Category: Tablets



translation of Knossos tablet KN 778 Cj 01 by Rita Roberts:

Knossos Linear B tablet KN 778 C j 01

 

 

 

 


translation of Knossos tablet fragments KN 775 M g 03 & KN 776b M f 01 by Rita Roberts:

Knossos tablets KN 775 M 6 03 & KN 776b M f 01

 

 


Translation of Knossos tablet KN 712 M p 01 by Rita Roberts:

Linear B tablet KN 712 M p 01

 


Translation of Knossos tablet KN 700 Mi 01 by Rita Roberts:

KN 700 M 01

 


Translation of Linear B tablet KN 708a M h 02 by Rita Roberts:

KN 708a M h 02

 


Knossos tablet KN 746 M 1 11 according to Sir Arthur Evans (stirrup jars) as translated by Rita Roberts:

Knossos Linear B tablet KN 746 M 1 11 as translated by Rita Roberts

 

 


Translation of Knossos tablet KN 711a M h 01 according to Sir Arthur Evans by Rita Roberts:

KN 711 a M h 01

This translation pretty much speaks for itself. Rita amazed me by mastering the archaic ancient letter digamma #.


Translation of Linear B tablet Knossos KN 710 Ma 05 by Rita Roberts:

Linear B tablet KN 710 MA 05 by Rita Roberts

This translation is self-explanatory. The translation of the supersyllabogram O on top of the water jug is entirely appropriate. Notice that Rita Roberts is beginning to master the (archaic) ancient Greek alphabet.


Rita Roberts, translation of Linear B tablet KN 701 Mm 01:  

Linear B fragment KN 709 M m 01 two-handled cup

This is the first ever translation of a Linear B vessels or pottery fragment by Rita Roberts for her third, and final, year of university. In her third year, she is expected to master, first, Linear B tablets and fragments dealing with pottery and vessels, and secondly, tablet and fragments on textiles. The first category is the easier of the two to master, and so Rita will be concentrating on vessels and pottery tablets and fragments for the first quarter of her third year.
               

Linear B - KN Dd1171, article by Peter J. Keyse on academia.edu 

Click on this graphic to view Keyse’s article:

Linear B - KN Dd1171


Peter J. Keyse provides a thorough analysis of Linear B tablet  KN Dd 1171 in this fascinating article, which is well worth reading for anyone who is familiar with the Linear B syllabary, and certainly for anyone who is studying Linear B in depth. His article is not without errors. For instance, he deciphers PoRo as the name of someone in what he calls the PoMe “worker class” = a shepherd,

Linear B - KN Dd1171 PORO

but his interpretation of of PORO is clearly incorrect, as this word  has 3 distinct meanings, one of which is the Linear B word for “a foal”, as demonstrated by Chris Tselentis in his Linear B Lexicon, here:

Tselentis PORO

(The other 2 meanings of POME offered by Tselentis do not fit the context)

while POME is quite obviously Mycenaean Greek for “shepherd”:

Tselentis POME

Keyse also notes that Michael Ventris identified 3 major styles for incisions - those at Knossos, Pylos and Mycenae. In his own words: The vertical lines are quite faint scratches and not easily seen. The cuts in the clay are ‘under-cut’ i.e. pushed in at an angle . This preoccupation with Linear B scribal hands recurs in a great many articles on Linear B. Keyse also covers the what he ascertains to be the phonetic sounds of the numerics on this tablet. He also emphasizes the nature and particulars characteristics of the scribal hand on this tablet.

But it his conclusion which is most fascinating. He says,

In conclusion: 

What would Dd1171 sound like if read aloud? Po-Ro. 20 OVISm, 72 OVISf. Pa-I-To. Pa 8 OVISm. While it reasonable to say that Linear B was no more the spoken language of its day than ‘double-entry bookkeeping’ speak is for accounting clerks today it is also true to say that accountants do on occasions talk in journals and double-entry (and not only when at dinner parties and down the pub) and they certainly call over inventories to each other. It is clear that Linear B had a sound but perhaps it is unlikely that we can fairly reproduce it today. Considering the importance of numbers within the Linear B archive I find it surprising that no phonic system has been devised to represent them or if devised is not clearly documented in the literature. 

