My article, Lexicon of Chariot Construction in Mycenaean Linear B, has been accepted in advance by the international historical journal, Epohi/Epochs:

Epohi Epochs historical journal

I shall be submitting it to the editor-in-chief, Stefan Iordanov of the Faculty of History of St. Cyril and St. Methodius University of Veliko Tarnovo (hence forward referred to as UVT), Bulgaria. The editorial board consists of highly prestigious researchers:

Executive Editor:

Stefan Yordanov, Associate Prof., Ph.D., St. Cyril and St. Methodius University of Veliko Tarnovo


Ivan Tyutyundjiev, Prof., Dr. Hab., St. Cyril and St. Methodius University of Veliko Tarnovo

Deputy Editors in Chief:

Plamen Pavlov, Prof., Ph.D., St. Cyril and St. Methodius University of Veliko Tarnovo

Nikolay Kanev, Associate Prof., Ph.D., St. Cyril and St. Methodius University of Veliko Tarnovo


Acad. Vasil Gyuzelev, Prof., Dr. Hab., Member of the Bulgarian Academy of science and President of the Association of Byzantinists and Medievalists in Bulgaria

Demetrios Gonis, Dr. Hab., Professor Emeritus of University of Athens (Greece)

Mirosław Jerzy Leszka, Prof., Dr. Hab., University of Lodz (Poland)

Tatyana Leontyeva, Prof., Dr. Hab., State University of Tver (Russia)

Milko Palangurski, Prof., Dr. Hab., St. Cyril and St. Methodius University of Veliko Tarnovo

Petko Petkov, Проф. д-р Петко Петков, St. Cyril and St. Methodius University of Veliko Tarnovo

Rumen Yankov, Prof., Dr. Hab., St. Cyril and St. Methodius University of Veliko Tarnovo

Mariya Ivanova, Prof., Dr. Hab., St. Cyril and St. Methodius University of Veliko Tarnovo

Dan Dana, Chargé de recherche de 1ère classe, Ph.D., Centre Nationale de la Recherche Scientifique – Paris (France)

Issue editors:

Nikolay Kanev, Associate Prof., Ph.D.

Stefan Yordanov, Associate Prof., Ph.D.

T. Farkas’ brilliant decipherment of Linear B tablet KN 894 Nv 01:

Knossos tablet KN 984 Nv 01

Linear B transliteration

Line 1. ateretea peterewa temidwe -ideogram for wheel, SSYL ZE for set or pair tablet broken off (i.e. right truncated)

Line 2. kakiya -ideogram for wheel, SSYL ZE for set or pair 1. kakodeta -ideogram for wheel, SSYL ZE for pair or set tablet broken off (i.e. right truncated)

Line 3. kidapa temidweta -ideogram for wheel, SSYL ZE for set or pair 41 tablet broken off (i.e. right truncated)

line 4. odatuweta erika -ideogram for wheel, SSYL ZE for set or pair 40 to 89 tablet broken off (i.e. right truncated)

Translation (my knowlege of Greek grammar is not sufficient at present to write out proper sentences [NOTE 1] but I have looked up and know the Greek equivalents for the Linear B words which I will write here.)

Line 1. Pair/set of inlaid/unfinished? elmwood chariot wheel rims

Οn your blog you have translated ateretea as “inlaid” from the Greek ἀιτh=ρeς. I found these words ατελείωτος , ατελεις … that means “unfinished” Do you think that could work? Either way I get that ateretea is an adjective that describes the wheel rims [2].

α)τερεδέα/ατελείωτος πτελεFάς τερμιδFέντα ζευγάρι a1ρμοτα, (sorry for the mishmash Greek [3]).

Line 2. 1 Copper [4] set or pair of wheel fasteners , bronze set or pair of wheel fasteners

I looked around the net and some say copper was used as a band or even as a tire and as leather tire fasteners on bronze age chariot wheels.

Since the deta on kakodeta refers to bindings perhaps this line is refering to sets of types of fasteners of both copper and bronze for wheels? (hubs, linch pins, nails, etc…) [Richard, YES!]

χαλκίος ζευγάρι α1ρμοτα, χαλκοδέτα ζευγάρι α1ρμοτα

Line 3. 41 Sets or pairs of “kidapa” chariot wheel rims

Looked around the net didn’t find and words to match kidapa…I did take note that you think ― like L.R. Palmer ― that it means ash-wood.

κιδάπα τερμιδFέντα ζευγἀρι α1ρμοτα

Line 4. 40 to 89 ? sets of toothed/grooved willow-wood chariot wheels.

