Minoan Linear A, Linear B, Knossos & Mycenae now has its own private domain name:
It is no longer evident from the domain name that this is a WordPress site. I have also cleaned up the Header to eliminate the annoying RSS Feed. Now you select any month/year the Monthly Archives right from the TOP of page.
Imagine my utter astonishment when I just now revisited a rare Minoan Linear A tablet from Malia, and deduced that it may be written in proto-Greek! And here it is, complete with a fairly complete decipherment, except for the word puwi, which utterly escapes me:As I have just pointed out in the illustration of this tablet above, the implication for the eventual (all but complete?) decipherment of Minoan Linear A are nothing short of staggering ! The first time I attempted to decipher this tablet, I got absolutely nowhere, but this time round the story is quite different. Compare the decipherment of this rare Minoan Linear A tablet with my decipherment of a Minoan Linear A medallion, on which is inscribed what appears to be the Linear A ideogram for “man”, but in fact is not.
I have explained this in some detail in the preview of my article, “The Mycenaean Linear B “Rosetta Stone” to Minoan Linear A Tablet HT 31 (Haghia Triada) Vessels and Pottery”, to be published in Vol. 12 (2016) of the prestigious international journal, Archaeology and Science (Belgrade) ISSN 1452-7448 (the article being currently under wraps until it is eventually published, probably early in 2018), and which will run to at least 50 pages.
PINTEREST boards of interest related to Minoan Linear A & Mycenaean Linear B: This is a reasonably comprehensive directory of PINTEREST boards of interest related to Minoan Linear A & Mycenaean Linear B. To visit each board, simply CLICK on its banner, and sign up, if you like: MAJOR BOARDS Minoan Linear A, Mycenaean Linear B: Progressive Grammar & Vocabulary (Click BANNER to visit):Knossos & Mycenae, Sister Civilizations
Cultura Minoica
Antiche scritture
Minoan
Minoan | Mycenaean
SCR Lineare prealfabetica
Minoan: the Art and Culture of Knossos, Crete
Archaeology – Minoan
Minoan Civilization
Minoan & Mycenaean Arts & Architecture
Mycenaean, Minoan, Hittite
Stunning frescoes from Knossos, Third Palace, Late Minoan III b (ca. 1450 BCE) Post 1 of 2
Knossos, Queen’s Megaron restored, Third Palace, Late Minoan IIIb (ca. 1450 BCE) Post 3 of 3:
Knossos, Queen’s Megaron restored, Third Palace, Late Minoan IIIb (ca. 1450 BCE) Post 2 of 3:
POST 1,100: Knossos, Queen’s Megaron restored, Third Palace, Late Minoan IIIb (ca. 1450 BCE) Post 1 of 3:
There is only one building on the site of the ruins of Knossos which has been fully restored, and that is the so-called magnificent “Queen’s Megaron”. It is an edifice of startling beauty, and contains the first known throne in any ancient palace in Europe.
The Throne Room is adorned with stunning frescoes of griffins, as illustrated here:
Knossos, Bull Portico photos, Third Palace, Late Minoan IIIb (ca. 1450 BCE) Post 2 of 2:
Knossos, Bull Portico photos, Third Palace, Late Minoan IIIb (ca. 1450 BCE) Post 1 of 2:
Here you see the first 3 photos of the Bull Portico photos, Third Palace, Knossos, Late Minoan IIIb (ca. 1450 BCE). The architecture is simple, but magnificent. The fresco of the bull is stunning. The bull was the standard symbol of almost all ancient Occidental civilizations, and that of Persia as well, until later into Antiquity. I wish to draw your attention specifically to the incredibly accurate circular designs on the frieze. As with all Greek architecture, the proportions are absolutely perfect, from one circle to the next.
Even the Parthenon of Athens was flanked by bulls at its entrance, as illustrated here:
A series of 5 Linear B fragments on vessels (pottery) with 2 beautiful illustrations of amphorae:There can be no surprise that 4 these 5 fragments follow one another serially, while the last one is in the same numeric series (700s). I do not understand why 708b just shows the number 8 but has no framework in which it is supposed to be set (i.e. no fragment). Fragment 709 M m 01 appears to have originally been a longer tablet, since there is text (? na) left-truncated prior to the ideogram and right-truncated (ya) after it. It is impossible to recover the “absent” meaning of the word of which these syllabograms a a part. 776a M f 01 is very peculiar. The “amphora” at the top is clearly unfinished, and even the one on the bottom is rudimentary. This is uncharacteristic of Linear B scribes. Was he alseep at the switch? Was it the end of the day? Was the tablet started, only to be discarded? If so, why? We shall never know. Examples of exquisite Minoan amphorae from Knossos:
Knossos building with perfect circular rosettes on its frieze!
This building is remarkable for the typically Greek (or if you prefer, Minoan) simplicity of its architecture. What really struck me while I was visiting Knossos on the afternoon of May 2 2012 was that the circular rosettes on its frieze are perfectly circular, each one exactly identical to the next. It seems the Greeks inherited the mania for geometric simplicity fro their forbears, the Minoans.
More photos follow in the next post.
More photos of the Third Palace, Knossos, Late Minoan III (ca. 1450 BCE), general views from the net:
versus photos of ancient Chinese architecture:
GJUHA SHQIPE_ETIMOLOGJI
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