COMMENT by Richard Vallance Janke on the sound, i.e. the general pronunciation of Linear B. In actuality, we probably do have some idea of how Mycenaean Greek was pronounced. Its closest cousin was Arcado-Cypriot, represented both by its own syllabary, Linear C, and by its own archaic alphabet. The Mycenaean and Arcado-Cypriot dialects were much closer phonetically than even Ionic and Attic Greek. Phonological details of the archaic Arcado-Cypriot dialect appear in C.D. Buck, The Greek Dialects, © 1955, 1998. ISBN 1-85399-566-8, on pg. 144. He provides even more information on Arcado-Cypriot on pp. 7-8, and classifies it as an East Greek dialect, pg. 9. This is highly significant, because if Arcado-Cypriot is East Greek, ergo Mycenaean Greek also is. This places both of the archaic East-Greek dialects, Mycenaean and Arcado-Cypriot, firmly in the camp of all East Greek dialects, including Arcadian, Aeolic, Lesbian, Cyprian, Pamphylian, Thessalian, Boeotian, and the much later Ionic and Attic dialects. So it is probably fair to say that we may have at least an idea, even if somewhat inaccurate, of how Mycenaean Greek was pronounced. And this has huge implications for the further study of Mycenaean Greek phonology.


another Linear B tablet from Knossos illustrating the syllabogram JU, KN 21 J i 14:

barley

Knossos Linear B tablet 21 J i 14

This tablet from Knossos deals with barley stalks in conjunction with the syllabogram JU, which clearly is also a crop, but which kind we do not know. Wine is also mentioned on this tablet. So we may very well be dealing with barley wine, which of course is what the Mycenaeans and ancient Greeks called beer. So now we have a hint as to what JU might mean, i.e. hops or a draught, but my bet is on the former.

NEW! Link to our POST on how to download Scripta Minoa on academia.edu here.

Just click on: How to download Sir Arthur Evan’s Scripta Minoa, Volumes 1 & 2, Linear B, in their entirety.pdf:

Scripta Minoa main screen

 

and you will immediately be taken to the page on which the article appears, here:

 

Scripta Minoa main file download

 

If you are interested in Scripta Minoa by Sir Arthur Evans at all, you will definitely want to download these 2 volumes, Scripta Minoa, Volume 1 and 2. The Linear B tablets all appear in Volume 2.

 


KEY POST! How to download all of Scripta Minoa!

This procedure works only in Firefox, but can be readily adapted to other browsers. To download Scripta Minoa, Vol. 1, in Firefox, 

1. First go to the Google.com search page, as seen here:

google home


2. Secondly, copy this address in your Google.com HTML search bar, which in Firefox looks like this:

https://ia802700.us.archive.org/5/items/scriptaminoawrit01evanuoft/scriptaminoawrit01evanuoft.pdf       


google search Script Minoa Vol 1620

And click the right arrow above, to open the file:

3. which will now appear on your desktop, at the LINK above, like this in Firefox:

Scripta Minoa Vol 1620

4. next, to the far right of the document displayed above, you will see the navy blue DOWNLOAD button, with the DOWNLOAD arrow in white. Click on it to download the file:

download the file
The DOWNLOAD Button is immediately above.

5. When you click on this button, the next thing you should see is this: 

save fle

CLICK: Save File, to save this file on your computer. You must then open your Downloads Folder, and open this file. Since the procedure to open Downloads in the Downloads Folder varies according to your operating system (Windows XP, Windows 7, Windows 10, Apple) you will have to download and save this file according to your system. I cannot help you with this step. If you need help with this step, consult the HELP files for downloading files on your computer.

6. AFTER you have successfully downloaded this file to your computer, open your Downloads Folder and SAVE the file to your computer, preferably on your desktop.

7. Then open Adobe Acrobat, and open the file on your desktop (or wherever you saved it) in Adobe Acrobat. Adobe Acrobat will open the file far far quicker than the online download, in fact, in a matter of seconds.

To download and open Scripta Minoa, Vol. 2, repeat all of the steps above, except that in:

Step 2, Secondly, copy this address in your Google.com HTML search bar, which in Firefox looks like this:

https://ia902608.us.archive.org/8/items/scriptaminoawrit02evanuoft/scriptaminoawrit02evanuoft.pdf    

google search Script Minoa Vol 2620

And click the right arrow above, to open the file:
And then you should see this page: 

Scripta Minoa Vol 2620

This is the Google address for Scripta Minoa, Vol. 2, which is not quite the same as the Google address for Scripta Minoa, Vol. 1.