Ive looked at many diagrams and pictures of chariot wheels… but none that I could find were clear enough to really understand what might be meant by toothed [5]… Ι even watched a documentary where an Egyptian chariot is built. It is called building Pharaoh’s Chariot. Perhaps one day I’ll happen upon some chariot wheels somewhere and finally understand what is meant.

ο0δατFέντα ε0λικα ζευγἀρι α1ρμοτα 40 -89 ?

Comments by our moderator, Richard Vallance Janke:

This is absolutely brilliant work! I am astounded! 100 % hands down. This is one of the most difficult Linear A tablets to decipher. I too take kidapa to mean ash wood, as it is a tough wood. It is also probably Minoan, since it begins with ki, a common Minoan prefix:

kidapa OM = ash wood? (a type of wood) Appears only on Linear B tablet KN 894 N v 01
kidaro MOSC NM1 kidaro ke/dron = juniper berry-or- kedri/a = oil of cedar Cf. Linear B kidaro
kidata OM = to be accepted or delivered? (of crops) Cf. Linear B dekesato de/catoj

See my Comprehensive Linear A lexicon for further details I imagine you have already downloaded the Lexicon, given that at least 16 % of Linear A is Mycenaean-derived Greek. This decipherment alone of an extremely difficult Linear B tablet entitles you to a secondary school graduation diploma, which I shall draw up and send to you by mid-August.

Specific notes:

[1] Thalassa Farkas declares that … my knowlege of Greek grammar is not sufficient at present to write out proper sentences… , but the actual point is that it is not really possible to write out Greek sentences in Mycenaean Greek, in view of the fact that sentences are almost never used on Linear B tablets, given that these are inventories. Grammar is not characteristic of inventories, ancient or modern. So it is up to us as decipherers to reconstruct the putative “sentences which might be derived from each of the tabular lines in an inventory. So long as the sentences and the ultimate paragraph(s) make sense, all is well.

[2] wheel rims is an acceptable reading.

[3] This is hardly mishmash Greek. It is in fact archaic Greek, and archaic Greek in the Mycenaean dialect, absolutely appropriate in the context.

[4] In Line 2, kakiya (genitive singular of kako) might mean copper, but is much more likely to mean “(made of) bronze” (gen. sing.), given that copper is a brittle metal, more likely to shatter under stress than is bronze. Copper tires would simply not hold up. Neither would pure bronze ones. Either would have to be re-inforced, and in this case by kidapa = ash-wood. That is the clincher, and that is why the word kidapa appears on this tablet.

[5] In Line 5, temidweta does not mean with teeth, but the exact opposite, with grooves” or “with notches. After all, if we invert teeth in 3 dimensions, so that they are inside out, we end up with grooves. This can be seen in the following illustration of a Mycenaean chariot in the Tiryns fresco of women (warrior) charioteers:

Tiryns fresco women charioteers

On the other hand, scythes, which are after all similar to teeth, were commonplace on ancient chariots, including Egyptian, a nice little clever addition to help cut or chop up your enemies. Still, it is unlikely that Mycenaean chariots would be reinforced by scythes, in view of the fact that there are far too many of them even on fresco above. That is why I take temidweta to mean indentations” or “notches”. But temidweta could refer to “studs”, which like notches, are small, even though they stick out.




New interpretation of Linear A tablet ZA 20 (Zakros):

Linear A tablet ZA 20 HM 1636 Zakros

This new interpretation of Linear A tablet ZA 20 (Zakros) varies only slightly from my original one. I interpret the syllabogram on line 0 (the indecipherable line) as being NI, since the bottom of NI is a vertical line. And figs often figure prominently in Linear A tablets. The actual reading of the text is not quite clear, since there are at least 2 damaged syllabograms following MI on line 1. It is impossible to determine with any accuracy what the actual units of measurement are for anything on this tablet, although of course the units of chaff from wheat would have to be considerably less than the total units of wheat. So 1 unit + 6 units of wheat probably refers to something like bushels (a mere approximation), from which we would not get all that much chaff… which may explain the presence of the container, supposedly containing 3 smallish units of chaff. But why would anyone want to place chaff in a container? So we see problems with the decipherment.

