

Minoan women in gold cloth


The beautiful “Prince of Lilies” Fresco, Knossos, showing his belt = ZONE:

KN 433 R w 11 ZO

The Prince of Lilies Knossos with his belt

This stunning fresco from the Late Minoan IIIb Palace at Knossos (ca. 1450 BCE) shows us the famous so-called “Prince of Lilies” wearing his beautiful azure belt.  Note that the supersyllabogram, the single syllabogram ZO, is the first syllable of the Linear B word zone, which is equivalent to its ancient Greek counterpart as illustrated on the tablet and on the fresco. This is the one and only tablet in the entire Linear B repertoire on which this SSYL appears, but I am quite convinced that it means what I take it to mean, i.e. a belt.


Linear B tablet KN 594 R p 11, textiles (military):

KN 594 R p 11 textiles KI armour

Decipherment of textile-related tablets in the military sector presents a few irritating problems. The first of these is that we are crossing sectors, from the military to the textiles, or if you like the converse. It all amounts to the same thing. The problem here is that supersyllabograms, such as KI on this tablet, do not necessarily mean the same thing from one sector to the next. However, this fortunately does not apply to textiles related to military dress, since the supersyllabograms in both sectors mean the same thing. For instance, in this case, KI means kito or “chiton”, is a common Greek tunic in both sectors. The word “rita” on the first line must be very archaic Mycenaean, as I cannot find it anywhere in any Mycenaean Greek lexicon. So it is untranslatable. Likewise for nitewea or satewea. However, whatever this word is supposed to mean, it conveniently ends with “wea”, which leads me to strongly suspect it is a type of cloth, since almost all known words relating to a type of cloth in Mycenaean Greek end in “wea”. And so I have translated it thus.


 
Translation of Linear B fragment KN 757 R w 31 & textiles:

KN 757 R w 31 wehano

Nothing much to say here. The tablet speaks for itself.



Translation of Linear B tablet KN 579 R b 05 & textiles:

KN 579 R b 05 textiles

This tablet presents a few difficulties. First off, what word is the syllabogram O the first syllable of? It is very hard to determine, but it could possibly be opa, which means “workshop, which makes sense in the context. Take it or leave it. Next, we have pokironuka, which according to Chris Tslentis, means “a kind of decoration with various points”. Points? What can that possibly mean in the context of textiles? I have done my best to provide a more specific translation, and I came up with “sparkles”, as on a woman’s dress. A but of a stretch, but you never know.

 

Translation of Linear B tablet KN 542 R x 04 & textiles:

KN 542 R x 04 weavers

Nothing much to say about this one. Pretty straightforward.

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Σκιᾶς ὄναρ ἄνθρωπος…

Duplicate My Success

How to be successful in internet marketing.

A Geordie Lost in London

How to live the London life, on a Northern budget

Penelope Burns

Write, Blog, Create.

Gleaning The Scriptures

The Lord lives to teach.

Macedonian Ancestry

"I thank the gods for being Greek" - Alexander the Great

THE GEOPOLITICAL CHESS GAME

Geopolitics - The Road To Global Ruin

Care, Bliss and the Universe

Life, the Universe and Yourself

alexankarrbooks

honey says my tittygame's bananas

William Rubel

The Magic of Fire : Traditional Foodways

Albania -ilire- Pellazgët

GJUHA SHQIPE_ETIMOLOGJI

anne frandi-coory

A Life in Two Halves

Traditional Polytheist

A site devoted to the study and discussion of ethnic and traditional polytheism throughout the world, in regard to its nature, history, and present standing in general.

Rilkes Panther

fictional stories and social commentary

LAZYBUTHEALTHY

Easy healthy recipes for lazy busy people

The Whirling Bee

Reality has no walls, no edges - a journey in altered states of consciousness

SV3DPRINTER

Science and technology research based on 3D and 4D Printing

Diary of a Pagan Art Student

Like the title says

CreyenteAarav

Celebrating Poetry.

O LADO ESCURO DA LUA

Minha maneira de ver, falar, ouvir e pensar o mundo... se quiser, venha comigo...

blog bangla mail

Welcome My Site

GIRLS16@LUND

4th Lund Conference on Games, Interaction, Reasoning, Learning and Semantics

Site Title

“Love recognizes no barriers. It jumps hurdles, leaps fences, penetrates walls to arrive at its destination full of hope.” — Maya Angelou

LinneaTanner.com - Apollo's Raven

LinneaTanner.com - Apollo's Raven

When Women Inspire

Inspirational Women | Health and Lifestyle Tips

Evelina

by Evelina Di Lauro

Yahuah Is Everything

My blogs on The Bible and the true name of God Yahuah and His Son,Yahusha,

The Deadliest Blogger: Military History Page

The historical writing of Barry C. Jacobsen

THE SHIELD OF ACHILLES

Artistic Reconstruction and Original Translation From Homer's "Iliad" by Kathleen Vail

Akhelas Writing

The Myriad Musings of Austin Conrad

Little Fears

Tales of whimsy, humor and courgettes

Im ashamed to die until i have won some victory for humanity.(Horace Mann)

Domenic Garisto/havau22.com / IF YOU CAN'T BE THE POET, BE THE POEM (David Carradine) LIFE IS NOT A REHERSAL,SO LIVE IT.

Φιλολογικά φύλλα

... από την περιπέτεια της θεωρίας, της ερμηνείας και της διδασκαλίας

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