NOTE that certain details in Steps 1-7 above will vary from browser to browser. We did not provide instructions for Internet Explorer, as we only use Firefox. So if you are using a browser other than Firefox, you may have to adjust some of the input(s) for each step above.

Please NOTE that the Linear B fragments and tablets appear in Scripta Minoa, Volume 2, not Volume 1. You can see this for yourself when you open Scripta Minoa, Volume 2, in your Adobe Acrobat Reader. SCROLL DOWN the file until you see this page, the first page of the fragments and tablets in Vol. 2.:

first tablets from scripta minoa vol 2620


NEW on academia.edu. High Correlation Linear A-Linear B vocabulary, grammar and orthography in Linear A, by Richard Vallance Janke and Alexandre Solcà:

CLICK HERE:

High Correlation Linear A Linear B on academia.edu

ABSTRACT:
Over the past 118 years since the discovery of the first Linear A tablets at Knossos, innumerable attempts have been made to decipher Linear A, all of them falling short of expectations in academia, or being outright abject failures. We propose a multi-pronged approach to the decipherment of the Mycenaean-derived superstrate in Linear A, otherwise known as New Minoan (NM), with the implicit understanding that we, like all other researchers past and present, are not in a position to decipher the Minoan substrate language, a.k.a. Old Minoan (OM), onto which Mycenaean-derived New Minoan (NM) vocabulary is grafted. The primary thrust of this monograph is to demonstrate the high correlation which obtains only between Mycenaean-derived Linear A and Linear B vocabulary, a.k.a. New Minoan (NM) in Linear A, between the grammar and orthography in Linear A and Linear B and between their syllabaries. To this end we have adopted a multi-pronged approach, which consists of the following methodologies: (a) the establishment of high correlation between Mycenaean-derived Linear A and Linear B vocabulary, wherever applicable (b) the confirmation of high correlation between the Linear A and Linear B syllabaries (c) demonstration of high correlation between the orthography of Mycenaean-derived Linear A terms and their Linear B counterparts and (d) corroborating evidence of the possible derivation of much of Mycenaean, archaic and Homeric Greek grammar from foundational archaic Minoan declensions. 

Keywords: syllabary, Linear A, substrate, Linear B, superstrate, correlation, high correlation, derivation, derivative analysis, vocabulary, orthography, syllabaries, grammar, archaic Greek, Homeric Greek

This monograph, High Correlation Linear A-Linear B vocabulary, grammar and orthography in Linear A, by Richard Vallance Janke and Alexandre Solcà, is the largest study into the genesis of a Mycenaean-derived superstrate in Linear A ever undertaken by these authors. This is merely the draft paper, and as such it has yet to be approved for final publication by the editorial board of Les Éditions KONOSO Press. Since this is a draft paper only, we urgently request that any and all visitors to View Comments apprise us of any and all errors, whether orthographic, grammatical or syntactical. We have already proof-read this monograph at least 150 times, but before it can be approved or is approved for final publication by Les Éditions KONOSO Press, it must be absolutely free of errors of any kind. So if you spot any errors whatsoever, please let us know at once. We of course welcome any and all comments, observations and criticisms on this major new and entirely revolutionary study into the possible/probable existence of a Mycenaean-derived superstrate in Linear A. We realize that a great many critics will object to our hypothesis, some of them vociferously. But all we ask is that you keep an open mind, whoever you may be, with our thanks in advance.

Also, please be sure to go straight to this astonishing new study on academia.edu, by clicking on the graphical link at the outset of this post. Please do bookmark it, and if you are a member of academia.edu, please recommend it to other researchers. And if you already know Linear B, read all of it, because you will be astounded to discover how great is the overlap between Mycenaean-derived Greek in Linear A and Mycenaean Greek in Linear B. Trust me.

Thank you

Richard Vallance Janke and Alexandre Solcà



on academia.edu. Old Minoan lexicon and geographical researches Lexicon for sites other than Haghia Triada, by Alexandre Solcà, primary author, and Richard Vallance Janke:

Click on the link below to visit:

Old Minoan Lexicon



new Linear A nodule, on the brim of a cup or tripod + a spice cup:

cretan_linear_a_tablet_greece_minoan_aegean_bronze_age_1600bc

As the graphics above make it clear enough, this decipherment is pretty straightforward, much to my relief, considering how so many Linear A inscriptions are such tough nuts to crack.