Linear A tablet HT 38 (Haghia Triada) with 2 supersyllabograms, dealing with wine:

Linear A tablet TA HT 38 Linear A

This intriguing tablet apparently deals with containers for wine, ranging from a type of vase (daropa) to a wine-skin (aka) to cloth, which appears to have been treated to be water-proof. Since the ideogram for pig appears immediately to the left of aka, we can surmise that the wine-skin is made of pigs hide. The notion that cloth containers could have been water-proofed is somewhat in doubt, but the overall decipherment of HT 38 appears sound enough.


Linear B syllabograms, homophones and special characters missing from the Linear A syllabary:

Linear B syllabograms and homophones not in Linear A

A considerable number of Mycenaean Linear B syllabograms, homophones and special characters missing from the Linear A syllabary. But the same can be said for a fairly large number of Linear A syllabograms, homophones and special characters missing from Linear B. Thus, students of both syllabaries must master, first the overlap, which accounts for most of the characters in both syllabaries, and secondly, the discrepancies, of which there are scores. There is simply no way around it. If you are a student of both Linear A and Linear B you have to learn the syllabograms, homophones and special characters found in one of the syllabaries but missing in the other.

Notably, the O series of syllabograms in Linear B suffers from several lacunae in Linear A. This is simply because Linear A has an aversion the ultimate O, and nothing more. Words which terminate in O in Linear B, which is to say, masculine and neuters, much more commonly end in U in Linear A. And this includes a great many exograms which are common to both syllabaries.

Above all else, the masculine and neuter genitive singular always terminates in O in Linear B, and always in U in Linear A. The feminine genitive singular ultimate in Linear A, just as we find in Linear B, appears to be ija, and there are plenty of examples (for instance, jadireja, kiraja, kupa3rija, musajanemaruja, namarasasaja, nenaarasaja, nemaruja, nenaarasaja, nukisikija, sejarapaja, sidija, sudaja and Sukirteija, to cite just a few) . The problem is that no examples of masculine or neuter genitive singular with the ultimate ijo exist. Only a few words terminate in iju, (aju, araju, kumaju, kureju, pirueju and sareju), but these are almost certainly masculine and/or neuter genitive singular, hence likely validating the notion that the feminine genitive singular is ija.

Rita Roberts’ decipherment of Linear B tablet KN 669 K j 21 (Knossos) on grains and saffron:

Rita Roberts decipherment Linear B KN 669 K j 21 Knossos

This is the latest in the most recent run of Linear B tablets deciphered by Rita Roberts, who is in her second term, second year of university. The tablets she must now decipher are much more challenging than anything she has ever encountered before. Given that she is up against tablets that get progressively more and more difficult, her progress towards total mastery of Linear B is nothing short of first rate. Because she forgot to provide a free translation of Line 2, Rita scored 90 % on this tablet. But that is, as we say in French, un petit péché.

The first ever complete and entirely unique decipherment of Linear A tablet HT 123 RECTO (Haghia Triada):

Linear A tablet HT 123 Haghia Triada RECTO olives saffron flax wine

This decipherment of Linear A tablet HT 123 RECTO (Haghia Triada) is entirely unique and is the first ever of its kind. It incorporates several key features never before seen in any of the failed attempts at deciphering this tablet. These are:

1. It accurately identifies the crops as (a) olives (b) wine and (c) saffron/flax;

2. It accurately identifies what all previous decipherers” have erroneously assumed to be fractions as crop shares;

3. It accurately identifies the supersyllabogram PU, which no one has ever before been able to decipher as the Old Minoan word, punikaso = Phoenician or in the case of wine = purple, equivalent to Linear B ponikiyo.

4. It clearly and accurately identifies the shares of crops, usually 8 shares per;

5. The Old Minoan Linear A word kiro appears to mean they owed, which suits the context to a T;

6. the combination of the number 8 with harvesting fits the season exactly, the month for harvesting being lunar August (at least if the Minoans counted counted their lunar months from the first month in the year, which certainly appears to be the case).

7. Since the total 20 + is right-truncated on the last line, I have to assume that it refers to 20 or more months, given that 9 months are mentioned above, with the ninth month implying that 8 preceded it, for a total 17. The number 4 with the unknown character probably also references months, bringing the potential total to 21. Thus a grand total of 20+ months is not out of the question.

This is the first ever successful decipherment of Linear A tablet HT 123 (RECTO) in toto.