Linear A nodule on weighing emmer wheat with 3 supersyllabograms:

cretan_linear_a_tablet_nodule_minoan_aegean

This rare Linear A nodule is of particular interest because it contains 3 supersyllabograms, JE SE & U. I am unable to decipher JE and SE, but U appears to be the first syllabogram, actually a vowel, i.e. the first syllable of the word it represents, which in this case would appear to be the Mycenaean-derived word, udoro = u3droj = a water flask. But this interpretation may not make sense in the context of weighing KUNI(SU) or emmer wheat, unless a certain standardized amount of water in a water flask were poised at the other end of the scale measuring the emmer wheat. This is surely open to speculation.


WIKIMEDIA COMMONS: 5 major articles by Richard Vallance Janke,  Spyros Bakas and Rita Roberts

In a major new development in the international dissemination of 5 papers by Spyros Bakas, Rita Roberts and Richard Vallance Janke, the following 5 articles are now universally available on WIKIMEDIA COMMONS, with 47,480,622 files:

Wikimedia Commons

 
These articles are:
CLICK on each logo to download each article:

1. Vallance Janke, Richard. “An Archaeologist’s Translation of Pylos Tablet TA  641-1952 (Ventris) with an Introduction to Supersyllabograms in the Vessels & Pottery Sector in Mycenaean Linear B”, Archaeology and Science (Belgrade). Vol. 11 (2015) ISSN 1452-7448. pp. 73-108


Wikimedia commons Pylos tablet PY641-1952620
2. Vallance Janke, Richard. “The Decipherment of Supersyllabograms in Linear B”, Archaeology and Science (Belgrade). Vol. 11 (2015) ISSN 1452-7448. pp. 73-108 

Wikimedia commons decipherment of supersyllabograms620
3. Vallance Janke, Richard. “The Mycenaean Linear B  “Rosetta Stone” for Linear A Tablet HT 31 (Haghia Triada) Vessels and Pottery”, Archaeology and Science (Belgrade). Vol. 12 (2016) ISSN 1452-7448. pp. 75-98  

Wikimedia commons Mycenaean Rosetta Stone for Linear A620
4. Vallance Janke, Richard and Bakas, Spyros. “Linear B Lexicon for the Construction of Mycenaean Chariots”, Epohi/Epochs. Vol. XXIV (2017), Issue 2. pp. 299-315 

Wikimedia commons Linear B Lexicon for the construction of Mycenaean chariots
5. Roberts, Rita & Janke, Richard Vallance, consulting editor.
The Minoan and Mycenaean Agricultural Trade and Trade Routes in the Mycenaean Empire

Wikimedia commons Minoan and Mycenaean620


The appearance of these articles on WIKIMEDIA COMMONS greatly enhances their international profile. 

Richard Vallance Janke
June 19 2018

Linear A fragment HT 55 (Haghia Triada) RECTO: wool and silk dress of a priestess:

linear-a-fragment-ht-55-recto1

The RECTO of this fragment probably deals with wool and silk textiles. The word KIRO, which appears to mean “box” or “chest”, may imply that there is a silken garment trimmed with wool in a chest. But there is no way to substantiate this as this is a fragment, and so the words do not necessarily string together in any way which makes any real sense. The fragment may imply that a Minoan priestess is wearing a dress of silk trimmed with wool (hence the instrumental singular for wool), which has been recently stored in or is still stored in a chest to retain its freshness. Notice in the modern recreation photo on the left that the trim on the woman’s dress appears to be of wool. Perhaps she is a priestess of one of the peak sanctuaries. This makes sense, as there were many peak sanctuaries in Minoan Crete. Post revised courtesy of Jean-Philippe Gingras.

Minoan Linear A seal, ZOTE, possibly a belt or girdle (of gold?)

Minoan seal crete ZOTE girdle belt

This Linear A Minoan seal is incised with the syllabograms ZO + TE, which form the word ZOTE, apparently equivalent to ancient Greek zwsth/r = belt or girdle. If this is the meaning we can take from the seal, it is likely the belt was gold, as per the fresco of the cup bearers in the South Portico, Knossos.

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