Supersyllabograms on the large Linear A tablet in the A.Y. Nikolaos Museum, Crete:

AY Nikolaos Museum tablet with supersyllabograms

There are a total of 6 supersyllabograms on the large Linear A tablet in the A.Y. Nikolaos Museum, Crete, far more than on any other Linear A tablet. In fact, there is no text at all on this tablet, which makes it unique in the Linear A repertoire. All in all, there are 27 supersyllabograms in Linear A, versus 36 in Linear B. The Minoans and not the Mycenaeans invented supersyllabograms. Since many visitors to our site are unfamiliar with supersyllabograms, even though they have been defined here on several occasions, a supersyllabogram is the first syllabogram, i.e. the first syllable of a particular word of major import in any of the major sectors of the Minoan economy. On this tablet, we find 7, of which one is not actually a syllabogram but a symbol. They are as follows:

1 SU (a) OM (Old Minoan) supa2 (supai) + supa2ra (supa2ra) = a small cup with handles

2 A2/AI OM? unknown, currently indecipherable

3 U NM1 (New Minoan) udiriki = with water (instr. Sing.) = hudriki (archaic Greek Latinized

4 PO NM1 potokuro = reaching a full drink, i.e. a draught (agglutinative) = poton + kurwn (archaic Greek latinized)

5 a hook which symbolizes a handle

6 A NM1 aresana = an embossed cup (archaic acc.) = aleissana (archaic Greek Latinized)

SU (b) OM sup1/supu/supu2 = the largest size pithos

NOTE that all of the supersyllabograms on this tablet deal with vessels and pottery.

Linear A contains 27 supersyllabograms, some of which are Mycenaean-derived New Minoan (NM1) and others Old Minoan, i.e. in the original Minoan substratum, as illustrated in this table:

620 Table 5 Table of 27 supersyllabograms in Minoan Linear A

The Decipherment of Supersyllabograms in Linear A will be the feature article in Vol. 13 (2017) of Archaeology and Science (Belgrade) ISSN 1452-7448 , to be published early in 2019. This article is to be the follow-up to The Decipherment of Supersyllabograms in Linear B, Vol. 11 (2015), currently online on here:

decipherment supesyllabograms archaeologyand science Belgrade



Preview of the most Complete Linear A Lexicon of 1029 words ever compiled in history soon to be published on just uploaded:

preview of comprehensive Linear A Lexicon

This Preview of the most Complete Linear A Lexicon of 1029 words ever compiled in history soon to be published on is in and of itself a lengthy article (14 pages long), offering full insight into the massive extent and impact of the actual lexicon, Comprehensive Lexicon of 1029 New Minoan, pre-Greek substratum and Old Minoan words, with extensive commentaries, soon to be published on my account (sometime in July 2017). The actual Lexicon will be at least 45 pages long, and will include all of the following elements:

1. An in-depth introduction, comparing this Lexicon, with its 1029 Linear A terms with the Linear A Reverse Lexicon of Prof. John G. Younger, containing 774 intact Linear A words. To date, Prof. Younger’ Lexicon has always been considered the de facto standard of Linear A lexicons; but it falls far short of the mark. From scanning through every last Linear A tablet on Prof. Younger’s site, Linear A texts in phonetic transcription, I discovered scores of Linear A words which he missed in his Reverse Lexicon. I have also spent the last two years ransacking the Internet for every last scrap of evidence of extant Linear A tablets, fragments, roundels, pendants and inscriptions on pottery, only to unearth even more Linear words entirely overlooked by Prof. Younger, to the extent that I uncovered a total of 1029 Linear A exograms, 225 more than he did. Thus, our Comprehensive Linear A Lexicon is 27.7 % larger than his.
2. The Lexicon itself, containing 1029 words, of which over 160 are Mycenaean-derived New Minoan, some 85 are either toponyms or eponyms, a few score fall within the pre-Greek substratum and at least 80 are Old Minoan words I have been able to decipher, more or less conclusively. As for the remainder of the Old Minoan substratum, i.e. the original pre-Greek Minoan language, I have been unable to decipher the rest of its vocabulary. But believe it or not, this factor is less of an impediment to the decipherment of Linear A than we might otherwise believe. I have been able to decipher at least 350 words out of a total of 1029, which is to say about 33 % of Linear A.
3. Each section of the final Comprehensive Lexicon, i.e. A: Mycenaean-derived New Minoan NM1 B: the pre-Greek substratum C: eponyms and toponyms D: Old Minoan vocabulary and E: ligatured logograms is accompanied by a detailed analysis and survey of its contents.
4. The final Lexicon contains a comprehensive bibliography of 84 items on every aspect I have detailed of the decipherment of Linear A as outlined in this preview.  



Linear A tablet ZA 15 VERSO (Zakros), so little text, so information rich, all about wine, with yet another Old Minoan word conclusively deciphered!

Linear A tablet ZA 15 b VERSO Zakros

If there is any Linear A tablet which conveys so much information in so few words, this has to be it. No one could be blamed for thinking that a tablet, whether or not it is inscribed in Linear A or Linear B, which contains only 2 words (qedi & kuro), 3 ideograms (wine) and one supersyllabogram would have little to say. But this is far from the case here. This tablet offers us the best of 3 worlds. First of all, the word kuro is Mycenaean-derived New Minoan; secondly, we are finally able to establish once and for all and beyond doubt that the Old Minoan word qedi actually means a flagon for wine. Since it appears on other Linear A tablets in conjunction with the same ideogram, wine, the meaning is indisputable; and thirdly, the supersyllabogram RA, as all supersyllabograms are, is information-rich. It can stand for only 1 of two possible Linear A words, rani or ratise, which are, believe it or not, practically synonymous. First we have rani, which means anything sprinkled (as in a libation); rain drop, and then ratise, which appears to be instrumental plural for with drops of wine. So the inscription reads the same way either way. I would like to point out as well that no linguist specializing in Linear A, not even Prof. John G. Younger, has drawn explicit attention to the supersyllabogram RA, which is critical to a proper reading of this tablet, since no Linear A, let alone Linear B, researchers have recognized supersyllabograms for what they are, until I myself deciphered all 36 of them in Linear B between 2014 and 2016, the results of my research consequently published in Archaeology and Science, Vol. 11 (2015) ISSN 1452-7448, pp. 73-108:

decipherment of supersyllabograms in Linear B

And not to be outdone, I have also already isolated the 27 supersyllabograms found in Linear A. It actually came as no surprise to me that Linear A has supersyllabograms.

Table 5 Table of 27 supersyllabograms in Minoan Linear A revised 2017

As it so turns out, it was the Minoan Linear A scribes who invented supersyllabograms, not the Minoan-Mycenaean Linear B scribes. You will note that I have already been able to decipher 10 of the 27 SSYLS in Linear A, including that for RA, which in the pottery and vessels sector signifies with drops of wine for a libation”. The enormous and far-reaching implications of supersyllabograms in both Linear A and Linear B cannot be stressed enough.


RESEARCH paper: Supersyllabograms in the agricultural sector of the Mycenaean economy, by Rita Roberts

This essay constitutes Rita Robert’s first foray into major research in ancient Mycenaean linguistics on Rita has composed this highly scholarly article as the major component of her mid-term examination in her second year of university, exactly half way to her degree. Keeping up this pace, she is bound to perform outstandingly in her final essay of her second year, and in her third year thesis paper, which will be considerably more demanding than this study, and about twice as long.

I strongly recommend you to download this study here:

supersyllabograms in agriculture in Linear B

It makes for engaging reading in ancient linguistics research.

You can reach Rita’s account here to view her other papers:

rita roberts


Decipherment of Linear A tablet HT 14 (Haghia Triada) with John G. Youngers errors corrected:

Linear A tablet HT 14 Haghia Triada


For the first time ever in history, a conjectural full restoration of an entire Linear A tablet, ZA 20 (Zakros):

Linear A tablet ZA 20 Zakros restored

In the previous post, I conjectured how the text of the missing top of Linear A tablet ZA 20 (Zakros) might have read. While we shall never know for certain, one thing is sure: we do know that the entire tablet dealt with grain crops. It therefore stands to reason that the missing text on the top must have inventoried grains. With this firmly in mind, I have endeavoured to reconstruct what I believe how the missing text may have read. It could very well have run something along these lines:

kireta2 (kiretai) 11 dideru 42 dideru 30 qerie 22 qerie 6

NOTE that kireta2 (kiretai) is the Minoan orthography for Greek krithai (Latinized), which of course is barley.

Translation: 11 bushel-like units of barley, 42 units of emmer wheat, 30 units of emmer wheat mixed with 22 units of roasted einkorn, and 6 units of pure roasted einkorn

for a total of 111

which when taken into account with total of 19 on the bottom half of the tablet yields a grand total of 130.

Hence the decipherment of the entire tablet with the top half restored as conjectured, reads as follows:

11 bushel-like units of barley, 42 units of emmer wheat, 30 units of emmer wheat mixed with 22 units of roasted einkorn, and 6 units of pure roasted einkorn + ro? with dry units of measurement (i.e. bushel-like units) + 4 units of mi? + ? + ? + along with 1 bushel-like unit of wheat 7 12 bushel-like units of te*123 (flax?) + 2 bushels of rumatase (spelt?) for a grand total of 130.

As you can readily see, this decipherment makes perfect sense, and in any case, even if the text of original tablet did not read quite this way, it must have read very much like this.

You will forgive my awful scribal hand. I cannot hope to be able to replicate the finer hand of the original scribe.

Free translation of Linear A tablet KH 5 (Khania) concerning the shipping of wine by sea?

Linear A tablet KH 5 Khania enhanced

If this tablet, KH 5 (Khania) is inscribed in Mycenaean-derived New Minoan, then it would appear that it deals with the shipping of wine by sea. The fact that the floor boards are apparently level would imply that the shipment was carried out successfully in calm seas. On line 1, adakisika, which is Mycenaean-derived New Minoan with orthography adapted to Old Minoan, translates as and adorned with ivy, which implies that the cargo has been blessed by a priest(ess). If this is the case, there is text missing before this phrase, which after all ends with and”, hence possibly “and adorned with ivy (blessed by a priest(ess))”. If NA references nauwi, i.e. “on a ship”, then the mention of “on a level wooden floor (i.e. deck)” makes sense in context. This decipherment may be largely correct, but there is no way of verifying this with any certainty. Finally, if PA is the first syllabogram of pa3ni (paini), which I interpret as Old Minoan for “amphora”, then the wine is being shipped in amphorae, the only way wine could have been shipped in Minoan times. As if…

Haghia Triada roundels & noduli:

Linear A nodulae with syllabogram SI from Haghia Triada

From: The Haghia Triada administrative documents:

Descriptions from this site (quoted):

Although the writing has not been deciphered neither the language has been interpreted (sic, poor grammar) various data may be obtained from the tablets. First of all, a list of Linear A signs may be hypothesized, which, with its 97 symbols, reveals a syllabic script of a simple typology (consonant + vowel and vowels): the signs are, in fact, too many, to represent a complex syllabic system (as the Near Eastern Cuneiform and the Aegyptian Hieroglyph). To these syllabic signs a long series of "logograms", representing each one a word, are added. 

Types of seals represented:

nodulae and roundels from Haghia Triada


The roundel is a characteristic document of the Neopalatian Minoan [1] administration, beside the tablet. It is a round clay disk (classified as Wc) with seals impressions along the edge - from one to six impressions - and, on most cases, one inscription on one or both sides. Frequently the inscription consists of a logogram, sometimes also of a sign-group. It seems to represent the last act [2] of an administrative transaction and probably functioned as a receipt. 

The seals stamped on roundels fully coincide with seals stamped on the other different documents. At Haghia Triada 22 roundels have been found, one of them being without (an) inscription. 


It is (sic, They are) the most widespread Aegean Bronze Age document, both geographically and chronologically. These clay small object (sic, objects) (defined as noduli by J. Weingarten) were not always inscribed but only sealed. They appear in two shapes: dome (classified as We) (fig. 4) and disk (classified as Wf) (fig. 5).  At Haghia Triada 54 noduli have been found, in dome shape, and only 7 are inscribed. 

1 Flat-based nodule:
This type of document is rarely inscribed but regularly sealed. Its characteristic is the negative impression on its reverse (or base) which shows that it had been placed upon a folded piece of parchment around which a thin thread was wound which was also wound into the clay. It appears in two different shapes: standing (fig. 6) or recumbent (fig. 7) (both classified as Wb). At Haghia Triada 76 flat-based nodules have been found, only 2 having a carved inscription. 

2 Hanging nodule [3]:

This small clay piece is characterized by string holes which show that it was fastened to another object by a string. They may present one or two holes. 
Those with two holes (classified as Wd) have an elongated shape (fig. 8), while those with one hole (classified as WA) present five slightly different shapes: pendant, pyramid, cone, dome, pear (fig. 9) [4]. At Haghia Triada 936 single-holes have been found, 851 being inscribed, and 11 two-hole, only 2 being inscribed. 

Comments by Richard Vallance:

[1] Neo-palatial Minoan administration: This is the Minoan administration at Haghia Triada dating from the Middle Minoan MM ca. 1750-1550 BCE & Late Minoan LM1A, ca. 1550-1500 BCE. Documents in Linear A inscribed during the LM1A period may have been inscribed in Mycenaean-derived New Minoan.  
[2] “the last act”. This is ambiguous English. Does it refer to the “the most recent” of the Haghia Triada administration? And if so, does this mean the act or acts date from the Late Minoan LM1A period?  And if so, are these acts inscribed in Mycenaean-derived New Minoan?
[3] The nodules illustrated in my decipherment of Figure 9 above are hanging nodules.
[4] See my 3 decipherments in Figure 9 at the outset of this post. If the syllabogram SI is the first syllable of a Mycenaean-derived New Minoan word, it could represent any of the 3 decipherments I have proposed. If on the other hand, SI represents any Old Minoan word, it is indecipherable.  

Haghia Triada pianta genrale

Linear A tablet HT 18 (Haghia Triada) in Old Minoan fully deciphered:

Linear A ideogams for wheat and barley

Linear A tablet HT 18 Haghia Triada

Except for the word pase which introduces this tablet, and which is probably Mycenaean-derived, the entire tablet is in Old Minoan, i.e. the Minoan substratum. Since we know what all of the ideograms and supersyllabograms mean, the decipherment is straightforward. On the first line, we have the ideogram for wheat followed by the associative supersyllabogram QE, which stands for qeria, Old Minoan for “emmer roasted wheat”. Next we have the ideogram for “roasted einkorn”, which Prof. John G. Younger incorrectly identifies as the ideogram for “olives”. They are sometimes confused. In this context, it makes no sense whatsoever for this ideogram to signify “olives”, in view of the fact the rest of the tablet deals with wheat, except at the very end, where figs are introduced. The associative supersyllabogram KI with the ideogram for “roasted einkorn” may reference one of two things, either kiretana, which is apparently Old Minoan for “Cretan” or more likely than not kireta2 (kiretai), meaning “with barley”. In other words, the roasted einkorn is mixed with barley. Finally, we have the supersyllabogram NI for “figs”. In old Minoan, this word is either nire or nite in the plural. The assignment of “bushel-like units” to the wheat and barley on this tablet is merely an approximation, since we have no idea what the standard unit for the measurement of grains, wheat or barley was in Minoan or for that matter in Mycenaean Crete. But it gives us an approximation of the amounts we are dealing with on this tablet.

Partial decipherment of Linear A tablet ZA 15 (Zakros) and the phenomenon of orthographic adjustment of superstratum words in the substratum language:

Linear A tablet Zakros ZA 15

This decipherment of Linear A tablet ZA 15 seems to add up overall. I have divined that the word qesizue, of which there are 57, means “goblets”. The plural in e is common in Linear A, and appears to be the plural of feminine diminutives, which in the case would imply that the singular is qesizuai = “goblet”. The decipherment certainly fits the context. The translation of itinisa as “in wicker/baskets” is less certain. Samidae can be construed as Old Minoan genitive singular for “from Samos”. Recall that when words derive from the superstratum, which means Mycenaean derived words in the case of Linear A, the orthography of the derived words must be altered from their Mycenaean spelling to Old Minoan Linear A spelling conventions. So in this case, Mycenaean Samoio (genitive sing.) could conceivably become Samidae in Minoan. 

We should not be at all surprised at this metamorphosis of orthography from the superstratum (Mycenaean derived vocabulary) to the substratum (Minoan vocabulary derived from the Mycenaean superstratum). After all, when superstratum French words are imported into English, their orthography undergoes the same metamorphosis. For instance, we have:

French to English:

albâtre = alabaster
bénin = benign
cloître = cloister
dédain = disdain
épître = epistle
forêt = forest
fanatique = fanatic
gigantesque = gigantic
gobelet = goblet
loutre = otter
maître = master
plâtre = plaster
similitude = similarity
traître = treacherous

and on and on. This phenomenon applies to every last substratum language upon which a superstratum from another language is imposed. So in the case of Old Minoan, it is inevitable that the orthography of any single superstratum Mycenaean derived word has to be adjusted to meet the exigencies of Minoan orthography.

The most striking example of this metamorphosis is the masculine singular. Mycenaean derived words in Minoan must have their singular ultimate adjusted to u from the Mycenaean o. There are plenty of examples:

Akano to Akanu (Archanes)
akaro to akaru (field)
kako to kaku (copper)
kuruko to kuruku (crocus/saffron)
mare (mari) to maru (wool)
Rado to Radu (Latos)
simito to simitu (mouse)
suniko to suniku (community)
Winado to Winadu (toponym)
woino to winu (wine)
iyero to wireu  (priest)

Archaeology and Science annual: the Decipherment of Supersyllabograms in Linear B, the last & most formidable frontier in the decipherment of Mycenaean Linear B:


For the past 65 years since Michael Ventris first deciphered Linear B, one phenomenon has eluded historical linguists and philologists. This is the supersyllabogram, which is always a single syllabogram, being the first syllabogram, i.e. the first syllable of a particular Mycenaean word in any one or more of the major economic sectors of the Mycenaean economy: agriculture, military, textiles and the vessels and pottery sector, along with a few religious supersyllabograms. Supersyllabograms are always independent; they always stand alone on extant Linear. My discovery, isolation and classification of supersyllabograms represents the final frontier in the decipherment of Mycenaean Linear B. Some 800 tablets from Knossos alone contain primarily supersyllabograms, with a subset of these incised with supersyllabograms and nothing else. It is difficult to decipher the former, and impossible to decipher the latter without fully accounting for the presence of supersyllabograms. The decipherment of supersyllabograms accounts for the last and most difficult remaining 10 % of Mycenaean Linear B to be deciphered.




You may also download The Decipherment of Supersyllabograms in Linear B here:


This article is 35 pages long (pp. 73-108) in a 29 cm. x 22 cm. format, which is far oversized compared with the standard north American format for research journals (ca. 20 cm. vertical), meaning that if it had been published in the standard north American format, it would have run to some 50 pp., which is the size of a small book.

The Editorial Board consists of 21 peer reviewers, all of them matriculated professors and researchers at the Ph.D. level or higher, from Ancona, Belgrade, Belgium, Bologna, Madison, Wisconsin, U.S.A., Moscow, Münich, Philadelphia, U.S.A., Rome, Warsaw & Trieste. Every author must pass muster with the majority of these peer reviewers if his or her article is to be published in Archaeology and Science. That is one tall hurdle to overcome.

Note also that I am ranked in the top 0.5 % of all researchers and publishers on



Revisiting & deciphering 2 (TE & DA) of the 27 supersyllabograms in Minoan Linear A in light of the decipherment of 69 additional Minoan words:

Last year (2016), I isolated and categorized all 27 supersyllabograms in Minoan Linear A. This was an extremely exhaustive task, as I had to scan through all the extant Linear A tablets and fragments in order to tally them all. This took at least a month. It is important to understand that the Minoans, and not the Mycenaeans, invented supersyllabograms. A supersyllabogram is defined as the first syllabogram, i.e. the first syllable of any given specific Minoan word, economic sector dependent. In other words, when we cross from one economic sector to another, the meaning of any single supersyllabogram can and often does change. The exact same phenomenon recurs in Mycenaean Linear B. For the past year and a half, I have thoroughly covered and deciphered all 36 supersyllabograms in Mycenaean Linear B, and I have as well tentatively deciphered 9 or 33 % of the 27 supersyllabograms in Minoan Linear A. Yet in spite of my initial attempts at decipherment, I was unable to assign any proto-Greek significance to any of them.

But since I have now deciphered 69 new Minoan Linear A words of putative proto-Greek, proto-Hebrew, proto-Semitic and proto-Scythian origin, I have been able to revisit at least 2 of the 27 supersyllabograms, namely, DA & TE & I have discovered that a proto-Greek reading of them on at least one Minoan Linear A tablet, HT 133, makes perfect, unified sense in translation, as seen in this table:


The only observation I should make is the following: the supersyllabogram TE, which is the first syllabogram of the middle voice TENAI = archaic Greek teinai, appears first in the list, because the 55 standard units grains or wheat must be cut down first before they are distributed. For this reason, the middle voice DAINAI (of which the ultimate NAI is identical with that of TENAI), meaning “they are distributed” (i.e. the 55 standard units of grains or wheat). So the word order is entirely rational, and intuitive to the Minoan language. Cut the 55 units of grains or wheat first, and then distribute them. In short, the word order is identical to English. This should come as no surprise in view of the fact that both Minoan Linear A and Mycenaean Linear B generally read from left to right, just as does modern English.

This new development raises the number of Minoan Linear A supersyllabograms tentatively deciphered from 9 to 11 or 40.8 % of all 27 Linear A supersyllabograms.

What do all those supersyllabograms in Linear B associated with the ideogram for “saffron” mean?

In response to a recent query by a research colleague of mine regarding the use of 4 key supersyllabograms in Mycenaean Linear B (A, TI, RO & WE) related to the harvesting and production of saffron, I am reposting this table:


It is clear that each of these 4 supersyllabograms functions in its own unique way. I sincerely hope that this reposting clears up any ambiguities that may have previously persisted.


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